“Now, go away, I don’t wish to have your arm any longer; or perhaps, better, continue to give me your arm, and walk along beside me, but don’t speak a word to me. I wish to think by myself.”
In the hall the servants were waiting, and handed her her fur cloak. Martha, the cook, ran in from the kitchen. Nastasia kissed them all round.
“‘My God!’ he cried, ‘where did you find it? How?’ I explained in as few words as I could, and as drily as possible, how I had seen it and picked it up; how I had run after him, and called out to him, and how I had followed him upstairs and groped my way to his door.
“Very.”

“No, I didn’t,” said the prince, trembling a little, and in great agitation. “You say Gavrila Ardalionovitch has private communications with Aglaya?--Impossible!”

“Here, on the verandah? Very well, I’ll tell them all not to come and wake you. Papa has gone out somewhere.”
“Very.”

“No, sir, I do not exaggerate, I understate the matter, if anything, undoubtedly understate it; simply because I cannot express myself as I should like, but--”

“‘To salt horse-flesh,’ said Davoust. Napoleon shuddered--his fate was being decided.

“And are you assured, at the same time, that you love Aglaya too?”

“And where have you come to?”
“Well, I was precious dull with her, especially as she was so childish that there was nothing to be got out of her. Eventually, she stole a fowl of mine; the business is a mystery to this day; but it could have been no one but herself. I requested to be quartered somewhere else, and was shifted to the other end of the town, to the house of a merchant with a large family, and a long beard, as I remember him. Nikifor and I were delighted to go; but the old lady was not pleased at our departure.
“Are you trying to frighten me? I am not Tania, you know, and I don’t intend to run away. Look, you are waking Lubotchka, and she will have convulsions again. Why do you shout like that?”
“Not as a present, not as a present! I should not have taken the liberty,” said Lebedeff, appearing suddenly from behind his daughter. “It is our own Pushkin, our family copy, Annenkoff’s edition; it could not be bought now. I beg to suggest, with great respect, that your excellency should buy it, and thus quench the noble literary thirst which is consuming you at this moment,” he concluded grandiloquently.

“I am kind myself, and _always_ kind too, if you please!” she retorted, unexpectedly; “and that is my chief fault, for one ought not to be always kind. I am often angry with these girls and their father; but the worst of it is, I am always kindest when I am cross. I was very angry just before you came, and Aglaya there read me a lesson--thanks, Aglaya, dear--come and kiss me--there--that’s enough” she added, as Aglaya came forward and kissed her lips and then her hand. “Now then, go on, prince. Perhaps you can think of something more exciting than about the donkey, eh?”

“Here on my paper, I make a note of all the figures and dates that come into my explanation. Of course, it is all the same to me, but just now--and perhaps only at this moment--I desire that all those who are to judge of my action should see clearly out of how logical a sequence of deductions has at length proceeded my ‘last conviction.’
She fell back into a chair, and burst into tears. But suddenly some new expression blazed in her eyes. She stared fixedly at Aglaya, and rose from her seat.
Everyone exchanged startled glances. Gania rushed out towards the dining-room, but a number of men had already made their way in, and met him.

Farther on, in another place, she wrote: “Do not consider my words as the sickly ecstasies of a diseased mind, but you are, in my opinion--perfection! I have seen you--I see you every day. I do not judge you; I have not weighed you in the scales of Reason and found you Perfection--it is simply an article of faith. But I must confess one sin against you--I love you. One should not love perfection. One should only look on it as perfection--yet I am in love with you. Though love equalizes, do not fear. I have not lowered you to my level, even in my most secret thoughts. I have written ‘Do not fear,’ as if you could fear. I would kiss your footprints if I could; but, oh! I am not putting myself on a level with you!--Look at the signature--quick, look at the signature!”

