“Besides,” said Burdovsky, “the prince would not like it, would he?” So they gave up the pursuit.
“I know that--I know that; but what a part to play! And think what she must take _you_ for, Gania! I know she kissed mother’s hand, and all that, but she laughed at you, all the same. All this is not good enough for seventy-five thousand roubles, my dear boy. You are capable of honourable feelings still, and that’s why I am talking to you so. Oh! _do_ take care what you are doing! Don’t you know yourself that it will end badly, Gania?”
“Soon?”
The general spoke with considerable confidence, and dragged his words out with a conceited drawl.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

Lebedeff made a strange and very expressive grimace; he twisted about in his chair, and did something, apparently symbolical, with his hands.

“It’s burning, it’s burning!” cried all, thronging nearer and nearer to the fire in their excitement.
“Who said that, Colia?”
He meant to calm his hearers, and did not perceive that his words had only increased their irritation.
“Is it jolly there?”
“Well, but--have you taken the purse away now?”
“Yes--I don’t like that Ferdishenko. I can’t understand why Nastasia Philipovna encourages him so. Is he really her cousin, as he says?”
“You don’t believe it?” said the invalid, with a nervous laugh. “I don’t wonder, but the prince will have no difficulty in believing it; he will not be at all surprised.”

“That is a very difficult and complicated question. I cannot suspect the servant, for she was in the kitchen the whole evening, nor do I suspect any of my children.”

“I only wished to say that this ‘distortion,’ as Evgenie Pavlovitch expressed it, is met with very often, and is far more the general rule than the exception, unfortunately for Russia. So much so, that if this distortion were not the general rule, perhaps these dreadful crimes would be less frequent.”
But in spite of this conclusion to the episode, the prince remained as puzzled as ever, if not more so. He awaited next morning’s interview with the general most impatiently.

“Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone--the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing--one hand reposing on the child’s bright head. His eyes have a far-away expression. Thought, great as the Universe, is in them--His face is sad. The little one leans its elbow upon Christ’s knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture.

Nastasia must have overheard both question and reply, but her vivacity was not in the least damped. On the contrary, it seemed to increase. She immediately overwhelmed the general once more with questions, and within five minutes that gentleman was as happy as a king, and holding forth at the top of his voice, amid the laughter of almost all who heard him.

Yet all the others were similarly affected. The girls were uncomfortable and ashamed. Lizabetha Prokofievna restrained her violent anger by a great effort; perhaps she bitterly regretted her interference in the matter; for the present she kept silence. The prince felt as very shy people often do in such a case; he was so ashamed of the conduct of other people, so humiliated for his guests, that he dared not look them in the face. Ptitsin, Varia, Gania, and Lebedeff himself, all looked rather confused. Stranger still, Hippolyte and the “son of Pavlicheff” also seemed slightly surprised, and Lebedeff’s nephew was obviously far from pleased. The boxer alone was perfectly calm; he twisted his moustaches with affected dignity, and if his eyes were cast down it was certainly not in confusion, but rather in noble modesty, as if he did not wish to be insolent in his triumph. It was evident that he was delighted with the article.

Burdovsky next jumped up and explained that he had come in by accident, having escorted Hippolyte from town. He murmured that he was glad he had “written nonsense” in his letter, and then pressed the prince’s hand warmly and sat down again.

“I only want to know, Mr. Hippolyte--excuse me, I forget your surname.”
“Just as before, sir, just as before! To a certain person, and from a certain hand. The individual’s name who wrote the letter is to be represented by the letter A.--”
Neither of the men spoke a word while at the bedside. The prince’s heart beat so loud that its knocking seemed to be distinctly audible in the deathly silence.
Only Vera Lebedeff remained hurriedly rearranging the furniture in the rooms. As she left the verandah, she glanced at the prince. He was seated at the table, with both elbows upon it, and his head resting on his hands. She approached him, and touched his shoulder gently. The prince started and looked at her in perplexity; he seemed to be collecting his senses for a minute or so, before he could remember where he was. As recollection dawned upon him, he became violently agitated. All he did, however, was to ask Vera very earnestly to knock at his door and awake him in time for the first train to Petersburg next morning. Vera promised, and the prince entreated her not to tell anyone of his intention. She promised this, too; and at last, when she had half-closed the door, he called her back a third time, took her hands in his, kissed them, then kissed her forehead, and in a rather peculiar manner said to her, “Until tomorrow!”
And Afanasy Ivanovitch heaved a deep sigh.

“But I really don’t know which of my actions is the worst,” said the lively actress.

“Don’t talk nonsense,” said Varia, severely. She seemed put out, and was only just polite with the prince.

