| “And pray what _is_ my position, madame? I have the greatest respect for you, personally; but--” |
He twisted himself about with rage, and grew paler and paler; he shook his fist. So the pair walked along a few steps. Gania did not stand on ceremony with the prince; he behaved just as though he were alone in his room. He clearly counted the latter as a nonentity. But suddenly he seemed to have an idea, and recollected himself.
“Prince Muishkin? Lef Nicolaievitch? H’m! I don’t know, I’m sure! I may say I have never heard of such a person,” said the clerk, thoughtfully. “At least, the name, I admit, is historical. Karamsin must mention the family name, of course, in his history--but as an individual--one never hears of any Prince Muishkin nowadays.”
| “There, prince,” said she, “there’s my album. Now choose a page and write me something, will you? There’s a pen, a new one; do you mind a steel one? I have heard that you caligraphists don’t like steel pens.” |
| “Did you get my hedgehog?” she inquired, firmly and almost angrily. |
| Suddenly Hippolyte arose. His face, shockingly pale, was that of a man overwhelmed with shame and despair. This was shown chiefly in the look of fear and hatred which he cast upon the assembled company, and in the wild smile upon his trembling lips. Then he cast down his eyes, and with the same smile, staggered towards Burdovsky and Doktorenko, who stood at the entrance to the verandah. He had decided to go with them. |
“It was just a minute before the execution,” began the prince, readily, carried away by the recollection and evidently forgetting everything else in a moment; “just at the instant when he stepped off the ladder on to the scaffold. He happened to look in my direction: I saw his eyes and understood all, at once--but how am I to describe it? I do so wish you or somebody else could draw it, you, if possible. I thought at the time what a picture it would make. You must imagine all that went before, of course, all--all. He had lived in the prison for some time and had not expected that the execution would take place for at least a week yet--he had counted on all the formalities and so on taking time; but it so happened that his papers had been got ready quickly. At five o’clock in the morning he was asleep--it was October, and at five in the morning it was cold and dark. The governor of the prison comes in on tip-toe and touches the sleeping man’s shoulder gently. He starts up. ‘What is it?’ he says. ‘The execution is fixed for ten o’clock.’ He was only just awake, and would not believe at first, but began to argue that his papers would not be out for a week, and so on. When he was wide awake and realized the truth, he became very silent and argued no more--so they say; but after a bit he said: ‘It comes very hard on one so suddenly’ and then he was silent again and said nothing.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
The prince muttered something, blushed, and jumped up; but Aglaya immediately sat down beside him; so he reseated himself.
“But the universal necessity of living, of drinking, of eating--in short, the whole scientific conviction that this necessity can only be satisfied by universal co-operation and the solidarity of interests--is, it seems to me, a strong enough idea to serve as a basis, so to speak, and a ‘spring of life,’ for humanity in future centuries,” said Gavrila Ardalionovitch, now thoroughly roused.
| “I recognize no jurisdiction over myself, and I know that I am now beyond the power of laws and judges. |
Gania might justly complain of the hardness with which fate treated him. Varia dared not speak to him for a long while, as he strode past her, backwards and forwards. At last he went and stood at the window, looking out, with his back turned towards her. There was a fearful row going on upstairs again.
“Dreadful crimes? But I can assure you that crimes just as dreadful, and probably more horrible, have occurred before our times, and at all times, and not only here in Russia, but everywhere else as well. And in my opinion it is not at all likely that such murders will cease to occur for a very long time to come. The only difference is that in former times there was less publicity, while now everyone talks and writes freely about such things--which fact gives the impression that such crimes have only now sprung into existence. That is where your mistake lies--an extremely natural mistake, I assure you, my dear fellow!” said Prince S.But the puzzle and mystery of Aglaya was not yet over for the evening. The last exhibition fell to the lot of the prince alone. When they had proceeded some hundred paces or so from the house, Aglaya said to her obstinately silent cavalier in a quick half-whisper:
| “Oh, _curse_ Schneider and his dirty opinions! Go on.” |
“I quite agree with you there!” said Prince S., laughing.
| Left alone, he lay down on the sofa, and began to think. |
| The amiable and undoubtedly witty Prince N. could not but feel that he was as a sun, risen for one night only to shine upon the Epanchin drawing-room. He accounted them immeasurably his inferiors, and it was this feeling which caused his special amiability and delightful ease and grace towards them. He knew very well that he must tell some story this evening for the edification of the company, and led up to it with the inspiration of anticipatory triumph. |
| “Why, it was yourself who advised me to bring him over!” |
“I, too, was burning to have my say!
| “Well?” said Mrs. Epanchin angrily, surprised at his tone; “well, what more?” |
“When you are not with me I hate you, Lef Nicolaievitch. I have loathed you every day of these three months since I last saw you. By heaven I have!” said Rogojin. “I could have poisoned you at any minute. Now, you have been with me but a quarter of an hour, and all my malice seems to have melted away, and you are as dear to me as ever. Stay here a little longer.”
