“Oh! I suppose the present she wished to make to you, when she took you into the dining-room, was her confidence, eh?”

Prince Muishkin entered the court-yard, and ascended the steps. A cook with her sleeves turned up to the elbows opened the door. The visitor asked if Mr. Lebedeff were at home.
There is nothing so annoying as to be fairly rich, of a fairly good family, pleasing presence, average education, to be “not stupid,” kind-hearted, and yet to have no talent at all, no originality, not a single idea of one’s own--to be, in fact, “just like everyone else.”
“Not at all, gentlemen, not at all! Your presence is absolutely necessary to me tonight,” said Nastasia, significantly.
“Prince, you are not only simple, but your simplicity is almost past the limit,” said Lebedeff’s nephew, with a sarcastic smile.
“Sacrilege, certainly--certainly sacrilege,” said the latter.
“Do you ever give him money?”
“How stupid of me to speak of the portrait,” thought the prince as he entered the study, with a feeling of guilt at his heart, “and yet, perhaps I was right after all.” He had an idea, unformed as yet, but a strange idea.

“Look to the right!”

The Epanchin family, or at least the more serious members of it, were sometimes grieved because they seemed so unlike the rest of the world. They were not quite certain, but had at times a strong suspicion that things did not happen to them as they did to other people. Others led a quiet, uneventful life, while they were subject to continual upheavals. Others kept on the rails without difficulty; they ran off at the slightest obstacle. Other houses were governed by a timid routine; theirs was somehow different. Perhaps Lizabetha Prokofievna was alone in making these fretful observations; the girls, though not wanting in intelligence, were still young; the general was intelligent, too, but narrow, and in any difficulty he was content to say, “H’m!” and leave the matter to his wife. Consequently, on her fell the responsibility. It was not that they distinguished themselves as a family by any particular originality, or that their excursions off the track led to any breach of the proprieties. Oh no.
“Do you know, prince,” he said, in quite a different tone, “I do not know you at all, yet, and after all, Elizabetha Prokofievna would very likely be pleased to have a peep at a man of her own name. Wait a little, if you don’t mind, and if you have time to spare?”
“Oh, don’t be so worried on my account, prince! I assure you I am not worth it! At least, not I alone. But I see you are suffering on behalf of the criminal too, for wretched Ferdishenko, in fact!”

“No, I don’t--not at all! I hardly know anyone in Russia. Why, is that your name?”

“Yes, violent. I can give you a proof of it. A few days ago she tried to pull my hair because I said something that annoyed her. I tried to soothe her by reading the Apocalypse aloud.”
She was very like her mother: she even dressed like her, which proved that she had no taste for smart clothes. The expression of her grey eyes was merry and gentle, when it was not, as lately, too full of thought and anxiety. The same decision and firmness was to be observed in her face as in her mother’s, but her strength seemed to be more vigorous than that of Nina Alexandrovna. She was subject to outbursts of temper, of which even her brother was a little afraid. “Capital! And your handwriting?”
“H’m! impossible is rather a strong word,” said Ivan Petrovitch. “You must allow, my dear prince... However, of course you value the memory of the deceased so very highly; and he certainly was the kindest of men; to which fact, by the way, I ascribe, more than to anything else, the success of the abbot in influencing his religious convictions. But you may ask me, if you please, how much trouble and worry I, personally, had over that business, and especially with this same Gurot! Would you believe it,” he continued, addressing the dignitary, “they actually tried to put in a claim under the deceased’s will, and I had to resort to the very strongest measures in order to bring them to their senses? I assure you they knew their cue, did these gentlemen--wonderful! Thank goodness all this was in Moscow, and I got the Court, you know, to help me, and we soon brought them to their senses.”
It was true that she was lonely in her present life; Totski had judged her thoughts aright. She longed to rise, if not to love, at least to family life and new hopes and objects, but as to Gavrila Ardalionovitch, she could not as yet say much. She thought it must be the case that he loved her; she felt that she too might learn to love him, if she could be sure of the firmness of his attachment to herself; but he was very young, and it was a difficult question to decide. What she specially liked about him was that he worked, and supported his family by his toil.
“It’s my turn, but I plead exemption,” said Ptitsin.

“In my opinion, Mr. Doktorenko,” said the prince, in rather a low voice, “you are quite right in at least half of what you say. I would go further and say that you are altogether right, and that I quite agree with you, if there were not something lacking in your speech. I cannot undertake to say precisely what it is, but you have certainly omitted something, and you cannot be quite just while there is something lacking. But let us put that aside and return to the point. Tell me what induced you to publish this article. Every word of it is a calumny, and I think, gentlemen, that you have been guilty of a mean action.”

“No, no, you needn’t do anything of the sort; you mustn’t hint gently at all. I’ll go down myself directly. I wish to apologize to this young man, because I hurt his feelings.”
“What best wishes?”
She seemed to wish to show him something, not far off, in the park.
“Oh, I’ll write you a new one in half a minute,” said the prince, “if you like!”

“No, he has not.”