“Well, take her! It’s Fate! She’s yours. I surrender her.... Remember Rogojin!” And pushing the prince from him, without looking back at him, he hurriedly entered his own flat, and banged the door.
“The children did not love me at first; I was such a sickly, awkward kind of a fellow then--and I know I am ugly. Besides, I was a foreigner. The children used to laugh at me, at first; and they even went so far as to throw stones at me, when they saw me kiss Marie. I only kissed her once in my life--no, no, don’t laugh!” The prince hastened to suppress the smiles of his audience at this point. “It was not a matter of _love_ at all! If only you knew what a miserable creature she was, you would have pitied her, just as I did. She belonged to our village. Her mother was an old, old woman, and they used to sell string and thread, and soap and tobacco, out of the window of their little house, and lived on the pittance they gained by this trade. The old woman was ill and very old, and could hardly move. Marie was her daughter, a girl of twenty, weak and thin and consumptive; but still she did heavy work at the houses around, day by day. Well, one fine day a commercial traveller betrayed her and carried her off; and a week later he deserted her. She came home dirty, draggled, and shoeless; she had walked for a whole week without shoes; she had slept in the fields, and caught a terrible cold; her feet were swollen and sore, and her hands torn and scratched all over. She never had been pretty even before; but her eyes were quiet, innocent, kind eyes.
“Nervous about you?” Aglaya blushed. “Why should I be nervous about you? What would it matter to me if you were to make ever such a fool of yourself? How can you say such a thing? What do you mean by ‘making a fool of yourself’? What a vulgar expression! I suppose you intend to talk in that sort of way tomorrow evening? Look up a few more such expressions in your dictionary; do, you’ll make a grand effect! I’m sorry that you seem to be able to come into a room as gracefully as you do; where did you learn the art? Do you think you can drink a cup of tea decently, when you know everybody is looking at you, on purpose to see how you do it?”
“Oh, trust _him_ for that!” said Adelaida. “Evgenie Pavlovitch turns everything and everybody he can lay hold of to ridicule. You should hear the things he says sometimes, apparently in perfect seriousness.” “Look to the right!” “How? When?”
“Oh yes, of course. You are very beautiful, Aglaya Ivanovna, so beautiful that one is afraid to look at you.”

“Oh, don’t apologize. No, I don’t think I have either talents or special abilities of any kind; on the contrary. I have always been an invalid and unable to learn much. As for bread, I should think--”

“I think so too,” said Mrs. Epanchin; “he will quarrel with you, and be off,” and she drew her workbox towards her with an air of dignity, quite oblivious of the fact that the family was about to start for a walk in the park.

“You found it? Thank God for that!”

“Yes, and I heard that you were here, too,” added Evgenie Pavlovitch; “and since I had long promised myself the pleasure of seeking not only your acquaintance but your friendship, I did not wish to waste time, but came straight on. I am sorry to hear that you are unwell.”
“Come along,” said Aglaya. “Prince, you must walk with me. May he, mother? This young cavalier, who won’t have me? You said you would _never_ have me, didn’t you, prince? No--no, not like that; _that’s_ not the way to give your arm. Don’t you know how to give your arm to a lady yet? There--so. Now, come along, you and I will lead the way. Would you like to lead the way with me alone, tête-à-tête?”
“He has lost his breath now!” said Lizabetha Prokofievna coldly, looking at him with more curiosity than pity: “Come, my dear boy, that is quite enough--let us make an end of this.”
“N-no! don’t marry him!” he whispered at last, drawing his breath with an effort.
“Go on! Go on!”
“I know nothing, Nastasia Philipovna. I have seen nothing. You are right so far; but I consider that you would be honouring me, and not I you. I am a nobody. You have suffered, you have passed through hell and emerged pure, and that is very much. Why do you shame yourself by desiring to go with Rogojin? You are delirious. You have returned to Mr. Totski his seventy-five thousand roubles, and declared that you will leave this house and all that is in it, which is a line of conduct that not one person here would imitate. Nastasia Philipovna, I love you! I would die for you. I shall never let any man say one word against you, Nastasia Philipovna! and if we are poor, I can work for both.”

“Ardalion,” said Nina Alexandrovitch, entreatingly.

“I don’t know, father.” “But it is not any one particular thought, only; it is the general circumstances of the case. If Voltaire had written this now, or Rousseau, I should have just read it and thought it remarkable, but should not have been so _impressed_ by it. But a man who knows for certain that he has but ten minutes to live and can talk like that--why--it’s--it’s _pride_, that is! It is really a most extraordinary, exalted assertion of personal dignity, it’s--it’s _defiant!_ What a _gigantic_ strength of will, eh? And to accuse a fellow like that of not putting in the cap on purpose; it’s base and mean! You know he deceived us last night, the cunning rascal. I never packed his bag for him, and I never saw his pistol. He packed it himself. But he put me off my guard like that, you see. Vera says you are going to let him stay on; I swear there’s no danger, especially as we are always with him.”