“Oh yes, Mr. Terentieff. Thank you prince. I heard it just now, but had forgotten it. I want to know, Mr. Terentieff, if what I have heard about you is true. It seems you are convinced that if you could speak to the people from a window for a quarter of an hour, you could make them all adopt your views and follow you?”
Now this was precisely what Lebedeff had made up his mind to do in the last three minutes. Not that he had any difficulty in finding a tenant; in fact the house was occupied at present by a chance visitor, who had told Lebedeff that he would perhaps take it for the summer months. The clerk knew very well that this “_perhaps_” meant “_certainly_,” but as he thought he could make more out of a tenant like the prince, he felt justified in speaking vaguely about the present inhabitant’s intentions. “This is quite a coincidence,” thought he, and when the subject of price was mentioned, he made a gesture with his hand, as if to waive away a question of so little importance.
| “Very well--afterwards. You are always interrupting me. What woman was it you were dreaming about?” |
“But is there capital punishment where you were?” asked Adelaida.
“Then don’t speak at all. Sit still and don’t talk.”
For some minutes he did not seem to comprehend the excitement around him; that is, he comprehended it and saw everything, but he stood aside, as it were, like someone invisible in a fairy tale, as though he had nothing to do with what was going on, though it pleased him to take an interest in it. VIII.| “Oh, well,” thought the general, “he’s lost to us for good, now.” |
| “There is plenty of room here.” |
On reaching the gate of Daria Alexeyevna’s house, Keller found a far denser crowd than he had encountered at the prince’s. The remarks and exclamations of the spectators here were of so irritating a nature that Keller was very near making them a speech on the impropriety of their conduct, but was luckily caught by Burdovsky, in the act of turning to address them, and hurried indoors.
“Yes, that wasn’t a clever remark,” said Alexandra.
| “I arrived at the old woman’s house beside myself. She was sitting in a corner all alone, leaning her face on her hand. I fell on her like a clap of thunder. ‘You old wretch!’ I yelled and all that sort of thing, in real Russian style. Well, when I began cursing at her, a strange thing happened. I looked at her, and she stared back with her eyes starting out of her head, but she did not say a word. She seemed to sway about as she sat, and looked and looked at me in the strangest way. Well, I soon stopped swearing and looked closer at her, asked her questions, but not a word could I get out of her. The flies were buzzing about the room and only this sound broke the silence; the sun was setting outside; I didn’t know what to make of it, so I went away. |
“It was you,” he murmured, almost in a whisper, but with absolute conviction. “Yes, it was you who came to my room and sat silently on a chair at my window for a whole hour--more! It was between one and two at night; you rose and went out at about three. It was you, you! Why you should have frightened me so, why you should have wished to torment me like that, I cannot tell--but you it was.”
The general shouted in his fury; but it was to be concluded that his wrath was not kindled by the expressed doubt as to Kapiton’s existence. This was his scapegoat; but his excitement was caused by something quite different. As a rule he would have merely shouted down the doubt as to Kapiton, told a long yarn about his friend, and eventually retired upstairs to his room. But today, in the strange uncertainty of human nature, it seemed to require but so small an offence as this to make his cup to overflow. The old man grew purple in the face, he raised his hands. “Enough of this!” he yelled. “My curse--away, out of the house I go! Colia, bring my bag away!” He left the room hastily and in a paroxysm of rage.“Twenty-seventh; very well. Good-bye now; you have a good deal to do, I’m sure, and I must dress and go out. Take your portrait. Give my respects to your unfortunate mother, Nina Alexandrovna. _Au revoir_, dear prince, come in and see us often, do; and I shall tell old Princess Bielokonski about you. I shall go and see her on purpose. And listen, my dear boy, I feel sure that God has sent you to Petersburg from Switzerland on purpose for me. Maybe you will have other things to do, besides, but you are sent chiefly for my sake, I feel sure of it. God sent you to me! Au revoir! Alexandra, come with me, my dear.”
“I assure you of it,” laughed Ivan Petrovitch, gazing amusedly at the prince.
| “And I also wish for justice to be done, once for all,” cried Madame Epanchin, “about this impudent claim. Deal with them promptly, prince, and don’t spare them! I am sick of hearing about the affair, and many a quarrel I have had in your cause. But I confess I am anxious to see what happens, so do make them come out here, and we will remain. You have heard people talking about it, no doubt?” she added, turning to Prince S. |
| “Enough!” he concluded at last, “you understand me, and that is the great thing. A heart like yours cannot help understanding the sufferings of another. Prince, you are the ideal of generosity; what are other men beside yourself? But you are young--accept my blessing! My principal object is to beg you to fix an hour for a most important conversation--that is my great hope, prince. My heart needs but a little friendship and sympathy, and yet I cannot always find means to satisfy it.” |
| The prince frowned for a moment in silence, and then said suddenly: |