“Because, you know,” Rogojin recommenced, as though continuing a former sentence, “if you were ill now, or had a fit, or screamed, or anything, they might hear it in the yard, or even in the street, and guess that someone was passing the night in the house. They would all come and knock and want to come in, because they know I am not at home. I didn’t light a candle for the same reason. When I am not here--for two or three days at a time, now and then--no one comes in to tidy the house or anything; those are my orders. So that I want them to not know we are spending the night here--”
Poor Lizabetha Prokofievna was most anxious to get home, and, according to Evgenie’s account, she criticized everything foreign with much hostility.
The room they were now sitting in was a large one, lofty but dark, well furnished, principally with writing-tables and desks covered with papers and books. A wide sofa covered with red morocco evidently served Rogojin for a bed. On the table beside which the prince had been invited to seat himself lay some books; one containing a marker where the reader had left off, was a volume of Solovieff’s History. Some oil-paintings in worn gilded frames hung on the walls, but it was impossible to make out what subjects they represented, so blackened were they by smoke and age. One, a life-sized portrait, attracted the prince’s attention. It showed a man of about fifty, wearing a long riding-coat of German cut. He had two medals on his breast; his beard was white, short and thin; his face yellow and wrinkled, with a sly, suspicious expression in the eyes.
But Rogojin understood how things were tending, at last. An inexpressibly painful expression came over his face. He wrung his hands; a groan made its way up from the depths of his soul.

“What would I show them?

The general left the room, and the prince never succeeded in broaching the business which he had on hand, though he had endeavoured to do so four times.

The prince had told Evgenie Pavlovitch with perfect sincerity that he loved Nastasia Philipovna with all his soul. In his love for her there was the sort of tenderness one feels for a sick, unhappy child which cannot be left alone. He never spoke of his feelings for Nastasia to anyone, not even to herself. When they were together they never discussed their “feelings,” and there was nothing in their cheerful, animated conversation which an outsider could not have heard. Daria Alexeyevna, with whom Nastasia was staying, told afterwards how she had been filled with joy and delight only to look at them, all this time.

Thanks to the manner in which he regarded Nastasia’s mental and moral condition, the prince was to some extent freed from other perplexities. She was now quite different from the woman he had known three months before. He was not astonished, for instance, to see her now so impatient to marry him--she who formerly had wept with rage and hurled curses and reproaches at him if he mentioned marriage! “It shows that she no longer fears, as she did then, that she would make me unhappy by marrying me,” he thought. And he felt sure that so sudden a change could not be a natural one. This rapid growth of self-confidence could not be due only to her hatred for Aglaya. To suppose that would be to suspect the depth of her feelings. Nor could it arise from dread of the fate that awaited her if she married Rogojin. These causes, indeed, as well as others, might have played a part in it, but the true reason, Muishkin decided, was the one he had long suspected--that the poor sick soul had come to the end of its forces. Yet this was an explanation that did not procure him any peace of mind. At times he seemed to be making violent efforts to think of nothing, and one would have said that he looked on his marriage as an unimportant formality, and on his future happiness as a thing not worth considering. As to conversations such as the one held with Evgenie Pavlovitch, he avoided them as far as possible, feeling that there were certain objections to which he could make no answer.

Evidently the quiet, pleasant current of the family life of the Epanchins was about to undergo a change.
“‘Never!’ I cried, indignantly.”
But Nastasia could not hide the cause of her intense interest in her wedding splendour. She had heard of the indignation in the town, and knew that some of the populace was getting up a sort of charivari with music, that verses had been composed for the occasion, and that the rest of Pavlofsk society more or less encouraged these preparations. So, since attempts were being made to humiliate her, she wanted to hold her head even higher than usual, and to overwhelm them all with the beauty and taste of her toilette. “Let them shout and whistle, if they dare!” Her eyes flashed at the thought. But, underneath this, she had another motive, of which she did not speak. She thought that possibly Aglaya, or at any rate someone sent by her, would be present incognito at the ceremony, or in the crowd, and she wished to be prepared for this eventuality. “Your highness! His excellency begs your presence in her excellency’s apartments!” announced the footman, appearing at the door.
“Then you wanted me to lend you money?”

“Oh, but I know nothing about painting. It seems to me one only has to look, and paint what one sees.”

