| The thing was decided in a hurry and with a certain amount of quite unnecessary excitement, doubtless because “nothing could be done in this house like anywhere else.” |
“You are very like Lizabetha Prokofievna.”
“Better to be of a mess than in a mess! I remember making a joke something like that at the mess in eighteen hundred and forty--forty--I forget. ‘Where is my youth, where is my golden youth?’ Who was it said that, Colia?”| “Pavlicheff was a man of bright intellect and a good Christian, a sincere Christian,” said the prince, suddenly. “How could he possibly embrace a faith which is unchristian? Roman Catholicism is, so to speak, simply the same thing as unchristianity,” he added with flashing eyes, which seemed to take in everybody in the room. |
| “Oh, there is no reason, of course, and I suppose there is nothing in common between us, or very little; for if I am Prince Muishkin, and your wife happens to be a member of my house, that can hardly be called a ‘reason.’ I quite understand that. And yet that was my whole motive for coming. You see I have not been in Russia for four years, and knew very little about anything when I left. I had been very ill for a long time, and I feel now the need of a few good friends. In fact, I have a certain question upon which I much need advice, and do not know whom to go to for it. I thought of your family when I was passing through Berlin. ‘They are almost relations,’ I said to myself, ‘so I’ll begin with them; perhaps we may get on with each other, I with them and they with me, if they are kind people;’ and I have heard that you are very kind people!” |
“What a regular old woman I am today,” he had said to himself each time, with annoyance. “I believe in every foolish presentiment that comes into my head.”
| “I’ve never learned anything whatever,” said the other. |
| The scene was growing more and more disgraceful; but Nastasia Philipovna continued to laugh and did not go away. Nina Alexandrovna and Varia had both risen from their places and were waiting, in silent horror, to see what would happen. Varia’s eyes were all ablaze with anger; but the scene had a different effect on Nina Alexandrovna. She paled and trembled, and looked more and more like fainting every moment. |
“But this is intolerable!” cried the visitors, some of them starting to their feet.
“Look closer. Do you see that bench, in the park there, just by those three big trees--that green bench?”
However, he must take his room at the hotel; and he started off in that direction. Having engaged his room, he was asked by the waiter whether he would take dinner; replying mechanically in the affirmative, he sat down and waited; but it was not long before it struck him that dining would delay him. Enraged at this idea, he started up, crossed the dark passage (which filled him with horrible impressions and gloomy forebodings), and set out once more for Rogojin’s. Rogojin had not returned, and no one came to the door. He rang at the old lady’s door opposite, and was informed that Parfen Semionovitch would not return for three days. The curiosity with which the old servant stared at him again impressed the prince disagreeably. He could not find the porter this time at all.
“I assure you I am not a thief, and yet I have stolen; I cannot explain why. It was at Semeon Ivanovitch Ishenka’s country house, one Sunday. He had a dinner party. After dinner the men stayed at the table over their wine. It struck me to ask the daughter of the house to play something on the piano; so I passed through the corner room to join the ladies. In that room, on Maria Ivanovna’s writing-table, I observed a three-rouble note. She must have taken it out for some purpose, and left it lying there. There was no one about. I took up the note and put it in my pocket; why, I can’t say. I don’t know what possessed me to do it, but it was done, and I went quickly back to the dining-room and reseated myself at the dinner-table. I sat and waited there in a great state of excitement. I talked hard, and told lots of stories, and laughed like mad; then I joined the ladies.
| “I haven’t been to see her for five days,” he repeated, after a slight pause. “I’m afraid of being turned out. She says she’s still her own mistress, and may turn me off altogether, and go abroad. She told me this herself,” he said, with a peculiar glance at Muishkin. “I think she often does it merely to frighten me. She is always laughing at me, for some reason or other; but at other times she’s angry, and won’t say a word, and that’s what I’m afraid of. I took her a shawl one day, the like of which she might never have seen, although she did live in luxury and she gave it away to her maid, Katia. Sometimes when I can keep away no longer, I steal past the house on the sly, and once I watched at the gate till dawn--I thought something was going on--and she saw me from the window. She asked me what I should do if I found she had deceived me. I said, ‘You know well enough.’” |
| At the moment when he lost Aglaya, and after the scene with Nastasia, he had felt so low in his own eyes that he actually brought the money back to the prince. Of this returning of the money given to him by a madwoman who had received it from a madman, he had often repented since--though he never ceased to be proud of his action. During the short time that Muishkin remained in Petersburg Gania had had time to come to hate him for his sympathy, though the prince told him that it was “not everyone who would have acted so nobly” as to return the money. He had long pondered, too, over his relations with Aglaya, and had persuaded himself that with such a strange, childish, innocent character as hers, things might have ended very differently. Remorse then seized him; he threw up his post, and buried himself in self-torment and reproach. |
Such were, for instance, Varvara Ardalionovna Ptitsin, her husband, and her brother, Gania.
“Nonsense,” cried Nastasia Philipovna, seizing the poker and raking a couple of logs together. No sooner did a tongue of flame burst out than she threw the packet of notes upon it.“Do you know, though,” cried the prince warmly, “you made that remark now, and everyone says the same thing, and the machine is designed with the purpose of avoiding pain, this guillotine I mean; but a thought came into my head then: what if it be a bad plan after all? You may laugh at my idea, perhaps--but I could not help its occurring to me all the same. Now with the rack and tortures and so on--you suffer terrible pain of course; but then your torture is bodily pain only (although no doubt you have plenty of that) until you die. But _here_ I should imagine the most terrible part of the whole punishment is, not the bodily pain at all--but the certain knowledge that in an hour,--then in ten minutes, then in half a minute, then now--this very _instant_--your soul must quit your body and that you will no longer be a man--and that this is certain, _certain_! That’s the point--the certainty of it. Just that instant when you place your head on the block and hear the iron grate over your head--then--that quarter of a second is the most awful of all.
“Allow me!”| “Come, come, Lebedeff, no sarcasm! It’s a serious--” |