“What! that I’ll cut her throat, you mean?”

“Yes, here in my chest. I received them at the siege of Kars, and I feel them in bad weather now. And as to the third of our trio, Epanchin, of course after that little affair with the poodle in the railway carriage, it was all _up_ between us.”
So at the risk of missing General Epanchin altogether, and thus postponing his visit to Pavlofsk for a day, at least, the prince decided to go and look for the house he desired to find.
“No, Tver,” insisted the general; “he removed just before his death. You were very small and cannot remember; and Pavlicheff, though an excellent fellow, may have made a mistake.”
The room had a blue wall-paper, and was well, almost pretentiously, furnished, with its round table, its divan, and its bronze clock under a glass shade. There was a narrow pier-glass against the wall, and a chandelier adorned with lustres hung by a bronze chain from the ceiling.

Keller also advised, in anticipation of the crowd making a rush after the ceremony, that a fire-hose should be placed at the entrance to the house; but Lebedeff was opposed to this measure, which he said might result in the place being pulled down.

“The man-servant, while I was waiting to see the general.”
Suddenly she looked around, shuddered, gave a loud cry, and threw herself in the prince’s arms.
The prince listened, smiling.
It was quite dark now, and Muishkin could not see her face clearly, but a minute or two later, when he and the general had left the villa, he suddenly flushed up, and squeezed his right hand tightly.
“The prince is clearly a democrat,” remarked Aglaya.
Perhaps he was too easy in his mind. So thought Hippolyte, at all events, who met him in the park one day.

“Nastasia Philipovna? She does not live there, and to tell you the truth my father has never been to her house! It is strange that you should have depended on him! She lives near Wladimir Street, at the Five Corners, and it is quite close by. Will you go directly? It is just half-past nine. I will show you the way with pleasure.”

On reading this short and disconnected note, Aglaya suddenly blushed all over, and became very thoughtful.
“Unpleasant! Indeed it is. You have found a very appropriate expression,” said Lebedeff, politely, but with sarcasm. The prince had, of course, at once received him, and had plunged into a conversation about Hippolyte. He had given the doctor an account of Hippolyte’s attempted suicide; and had proceeded thereafter to talk of his own malady,--of Switzerland, of Schneider, and so on; and so deeply was the old man interested by the prince’s conversation and his description of Schneider’s system, that he sat on for two hours.

The prince, however, immediately began, with some show of annoyance, to question Lebedeff categorically, as to the general’s present condition, and his opinion thereon. He described the morning’s interview in a few words.

“She has promised to tell me tonight at her own house whether she consents or not,” replied Gania.

“It’s a good thing that you take it philosophically, at all events,” said Varia. “I’m really very glad of it.”
“‘Write, oh, write a letter to the Empress Josephine!’ I cried, sobbing. Napoleon started, reflected, and said, ‘You remind me of a third heart which loves me. Thank you, my friend;’ and then and there he sat down and wrote that letter to Josephine, with which Constant was sent off next day.”
“Oh! no, no!” said Lebedeff, hurriedly.
“Perhaps then I am anxious to take advantage of my last chance of doing something for myself. A protest is sometimes no small thing.” “Then I will never speak to you again.” She made a sudden movement to go, and then turned quickly back. “And you will call on that atheist?” she continued, pointing to Hippolyte. “How dare you grin at me like that?” she shouted furiously, rushing at the invalid, whose mocking smile drove her to distraction.

“Yes... from you it is quite natural.”

Aglaya stamped her foot, and grew quite pale with anger.
“Shall we shut the door, and lock it, or not?”
“Be quiet, Gania,” cried Colia. “Shut up, you fool!”
“But after all, what is it? Is it possible that I should have just risked my fate by tossing up?” he went on, shuddering; and looked round him again. His eyes had a curious expression of sincerity. “That is an astonishing psychological fact,” he cried, suddenly addressing the prince, in a tone of the most intense surprise. “It is... it is something quite inconceivable, prince,” he repeated with growing animation, like a man regaining consciousness. “Take note of it, prince, remember it; you collect, I am told, facts concerning capital punishment... They told me so. Ha, ha! My God, how absurd!” He sat down on the sofa, put his elbows on the table, and laid his head on his hands. “It is shameful--though what does it matter to me if it is shameful?