The prince immediately followed the man out of the room.
On the particular morning on which our story has opened, the family had assembled in the dining-room, and were waiting the general’s appearance, the latter having promised to come this day. If he had been one moment late, he would have been sent for at once; but he turned up punctually.
“Oh! I didn’t say it because I _doubt_ the fact, you know. (Ha, ha.) How could I doubt such a thing? (Ha, ha, ha.) I made the remark because--because Nicolai Andreevitch Pavlicheff was such a splendid man, don’t you see! Such a high-souled man, he really was, I assure you.”
“Oh, I only judge by what I see. Varvara Ardalionovna said just now--”
“I see, I see,” said Evgenie, smiling gently. His mirth seemed very near the surface this evening.

“That was a psychological phenomenon, not an action,” remarked Totski.

“Indirectly, quite indirectly! I am speaking the truth--I am indeed! I merely told a certain person that I had people in my house, and that such and such personages might be found among them.”

“No, I had better speak,” continued the prince, with a new outburst of feverish emotion, and turning towards the old man with an air of confidential trustfulness. “Yesterday, Aglaya Ivanovna forbade me to talk, and even specified the particular subjects I must not touch upon--she knows well enough that I am odd when I get upon these matters. I am nearly twenty-seven years old, and yet I know I am little better than a child. I have no right to express my ideas, and said so long ago. Only in Moscow, with Rogojin, did I ever speak absolutely freely! He and I read Pushkin together--all his works. Rogojin knew nothing of Pushkin, had not even heard his name. I am always afraid of spoiling a great Thought or Idea by my absurd manner. I have no eloquence, I know. I always make the wrong gestures--inappropriate gestures--and therefore I degrade the Thought, and raise a laugh instead of doing my subject justice. I have no sense of proportion either, and that is the chief thing. I know it would be much better if I were always to sit still and say nothing. When I do so, I appear to be quite a sensible sort of a person, and what’s more, I think about things. But now I must speak; it is better that I should. I began to speak because you looked so kindly at me; you have such a beautiful face. I promised Aglaya Ivanovna yesterday that I would not speak all the evening.”
It was said that there were other reasons for his hurried departure; but as to this, and as to his movements in Moscow, and as to his prolonged absence from St. Petersburg, we are able to give very little information.
“I suppose you have felt that in your own case,” said Aglaya.
During the evening other impressions began to awaken in his mind, as we have seen, and he forgot his presentiment. But when Pavlicheff was mentioned and the general introduced him to Ivan Petrovitch, he had changed his place, and went over nearer to the table; when, it so happened, he took the chair nearest to the beautiful vase, which stood on a pedestal behind him, just about on a level with his elbow.
“Excellency,” he said, impulsively, “if you want a reliable man for the night, I am ready to sacrifice myself for my friend--such a soul as he has! I have long thought him a great man, excellency! My article showed my lack of education, but when he criticizes he scatters pearls!”
“Admitted that consciousness is called into existence by the will of a Higher Power; admitted that this consciousness looks out upon the world and says ‘I am;’ and admitted that the Higher Power wills that the consciousness so called into existence, be suddenly extinguished (for so--for some unexplained reason--it is and must be)--still there comes the eternal question--why must I be humble through all this? Is it not enough that I am devoured, without my being expected to bless the power that devours me? Surely--surely I need not suppose that Somebody--there--will be offended because I do not wish to live out the fortnight allowed me? I don’t believe it.
It was clear that he came out with these words quite spontaneously, on the spur of the moment. But his speech was productive of much--for it appeared that all Gania’s rage now overflowed upon the prince. He seized him by the shoulder and gazed with an intensity of loathing and revenge at him, but said nothing--as though his feelings were too strong to permit of words.
He gasped as he spoke, and his strange agitation seemed to increase.
