“Her happiness? Oh, no! I am only marrying her--well, because she wished it. It means nothing--it’s all the same. She would certainly have died. I see now that that marriage with Rogojin was an insane idea. I understand all now that I did not understand before; and, do you know, when those two stood opposite to one another, I could not bear Nastasia Philipovna’s face! You must know, Evgenie Pavlovitch, I have never told anyone before--not even Aglaya--that I cannot bear Nastasia Philipovna’s face.” (He lowered his voice mysteriously as he said this.) “You described that evening at Nastasia Philipovna’s (six months since) very accurately just now; but there is one thing which you did not mention, and of which you took no account, because you do not know. I mean her _face_--I looked at her face, you see. Even in the morning when I saw her portrait, I felt that I could not _bear_ to look at it. Now, there’s Vera Lebedeff, for instance, her eyes are quite different, you know. I’m _afraid_ of her face!” he added, with real alarm.
X.
| Her serious air, however, during this conversation had surprised him considerably. He had a feeling that he ought to be asking her something, that there was something he wanted to find out far more important than how to load a pistol; but his thoughts had all scattered, and he was only aware that she was sitting by him, and talking to him, and that he was looking at her; as to what she happened to be saying to him, that did not matter in the least. |
| “Aglaya.” |
| So the Epanchins prepared to depart for the summer. |
| He seemed to have been born with overwrought nerves, and in his passionate desire to excel, he was often led to the brink of some rash step; and yet, having resolved upon such a step, when the moment arrived, he invariably proved too sensible to take it. He was ready, in the same way, to do a base action in order to obtain his wished-for object; and yet, when the moment came to do it, he found that he was too honest for any great baseness. (Not that he objected to acts of petty meanness--he was always ready for _them_.) He looked with hate and loathing on the poverty and downfall of his family, and treated his mother with haughty contempt, although he knew that his whole future depended on her character and reputation. |
“As for yesterday’s episode,” continued Gania, “of course it was pre-arranged.” Here he paused, as though expecting to be asked how he knew that. But the prince did not inquire. Concerning Evgenie Pavlovitch, Gania stated, without being asked, that he believed the former had not known Nastasia Philipovna in past years, but that he had probably been introduced to her by somebody in the park during these four days. As to the question of the IOU’s she had spoken of, there might easily be something in that; for though Evgenie was undoubtedly a man of wealth, yet certain of his affairs were equally undoubtedly in disorder. Arrived at this interesting point, Gania suddenly broke off, and said no more about Nastasia’s prank of the previous evening.
| Whether she were a woman who had read too many poems, as Evgenie Pavlovitch supposed, or whether she were mad, as the prince had assured Aglaya, at all events, this was a woman who, in spite of her occasionally cynical and audacious manner, was far more refined and trustful and sensitive than appeared. There was a certain amount of romantic dreaminess and caprice in her, but with the fantastic was mingled much that was strong and deep. |
“Why, I’ve not only heard of it; I see it for myself,” he said. “When have you ever spoken like that before? It wasn’t like yourself, prince. Why, if I hadn’t heard this report about you, I should never have come all this way into the park--at midnight, too!”
“Why? Was there no one else to pay for you?” asked the black-haired one.| “No, I had better speak,” continued the prince, with a new outburst of feverish emotion, and turning towards the old man with an air of confidential trustfulness. “Yesterday, Aglaya Ivanovna forbade me to talk, and even specified the particular subjects I must not touch upon--she knows well enough that I am odd when I get upon these matters. I am nearly twenty-seven years old, and yet I know I am little better than a child. I have no right to express my ideas, and said so long ago. Only in Moscow, with Rogojin, did I ever speak absolutely freely! He and I read Pushkin together--all his works. Rogojin knew nothing of Pushkin, had not even heard his name. I am always afraid of spoiling a great Thought or Idea by my absurd manner. I have no eloquence, I know. I always make the wrong gestures--inappropriate gestures--and therefore I degrade the Thought, and raise a laugh instead of doing my subject justice. I have no sense of proportion either, and that is the chief thing. I know it would be much better if I were always to sit still and say nothing. When I do so, I appear to be quite a sensible sort of a person, and what’s more, I think about things. But now I must speak; it is better that I should. I began to speak because you looked so kindly at me; you have such a beautiful face. I promised Aglaya Ivanovna yesterday that I would not speak all the evening.” |
| The general grew purple with anger. |
All this occurred, of course, in one instant of time.
“Lef Nicolaievitch!” cried Parfen, before he had reached the next landing. “Have you got that cross you bought from the soldier with you?”
“You must have no suspicions, none whatever,” said Lebedeff quickly. “I only want you to know that the person in question is not afraid of him, but of something quite, quite different.”“Have you always lived at home, Aglaya Ivanovna?” he asked. “I mean, have you never been to school, or college, or anything?”
