“‘I believe,’ indeed! Did that mischievous urchin give it to her?” “Yes, especially this kind.” The prince held out the letter silently, but with a shaking hand. “You, you! She has loved you ever since that day, her birthday! Only she thinks she cannot marry you, because it would be the ruin of you. ‘Everybody knows what sort of a woman I am,’ she says. She told me all this herself, to my very face! She’s afraid of disgracing and ruining you, she says, but it doesn’t matter about me. She can marry me all right! Notice how much consideration she shows for me!” “We were leaning over the balustrade of the bridge, looking into the Neva at this moment. “Of railways?” put in Colia eagerly. “I am well enough; but is it really possible?--”
“Koulakoff... Koulakoff means nothing. This is Sokolovitch’s flat, and I am ringing at his door.... What do I care for Koulakoff?... Here comes someone to open.”
“Oh, of course, yes; he would have come and wept out his secret on your bosom. Oh, you simpleton--you simpleton! Anyone can deceive you and take you in like a--like a,--aren’t you ashamed to trust him? Can’t you see that he humbugs you just as much as ever he pleases?”
“That officer, eh!--that young officer--don’t you remember that fellow at the band? Eh? Ha, ha, ha! Didn’t she whip him smartly, eh?”
“What have I done? Where are you dragging me to?”
Lebedeff, now quite sobered down, sent for a doctor; and he and his daughter, with Burdovsky and General Ivolgin, remained by the sick man’s couch.

All present stood rooted to the earth with amazement at this unexpected and apparently uncalled-for outbreak; but the poor prince’s painful and rambling speech gave rise to a strange episode.

“Sometimes.”

Aglaya gazed coldly, intently, and composedly at him, without taking her eyes off his face, and watched his confusion.

“Go nearer,” suggested Rogojin, softly.

“I say A. N. B., and so it shall be!” cried Aglaya, irritably. “Anyway, the ‘poor knight’ did not care what his lady was, or what she did. He had chosen his ideal, and he was bound to serve her, and break lances for her, and acknowledge her as the ideal of pure Beauty, whatever she might say or do afterwards. If she had taken to stealing, he would have championed her just the same. I think the poet desired to embody in this one picture the whole spirit of medieval chivalry and the platonic love of a pure and high-souled knight. Of course it’s all an ideal, and in the ‘poor knight’ that spirit reached the utmost limit of asceticism. He is a Don Quixote, only serious and not comical. I used not to understand him, and laughed at him, but now I love the ‘poor knight,’ and respect his actions.”
Hippolyte told the prince this last story, sending for him on purpose. When Muishkin heard about the candle and Gania’s finger he had laughed so that he had quite astonished Hippolyte,--and then shuddered and burst into tears. The prince’s condition during those days was strange and perturbed. Hippolyte plainly declared that he thought he was out of his mind;--this, however, was hardly to be relied upon.
“If”--she began, looking seriously and even sadly at him--“if when I read you all that about the ‘poor knight,’ I wished to-to praise you for one thing--I also wished to show you that I knew all--and did not approve of your conduct.”
“May I ask you, Hippolyte, not to talk of this subject? And not to use such expressions?”
“Yes--those very ones,” interrupted Rogojin, impatiently, and with scant courtesy. I may remark that he had not once taken any notice of the blotchy-faced passenger, and had hitherto addressed all his remarks direct to the prince.
“Prince,” he said, “tell me the truth; do you know what all this means?”
“H’m! well--here, you fellow--you can come along with me now if you like!” cried Rogojin to Lebedeff, and so they all left the carriage.

“Is that all?” asked Aglaya.

The prince said nothing, but entered the room, sat down silently, and stared at them, one after the other, with the air of a man who cannot understand what is being said to him. It was strange--one moment he seemed to be so observant, the next so absent; his behaviour struck all the family as most remarkable. At length he rose from his seat, and begged to be shown Nastasia’s rooms. The ladies reported afterwards how he had examined everything in the apartments. He observed an open book on the table, Madam Bovary, and requested the leave of the lady of the house to take it with him. He had turned down the leaf at the open page, and pocketed it before they could explain that it was a library book. He had then seated himself by the open window, and seeing a card-table, he asked who played cards.
“At any rate, your uncle has a kind heart,” remarked the prince, who really had to force himself to speak to the nephew, so much did he dislike him.
“Wouldn’t it be better, esteemed prince, wouldn’t it be better--to--don’t you know--”
Nastasia noticed this with satisfaction. She was in full dress this evening; and her appearance was certainly calculated to impress all beholders. She took his hand and led him towards her other guests. But just before they reached the drawing-room door, the prince stopped her, and hurriedly and in great agitation whispered to her:
“Is there anything you hold sacred?”
“Then you must see that he is not responsible. What does it matter to you now, in any case? What are you hoping for still? If you _have_ a hope left, it is that your suffering air may soften her heart towards you.”
“Well, what, my dear girl? As if you can possibly like it yourself? The heart is the great thing, and the rest is all rubbish--though one must have sense as well. Perhaps sense is really the great thing. Don’t smile like that, Aglaya. I don’t contradict myself. A fool with a heart and no brains is just as unhappy as a fool with brains and no heart. I am one and you are the other, and therefore both of us suffer, both of us are unhappy.”
This time everyone laughed at her, her sisters, Prince S., Prince Muishkin (though he himself had flushed for some reason), and Colia. Aglaya was dreadfully indignant, and looked twice as pretty in her wrath.

