“No, Tver,” insisted the general; “he removed just before his death. You were very small and cannot remember; and Pavlicheff, though an excellent fellow, may have made a mistake.”
“Mother, this is disgraceful!” cried Aglaya.
“Our Russian intensity not only astonishes ourselves; all Europe wonders at our conduct in such cases! For, if one of us goes over to Roman Catholicism, he is sure to become a Jesuit at once, and a rabid one into the bargain. If one of us becomes an Atheist, he must needs begin to insist on the prohibition of faith in God by force, that is, by the sword. Why is this? Why does he then exceed all bounds at once? Because he has found land at last, the fatherland that he sought in vain before; and, because his soul is rejoiced to find it, he throws himself upon it and kisses it! Oh, it is not from vanity alone, it is not from feelings of vanity that Russians become Atheists and Jesuits! But from spiritual thirst, from anguish of longing for higher things, for dry firm land, for foothold on a fatherland which they never believed in because they never knew it. It is easier for a Russian to become an Atheist, than for any other nationality in the world. And not only does a Russian ‘become an Atheist,’ but he actually _believes in_ Atheism, just as though he had found a new faith, not perceiving that he has pinned his faith to a negation. Such is our anguish of thirst! ‘Whoso has no country has no God.’ That is not my own expression; it is the expression of a merchant, one of the Old Believers, whom I once met while travelling. He did not say exactly these words. I think his expression was:
“He is telling lies!” cried the nephew. “Even now he cannot speak the truth. He is not called Timofey Lukianovitch, prince, but Lukian Timofeyovitch. Now do tell us why you must needs lie about it? Lukian or Timofey, it is all the same to you, and what difference can it make to the prince? He tells lies without the least necessity, simply by force of habit, I assure you.”
“No, no! I cannot allow this,--this is a little too much,” cried Lizabetha Prokofievna, exploding with rage, and she rose from her seat and followed Aglaya out of the room as quickly as she could.
“How much?”
“Nastasia Philipovna!” said the general, in persuasive but agitated tones.
“Oh, I’m not rejecting her. I may have expressed myself badly, but I didn’t mean that.”
After this performance, he smiled sweetly and left the room on tiptoe.
| “Probably an honest girl living by her own toil. Why do you speak of a housemaid so contemptuously?” |
“I want to explain all to you--everything--everything! I know you think me Utopian, don’t you--an idealist? Oh, no! I’m not, indeed--my ideas are all so simple. You don’t believe me? You are smiling. Do you know, I am sometimes very wicked--for I lose my faith? This evening as I came here, I thought to myself, ‘What shall I talk about? How am I to begin, so that they may be able to understand partially, at all events?’ How afraid I was--dreadfully afraid! And yet, how _could_ I be afraid--was it not shameful of me? Was I afraid of finding a bottomless abyss of empty selfishness? Ah! that’s why I am so happy at this moment, because I find there is no bottomless abyss at all--but good, healthy material, full of life.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“I wanted to see how the farce would end.”
But the puzzle and mystery of Aglaya was not yet over for the evening. The last exhibition fell to the lot of the prince alone. When they had proceeded some hundred paces or so from the house, Aglaya said to her obstinately silent cavalier in a quick half-whisper:
“This is not my own fantastical opinion--many people have thought the same; but I feel it so deeply that I’ll tell you what I think. I believe that to execute a man for murder is to punish him immeasurably more dreadfully than is equivalent to his crime. A murder by sentence is far more dreadful than a murder committed by a criminal. The man who is attacked by robbers at night, in a dark wood, or anywhere, undoubtedly hopes and hopes that he may yet escape until the very moment of his death. There are plenty of instances of a man running away, or imploring for mercy--at all events hoping on in some degree--even after his throat was cut. But in the case of an execution, that last hope--having which it is so immeasurably less dreadful to die,--is taken away from the wretch and _certainty_ substituted in its place! There is his sentence, and with it that terrible certainty that he cannot possibly escape death--which, I consider, must be the most dreadful anguish in the world. You may place a soldier before a cannon’s mouth in battle, and fire upon him--and he will still hope. But read to that same soldier his death-sentence, and he will either go mad or burst into tears. Who dares to say that any man can suffer this without going mad? No, no! it is an abuse, a shame, it is unnecessary--why should such a thing exist? Doubtless there may be men who have been sentenced, who have suffered this mental anguish for a while and then have been reprieved; perhaps such men may have been able to relate their feelings afterwards. Our Lord Christ spoke of this anguish and dread. No! no! no! No man should be treated so, no man, no man!”
“Goodness knows what it means, ma’am,” she said. “There is a whole collection of men come--all tipsy--and want to see you. They say that ‘it’s Rogojin, and she knows all about it.’”
| “I shall be delighted if he will stay; it would certainly be difficult for him to get back to Petersburg,” said the prince, in answer to the eager questions of Lizabetha Prokofievna. |
She spoke angrily, and in great excitement, and expected an immediate reply. But in such a case, no matter how many are present, all prefer to keep silence: no one will take the initiative, but all reserve their comments till afterwards. There were some present--Varvara Ardalionovna, for instance--who would have willingly sat there till morning without saying a word. Varvara had sat apart all the evening without opening her lips, but she listened to everything with the closest attention; perhaps she had her reasons for so doing.
“And you have it still?”
| “Oh, go on,” he said, “finish your sentence, by all means. Say how odd it appears to you that a man fallen to such a depth of humiliation as I, can ever have been the actual eye-witness of great events. Go on, _I_ don’t mind! Has _he_ found time to tell you scandal about me?” |
“I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...”