As he went out of the prince’s room, he collided with yet another visitor coming in. Ferdishenko took the opportunity of making several warning gestures to the prince from behind the new arrival’s back, and left the room in conscious pride.
| “Very well, I believe you. I have my own ideas about it. Up to yesterday morning I thought it was really Evgenie Pavlovitch who was to blame; now I cannot help agreeing with the others. But why he was made such a fool of I cannot understand. However, he is not going to marry Aglaya, I can tell you that. He may be a very excellent fellow, but--so it shall be. I was not at all sure of accepting him before, but now I have quite made up my mind that I won’t have him. ‘Put me in my coffin first and then into my grave, and then you may marry my daughter to whomsoever you please,’ so I said to the general this very morning. You see how I trust you, my boy.” |
| “Oh, yes--a wonderful fellow; but I was present myself. I gave him my blessing.” |
| “I think you are wandering a little, prince,” Mrs. Epanchin decided, after a lengthened survey of his face; and she tossed the portrait on to the table, haughtily. |
| “Why should I? I’ve given you the message.--Goodbye!” |
| The doctor stated that there was no danger to be apprehended from the wound on the head, and as soon as the prince could understand what was going on around him, Colia hired a carriage and took him away to Lebedeff’s. There he was received with much cordiality, and the departure to the country was hastened on his account. Three days later they were all at Pavlofsk. |
| “Yes--no--half a candle--an end, you know--no, it was a whole candle; it’s all the same. Be quiet, can’t you! He brought a box of matches too, if you like, and then lighted the candle and held his finger in it for half an hour and more!--There! Can’t that be?” |
“I’ll just get my parcel and we’ll go,” said the prince to Gania, as he re-entered the drawing-room. Gania stamped his foot with impatience. His face looked dark and gloomy with rage.
“Don’t give it to him if he does. Fancy, he was a decent, respectable man once! He was received in the best society; he was not always the liar he is now. Of course, wine is at the bottom of it all; but he is a good deal worse than an innocent liar now. Do you know that he keeps a mistress? I can’t understand how mother is so long-suffering. Did he tell you the story of the siege of Kars? Or perhaps the one about his grey horse that talked? He loves to enlarge on these absurd histories.” And Gania burst into a fit of laughter. Suddenly he turned to the prince and asked: “Why are you looking at me like that?” “Don’t know! How can you not know? By-the-by, look here--if someone were to challenge you to a duel, what should you do? I wished to ask you this--some time ago--” At first Muishkin had not cared to make any reply to his sundry questions, and only smiled in response to Hippolyte’s advice to “run for his life--abroad, if necessary. There are Russian priests everywhere, and one can get married all over the world.”“Yes, yes,” agreed the prince, warmly.
All this was suspicious and unsatisfactory. Very likely the porter had received new instructions during the interval of the prince’s absence; his manner was so different now. He had been obliging--now he was as obstinate and silent as a mule. However, the prince decided to call again in a couple of hours, and after that to watch the house, in case of need. His hope was that he might yet find Nastasia at the address which he had just received. To that address he now set off at full speed. “I knew you would be at that hotel,” he continued, just as men sometimes commence a serious conversation by discussing any outside subject before leading up to the main point. “As I entered the passage it struck me that perhaps you were sitting and waiting for me, just as I was waiting for you. Have you been to the old lady at Ismailofsky barracks?”“I felt sure you would think I had some object in view when I resolved to pay you this visit,” the prince interrupted; “but I give you my word, beyond the pleasure of making your acquaintance I had no personal object whatever.”
| “Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people. |
“There’s nothing there except this,” said Colia, returning at this moment. “Where did you put it?”
The prince hurried down to the front gate where the party were settling into the troikas, all the bells tinkling a merry accompaniment the while. The general caught him up on the stairs:
“Wouldn’t it be better, esteemed prince, wouldn’t it be better--to--don’t you know--”| “It is madness--it is merely another proof of her insanity!” said the prince, and his lips trembled. |
“Come to Aglaya--quick, quick!”
“What? Didn’t exist?” cried the poor general, and a deep blush suffused his face.
| “I have heard many things of the kind about you...they delighted me... I have learned to hold you in the highest esteem,” continued Hippolyte. |
A fortnight had passed since the events recorded in the last chapter, and the position of the actors in our story had become so changed that it is almost impossible for us to continue the tale without some few explanations. Yet we feel that we ought to limit ourselves to the simple record of facts, without much attempt at explanation, for a very patent reason: because we ourselves have the greatest possible difficulty in accounting for the facts to be recorded. Such a statement on our part may appear strange to the reader. How is anyone to tell a story which he cannot understand himself? In order to keep clear of a false position, we had perhaps better give an example of what we mean; and probably the intelligent reader will soon understand the difficulty. More especially are we inclined to take this course since the example will constitute a distinct march forward of our story, and will not hinder the progress of the events remaining to be recorded.
He was panting with ecstasy. He walked round and round Nastasia Philipovna and told everybody to “keep their distance.”