“I am going out into the world, Katia; perhaps I shall be a laundress. I don’t know. No more of Afanasy Ivanovitch, anyhow. Give him my respects. Don’t think badly of me, girls.”

“Oh, you needn’t fear! He’ll live another six weeks all right. Very likely he will recover altogether; but I strongly advise you to pack him off tomorrow.”

But at this moment Aglaya came back, and the prince had no time to reply.

“H’m! very well, Daria Alexeyevna; you have not stolen anything--agreed. But how about the prince, now--look how he is blushing!”

The effect of this sudden action upon the company was instantaneous. Evgenie Pavlovitch almost bounded off his chair in excitement. Rogojin drew nearer to the table with a look on his face as if he knew what was coming. Gania came nearer too; so did Lebedeff and the others--the paper seemed to be an object of great interest to the company in general.

“It’s all a joke, mamma; it’s just a joke like the ‘poor knight’--nothing more whatever, I assure you!” Alexandra whispered in her ear. “She is chaffing him--making a fool of him, after her own private fashion, that’s all! But she carries it just a little too far--she is a regular little actress. How she frightened us just now--didn’t she?--and all for a lark!”

“Oh, you were raving, you were in a fever; you are still half delirious.”
“No; I shall not be ashamed of that. You did not so live by your own will.”
But when she had read it herself once more, it suddenly struck her that surely that conceited boy, Colia, had not been the one chosen correspondent of the prince all this while. She determined to ask him, and did so with an exaggerated show of carelessness. He informed her haughtily that though he had given the prince his permanent address when the latter left town, and had offered his services, the prince had never before given him any commission to perform, nor had he written until the following lines arrived, with Aglaya’s letter. Aglaya took the note, and read it.
“What are you doing, then?” cried Evgenie, in horror. “You must be marrying her solely out of _fear_, then! I can’t make head or tail of it, prince. Perhaps you don’t even love her?”
So saying, and in a state of violent agitation, Varia left the room.
“How mean you were!” said Nastasia.
He remembered seeing something in the window marked at sixty copecks. Therefore, if the shop existed and if this object were really in the window, it would prove that he had been able to concentrate his attention on this article at a moment when, as a general rule, his absence of mind would have been too great to admit of any such concentration; in fact, very shortly after he had left the railway station in such a state of agitation.

“Do you say he is consumptive?”

“You must have told somebody you were going to trot out the champagne, and that’s why they are all come!” muttered Rogojin, as the two entered the verandah. “We know all about that! You’ve only to whistle and they come up in shoals!” he continued, almost angrily. He was doubtless thinking of his own late experiences with his boon companions.

Of those who were present, such as knew the prince listened to his outburst in a state of alarm, some with a feeling of mortification. It was so unlike his usual timid self-constraint; so inconsistent with his usual taste and tact, and with his instinctive feeling for the higher proprieties. They could not understand the origin of the outburst; it could not be simply the news of Pavlicheff’s perversion. By the ladies the prince was regarded as little better than a lunatic, and Princess Bielokonski admitted afterwards that “in another minute she would have bolted.”

“Where’s your brother?”
“Oh! _do_ teach us,” laughed Adelaida.

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

“So would I,” said another, from behind, “with pleasure. Devil take the thing!” he added, in a tempest of despair, “it will all be burnt up in a minute--It’s burning, it’s burning!”
The prince did not notice that others were talking and making themselves agreeable to Aglaya; in fact, at moments, he almost forgot that he was sitting by her himself. At other moments he felt a longing to go away somewhere and be alone with his thoughts, and to feel that no one knew where he was.
“She’s mad--she’s mad!” was the cry.
“You told her that?”
“Thank goodness, we’ve just managed to finish it before you came in!” said Vera, joyfully. “Oh, I happened to recall it, that’s all! It fitted into the conversation--” “Well, what, general? Not quite good form, eh? Oh, nonsense! Here have I been sitting in my box at the French theatre for the last five years like a statue of inaccessible virtue, and kept out of the way of all admirers, like a silly little idiot! Now, there’s this man, who comes and pays down his hundred thousand on the table, before you all, in spite of my five years of innocence and proud virtue, and I dare be sworn he has his sledge outside waiting to carry me off. He values me at a hundred thousand! I see you are still angry with me, Gania! Why, surely you never really wished to take _me_ into your family? _me_, Rogojin’s mistress! What did the prince say just now?”