“You don’t answer me; perhaps you think I am very fond of you?” added Hippolyte, as though the words had been drawn from him.
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion. Both the listeners laughed again.
“Then you were there yesterday?”
“My dear Lebedeff, I--” “No; Constant was away then, taking a letter to the Empress Josephine. Instead of him there were always a couple of orderlies--and that was all, excepting, of course, the generals and marshals whom Napoleon always took with him for the inspection of various localities, and for the sake of consultation generally. I remember there was one--Davoust--nearly always with him--a big man with spectacles. They used to argue and quarrel sometimes. Once they were in the Emperor’s study together--just those two and myself--I was unobserved--and they argued, and the Emperor seemed to be agreeing to something under protest. Suddenly his eye fell on me and an idea seemed to flash across him.
The prince hastened to apologize, very properly, for yesterday’s mishap with the vase, and for the scene generally.

He seemed to pause for a reply, for some verdict, as it were, and looked humbly around him.

“No, no, general!” she cried. “You had better look out! I am the princess now, you know. The prince won’t let you insult me. Afanasy Ivanovitch, why don’t you congratulate me? I shall be able to sit at table with your new wife, now. Aha! you see what I gain by marrying a prince! A million and a half, and a prince, and an idiot into the bargain, they say. What better could I wish for? Life is only just about to commence for me in earnest. Rogojin, you are a little too late. Away with your paper parcel! I’m going to marry the prince; I’m richer than you are now.”

“Oh, dear me, I really do not require such profuse apologies,” replied the prince, hastily. “I quite understand how unpleasant your position is, and that is what made you abuse me. So come along to your house, after all. I shall be delighted--”

“Is that all? What about her character?” persisted Mrs. Epanchin.
“Oh--be easy, sir, be easy! I shall not wound your tenderest feelings. I’ve been through it all myself, and I know well how unpleasant it is when an outsider sticks his nose in where he is not wanted. I experience this every morning. I came to speak to you about another matter, though, an important matter. A very important matter, prince.”
“I was not at all afraid for myself, Gania, as you know well. It was not for my own sake that I have been so anxious and worried all this time! They say it is all to be settled to-day. What is to be settled?”

Lizabetha Prokofievna placed a chair for him with her own hands.

The general grew purple with anger.

“Don’t go after him just now, Colia, or he’ll be vexed, and the benefit of this moment will be lost!” said the prince, as the boy was hurrying out of the room.

Hearing these words from her husband, Lizabetha Prokofievna was driven beside herself.
“I--I intended to try for a certificate as private tutor.”
“Of course--she showed them to me herself. You are thinking of the razor, eh? Ha, ha, ha!” “I don’t want any dinner, thanks, Colia. I had too good a lunch at General Epanchin’s.”
It soon became clear to Gania, after scenes of wrath and quarrellings at the domestic hearth, that his family were seriously opposed to the match, and that Nastasia was aware of this fact was equally evident. She said nothing about it, though he daily expected her to do so.
“And you’ll never reproach me with it?”
“Yes, yes,” agreed the prince, warmly.
“Only, of course that’s not nearly your worst action,” said the actress, with evident dislike in her face.

VII.

“I know very well that he does deceive me occasionally, and he knows that I know it, but--” The prince did not finish his sentence.
“As for your face, Lizabetha Prokofievna, I not only think, but am perfectly _sure_, that you are an absolute child--in all, in all, mind, both good and bad--and in spite of your years. Don’t be angry with me for saying so; you know what my feelings for children are. And do not suppose that I am so candid out of pure simplicity of soul. Oh dear no, it is by no means the case! Perhaps I have my own very profound object in view.” “You are innocent--and in your innocence lies all your perfection--oh, remember that! What is my passion to you?--you are mine now; I shall be near you all my life--I shall not live long!” “So this is Nastasia Philipovna,” he said, looking attentively and curiously at the portrait. “How wonderfully beautiful!” he immediately added, with warmth. The picture was certainly that of an unusually lovely woman. She was photographed in a black silk dress of simple design, her hair was evidently dark and plainly arranged, her eyes were deep and thoughtful, the expression of her face passionate, but proud. She was rather thin, perhaps, and a little pale. Both Gania and the general gazed at the prince in amazement.
“I admit that it is an historic thought, but what is your conclusion?” asked the prince.

The prince sat silent for a long while. His mind was filled with dread and horror.

The fact is that probably Hippolyte was not quite so black as Gania painted him; and it was hardly likely that he had informed Nina Alexandrovna of certain events, of which we know, for the mere pleasure of giving her pain. We must never forget that human motives are generally far more complicated than we are apt to suppose, and that we can very rarely accurately describe the motives of another. It is much better for the writer, as a rule, to content himself with the bare statement of events; and we shall take this line with regard to the catastrophe recorded above, and shall state the remaining events connected with the general’s trouble shortly, because we feel that we have already given to this secondary character in our story more attention than we originally intended.
“They are quarrelling,” said the prince, and entered the drawing-room, just as matters in there had almost reached a crisis. Nina Alexandrovna had forgotten that she had “submitted to everything!” She was defending Varia. Ptitsin was taking her part, too. Not that Varia was afraid of standing up for herself. She was by no means that sort of a girl; but her brother was becoming ruder and more intolerable every moment. Her usual practice in such cases as the present was to say nothing, but stare at him, without taking her eyes off his face for an instant. This manoeuvre, as she well knew, could drive Gania distracted. “You are not very modest!” said she.