“Oh, not in the least,” said the prince. “On the contrary, I have been so much interested, I’m really very much obliged to you.”
“Come along,” said Aglaya. “Prince, you must walk with me. May he, mother? This young cavalier, who won’t have me? You said you would _never_ have me, didn’t you, prince? No--no, not like that; _that’s_ not the way to give your arm. Don’t you know how to give your arm to a lady yet? There--so. Now, come along, you and I will lead the way. Would you like to lead the way with me alone, tête-à-tête?”
“Were you to blame, or not?”
“What nonsense!” Lebedeff’s nephew interrupted violently.
He said the last words nervously.
“At all events, I shall not interfere with you!” he murmured, as though making answer to some secret thought of his own.
“It’s a most improbable story.”
“To tell the truth, she has not.”
Ivan Petrovitch began to stare at him with some surprise; the dignitary, too, looked at him with considerable attention; Princess Bielokonski glared at him angrily, and compressed her lips. Prince N., Evgenie, Prince S., and the girls, all broke off their own conversations and listened. Aglaya seemed a little startled; as for Lizabetha Prokofievna, her heart sank within her.
She took the handkerchief from her face, glanced keenly at him, took in what he had said, and burst out laughing--such a merry, unrestrained laugh, so hearty and gay, that Adelaida could not contain herself. She, too, glanced at the prince’s panic-stricken countenance, then rushed at her sister, threw her arms round her neck, and burst into as merry a fit of laughter as Aglaya’s own. They laughed together like a couple of school-girls. Hearing and seeing this, the prince smiled happily, and in accents of relief and joy, he exclaimed “Well, thank God--thank God!”
| “Surrender her, for God’s sake!” he said to the prince. |
| Alexandra and Adelaida came in almost immediately, and looked inquiringly at the prince and their mother. |
“How do you know I walked in the park and didn’t sleep at home?”
“When everyone crowded into the room she hid her face in her dishevelled hair and lay cowering on the floor. Everyone looked at her as though she were a piece of dirt off the road. The old men scolded and condemned, and the young ones laughed at her. The women condemned her too, and looked at her contemptuously, just as though she were some loathsome insect.
A strange thought passed through the prince’s brain; he gazed intently at Aglaya and smiled.
Nastasia looked at the new arrivals with great curiosity. Gania recollected himself at last.
| Muishkin remembered the doctor’s visit quite well. He remembered that Lebedeff had said that he looked ill, and had better see a doctor; and although the prince scouted the idea, Lebedeff had turned up almost immediately with his old friend, explaining that they had just met at the bedside of Hippolyte, who was very ill, and that the doctor had something to tell the prince about the sick man. |
“Oh, that may be. He may have known her some time ago--two or three years, at least. He used to know Totski. But it is impossible that there should be any intimacy between them. She has not even been in the place--many people don’t even know that she has returned from Moscow! I have only observed her carriage about for the last three days or so.”
Oh, he could not then speak these words, or express all he felt! He had been tormented dumbly; but now it appeared to him that he must have said these very words--even then--and that Hippolyte must have taken his picture of the little fly from his tears and words of that time.
“How foolish I am to speak of such things to a man like you,” said Vera, blushing. “Though you _do_ look tired,” she added, half turning away, “your eyes are so splendid at this moment--so full of happiness.”
“You’ve been _there?_” he asked, suddenly.
The announcement of his name gave rise to some surprise and to some smiles, especially when it became evident, from Nastasia’s astonished look, that she had not thought of inviting him. But her astonishment once over, Nastasia showed such satisfaction that all prepared to greet the prince with cordial smiles of welcome.
After a formal introduction by Gania (who greeted his mother very shortly, took no notice of his sister, and immediately marched Ptitsin out of the room), Nina Alexandrovna addressed a few kind words to the prince and forthwith requested Colia, who had just appeared at the door, to show him to the “middle room.”
A great deal of sympathy was expressed; a considerable amount of advice was volunteered; Ivan Petrovitch expressed his opinion that the young man was “a Slavophile, or something of that sort”; but that it was not a dangerous development. The old dignitary said nothing.
This time everyone laughed at her, her sisters, Prince S., Prince Muishkin (though he himself had flushed for some reason), and Colia. Aglaya was dreadfully indignant, and looked twice as pretty in her wrath.
| “Did you read them?” asked the prince, struck by the thought. |
Varia had quietly entered the room, and was holding out the portrait of Nastasia Philipovna to her mother.
| “Nonsense! love him and torment him so! Why, by the very fact that he put the purse prominently before you, first under the chair and then in your lining, he shows that he does not wish to deceive you, but is anxious to beg your forgiveness in this artless way. Do you hear? He is asking your pardon. He confides in the delicacy of your feelings, and in your friendship for him. And you can allow yourself to humiliate so thoroughly honest a man!” |
| “Did you give my note? Is there an answer?” interrupted Gania, impatiently. |
| “At last I’ve stormed the citadel! Why do you tie up your bell?” she said, merrily, as she pressed Gania’s hand, the latter having rushed up to her as soon as she made her appearance. “What are you looking so upset about? Introduce me, please!” |
“Very well, we’ll drop it for a while. You can’t look at anything but in your exalted, generous way. You must put out your finger and touch a thing before you’ll believe it, eh? Ha! ha! ha! I suppose you despise me dreadfully, prince, eh? What do you think?”