“Is not that enough? The instinct of self-preservation is the normal law of humanity...”
“Thank God, I have got mother away, and put her to bed without another scene! Gania is worried--and ashamed--not without reason! What a spectacle! I have come to thank you once more, prince, and to ask you if you knew Nastasia Philipovna before?”
Nastasia turned to him. Her eyes flashed; she rushed up to a young man standing near, whom she did not know in the least, but who happened to have in his hand a thin cane. Seizing this from him, she brought it with all her force across the face of her insulter.
And he handed the prince the very letter from Aglaya to Gania, which the latter showed with so much triumph to his sister at a later hour.
“Oh! yes, long ago,” continued Ivan Petrovitch, “while you were living with my cousin at Zlatoverhoff. You don’t remember me? No, I dare say you don’t; you had some malady at the time, I remember. It was so serious that I was surprised--”
“You are laughing, I think? Why do you keep laughing at me?” said Hippolyte irritably to Evgenie Pavlovitch, who certainly was laughing.
Gania certainly did look dreadfully abashed. Colia rushed up to comfort the prince, and after him crowded Varia, Rogojin and all, even the general.
“Come along,” he whispered.
“I believe so; but I’m not sure.”
“Well, that’ll do; we must be quick,” she concluded, after hearing all. “We have only an hour here, till eight; I must be home by then without fail, so that they may not find out that I came and sat here with you; but I’ve come on business. I have a great deal to say to you. But you have bowled me over considerably with your news. As to Hippolyte, I think his pistol was bound not to go off; it was more consistent with the whole affair. Are you sure he really wished to blow his brains out, and that there was no humbug about the matter?”
Gania was silent for a minute or two, as though thinking out some problem. Suddenly he cried:
The prince seemed surprised that he should have been addressed at all; he reflected a moment, but did not seem to take in what had been said to him; at all events, he did not answer. But observing that she and the others had begun to laugh, he too opened his mouth and laughed with them.
| “Do you wish to make acquaintance?” asked the prince. |
| The letter had evidently been written in a hurry: |
“Thank you, general; you have behaved very kindly to me; all the more so since I did not ask you to help me. I don’t say that out of pride. I certainly did not know where to lay my head tonight. Rogojin asked me to come to his house, of course, but--”
“It is a pity you have taken too much wine, Lebedeff I want to ask you something... but...”
“He talks very well, you know!” said Mrs. Epanchin, who still continued to nod at each word the prince spoke. “I really did not expect it at all; in fact, I suppose it was all stuff and nonsense on the general’s part, as usual. Eat away, prince, and tell me where you were born, and where you were brought up. I wish to know all about you, you interest me very much!”
| As the prince spoke these last words a titter was heard from Ferdishenko; Lebedeff laughed too. The general grunted with irritation; Ptitsin and Totski barely restrained their smiles. The rest all sat listening, open-mouthed with wonder. |
“This man assures me,” said Aglaya, scornfully, when the prince had finished reading the letter, “that the words ‘break off everything’ do not commit me to anything whatever; and himself gives me a written guarantee to that effect, in this letter. Observe how ingenuously he underlines certain words, and how crudely he glosses over his hidden thoughts. He must know that if he ‘broke off everything,’ _first_, by himself, and without telling me a word about it or having the slightest hope on my account, that in that case I should perhaps be able to change my opinion of him, and even accept his--friendship. He must know that, but his soul is such a wretched thing. He knows it and cannot make up his mind; he knows it and yet asks for guarantees. He cannot bring himself to _trust_, he wants me to give him hopes of myself before he lets go of his hundred thousand roubles. As to the ‘former word’ which he declares ‘lighted up the night of his life,’ he is simply an impudent liar; I merely pitied him once. But he is audacious and shameless. He immediately began to hope, at that very moment. I saw it. He has tried to catch me ever since; he is still fishing for me. Well, enough of this. Take the letter and give it back to him, as soon as you have left our house; not before, of course.”
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“Yes, I see and understand.”
| “Sit down,” said Rogojin; “let’s rest a bit.” There was silence for a moment. |
So saying he smiled strangely; but suddenly and excitedly he began again:
“Yes? Do you know that for a fact?” asked the prince, whose curiosity was aroused by the general’s words.
“I want to explain all to you--everything--everything! I know you think me Utopian, don’t you--an idealist? Oh, no! I’m not, indeed--my ideas are all so simple. You don’t believe me? You are smiling. Do you know, I am sometimes very wicked--for I lose my faith? This evening as I came here, I thought to myself, ‘What shall I talk about? How am I to begin, so that they may be able to understand partially, at all events?’ How afraid I was--dreadfully afraid! And yet, how _could_ I be afraid--was it not shameful of me? Was I afraid of finding a bottomless abyss of empty selfishness? Ah! that’s why I am so happy at this moment, because I find there is no bottomless abyss at all--but good, healthy material, full of life.
“I don’t remember any Nicolai Lvovitch. Was that your father?” she inquired of the prince.
| The poor general had merely made the remark about having carried Aglaya in his arms because he always did so begin a conversation with young people. But it happened that this time he had really hit upon the truth, though he had himself entirely forgotten the fact. But when Adelaida and Aglaya recalled the episode of the pigeon, his mind became filled with memories, and it is impossible to describe how this poor old man, usually half drunk, was moved by the recollection. |
At last, about half-past ten, the prince was left alone. His head ached. Colia was the last to go, after having helped him to change his wedding clothes. They parted on affectionate terms, and, without speaking of what had happened, Colia promised to come very early the next day. He said later that the prince had given no hint of his intentions when they said good-bye, but had hidden them even from him. Soon there was hardly anyone left in the house. Burdovsky had gone to see Hippolyte; Keller and Lebedeff had wandered off together somewhere.
It was only now that everyone realized to what a ridiculous dead-lock the whole matter had been brought. Excepting feigned surprise, indignation, laughter, and jeering--both at the prince and at everyone who asked her questions,--nothing could be got out of Aglaya.
“H’m! well--here, you fellow--you can come along with me now if you like!” cried Rogojin to Lebedeff, and so they all left the carriage.
“Oho! ho, ho, ho!” cried Ferdishenko. “_Now_ then, prince! My word, what things I would say if I had such a chance as that! My goodness, prince--go on!”
“Why, it’s true that I am going to marry Gavrila Ardalionovitch, that I love him and intend to elope with him tomorrow,” cried Aglaya, turning upon her mother. “Do you hear? Is your curiosity satisfied? Are you pleased with what you have heard?”
“Quite true! Much better to go in half an hour or so,” said Mrs. Epanchin.
“Ah!” she added, as Gania suddenly entered the room, “here’s another marrying subject. How do you do?” she continued, in response to Gania’s bow; but she did not invite him to sit down. “You are going to be married?”
| “Excuse me, Nastasia Philipovna,” interrupted the general, with chivalric generosity. “To whom are you speaking? I have remained until now simply because of my devotion to you, and as for danger, I am only afraid that the carpets may be ruined, and the furniture smashed!... You should shut the door on the lot, in my opinion. But I confess that I am extremely curious to see how it ends.” |
Lizabetha Prokofievna was about to rise, when she saw Hippolyte laughing, and turned upon him with irritation.