“Yes, it’s quite true,” said Rogojin, frowning gloomily; “so Zaleshoff told me. I was walking about the Nefsky one fine day, prince, in my father’s old coat, when she suddenly came out of a shop and stepped into her carriage. I swear I was all of a blaze at once. Then I met Zaleshoff--looking like a hair-dresser’s assistant, got up as fine as I don’t know who, while I looked like a tinker. ‘Don’t flatter yourself, my boy,’ said he; ‘she’s not for such as you; she’s a princess, she is, and her name is Nastasia Philipovna Barashkoff, and she lives with Totski, who wishes to get rid of her because he’s growing rather old--fifty-five or so--and wants to marry a certain beauty, the loveliest woman in all Petersburg.’ And then he told me that I could see Nastasia Philipovna at the opera-house that evening, if I liked, and described which was her box. Well, I’d like to see my father allowing any of us to go to the theatre; he’d sooner have killed us, any day. However, I went for an hour or so and saw Nastasia Philipovna, and I never slept a wink all night after. Next morning my father happened to give me two government loan bonds to sell, worth nearly five thousand roubles each. ‘Sell them,’ said he, ‘and then take seven thousand five hundred roubles to the office, give them to the cashier, and bring me back the rest of the ten thousand, without looking in anywhere on the way; look sharp, I shall be waiting for you.’ Well, I sold the bonds, but I didn’t take the seven thousand roubles to the office; I went straight to the English shop and chose a pair of earrings, with a diamond the size of a nut in each. They cost four hundred roubles more than I had, so I gave my name, and they trusted me. With the earrings I went at once to Zaleshoff’s. ‘Come on!’ I said, ‘come on to Nastasia Philipovna’s,’ and off we went without more ado. I tell you I hadn’t a notion of what was about me or before me or below my feet all the way; I saw nothing whatever. We went straight into her drawing-room, and then she came out to us.
According to the reports of the most talented gossip-mongers--those who, in every class of society, are always in haste to explain every event to their neighbours--the young gentleman concerned was of good family--a prince--fairly rich--weak of intellect, but a democrat and a dabbler in the Nihilism of the period, as exposed by Mr. Turgenieff. He could hardly talk Russian, but had fallen in love with one of the Miss Epanchins, and his suit met with so much encouragement that he had been received in the house as the recognized bridegroom-to-be of the young lady. But like the Frenchman of whom the story is told that he studied for holy orders, took all the oaths, was ordained priest, and next morning wrote to his bishop informing him that, as he did not believe in God and considered it wrong to deceive the people and live upon their pockets, he begged to surrender the orders conferred upon him the day before, and to inform his lordship that he was sending this letter to the public press,--like this Frenchman, the prince played a false game. It was rumoured that he had purposely waited for the solemn occasion of a large evening party at the house of his future bride, at which he was introduced to several eminent persons, in order publicly to make known his ideas and opinions, and thereby insult the “big-wigs,” and to throw over his bride as offensively as possible; and that, resisting the servants who were told off to turn him out of the house, he had seized and thrown down a magnificent china vase. As a characteristic addition to the above, it was currently reported that the young prince really loved the lady to whom he was engaged, and had thrown her over out of purely Nihilistic motives, with the intention of giving himself the satisfaction of marrying a fallen woman in the face of all the world, thereby publishing his opinion that there is no distinction between virtuous and disreputable women, but that all women are alike, free; and a “fallen” woman, indeed, somewhat superior to a virtuous one.

“Very likely--I don’t recollect,” continued Prince S.

The following report of the proceedings on the wedding day may be depended upon, as coming from eye-witnesses.

But here he was back at his hotel.
On a sheet of thick writing-paper the prince had written in medieval characters the legend:
“Oh, trust _him_ for that!” said Adelaida. “Evgenie Pavlovitch turns everything and everybody he can lay hold of to ridicule. You should hear the things he says sometimes, apparently in perfect seriousness.”

“Hush! hush! Gavrila Ardalionovitch!” cried Muishkin in dismay, but it was too late.

“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.

He paused, breathless.
“What am I doing? What am I doing to you?” she sobbed convulsively, embracing his knees.

But the old lady, before Parfen had time to touch her, raised her right hand, and, with three fingers held up, devoutly made the sign of the cross three times over the prince. She then nodded her head kindly at him once more.

But though Evgenie Pavlovitch had put his questions to the prince with no other purpose but to enjoy the joke of his simple-minded seriousness, yet now, at his answer, he was surprised into some seriousness himself, and looked gravely at Muishkin as though he had not expected that sort of answer at all.