“You call him a monster so often that it makes me suspicious.”

Now this was precisely what Lebedeff had made up his mind to do in the last three minutes. Not that he had any difficulty in finding a tenant; in fact the house was occupied at present by a chance visitor, who had told Lebedeff that he would perhaps take it for the summer months. The clerk knew very well that this “_perhaps_” meant “_certainly_,” but as he thought he could make more out of a tenant like the prince, he felt justified in speaking vaguely about the present inhabitant’s intentions. “This is quite a coincidence,” thought he, and when the subject of price was mentioned, he made a gesture with his hand, as if to waive away a question of so little importance.

“I wish at least _he_ would come and say something!” complained poor Lizabetha Prokofievna.

“Gentlemen, gentlemen, let me speak at last,” cried the prince, anxious and agitated. “Please let us understand one another. I say nothing about the article, gentlemen, except that every word is false; I say this because you know it as well as I do. It is shameful. I should be surprised if any one of you could have written it.”
“But you didn’t repeat what you heard in the study? You didn’t repeat that--eh?”
Nastasia Philipovna was quite capable of ruining herself, and even of perpetrating something which would send her to Siberia, for the mere pleasure of injuring a man for whom she had developed so inhuman a sense of loathing and contempt. He had sufficient insight to understand that she valued nothing in the world--herself least of all--and he made no attempt to conceal the fact that he was a coward in some respects. For instance, if he had been told that he would be stabbed at the altar, or publicly insulted, he would undoubtedly have been frightened; but not so much at the idea of being murdered, or wounded, or insulted, as at the thought that if such things were to happen he would be made to look ridiculous in the eyes of society.
“Why don’t you finish your sentence? Shall I tell you what you were thinking to yourself just then? You were thinking, ‘How can she marry him after this? How can it possibly be permitted?’ Oh, I know what you were thinking about!”
“I’m all right; yesterday I was a little--”
“I mean to say that if I had been in Burdovsky’s place...I...” “Perhaps that is just what was so fascinating about it.”

“You are altogether perfection; even your pallor and thinness are perfect; one could not wish you otherwise. I did so wish to come and see you. I--forgive me, please--”

“I did not know of its existence till this moment,” declared Hippolyte. “I do not approve of it.”

He said the last words nervously.
“And pray what _is_ my position, madame? I have the greatest respect for you, personally; but--”

“Oh, my dear fellow,” cried Evgenie, warmly, with real sorrow in his voice, “how could you permit all that to come about as it has? Of course, of course, I know it was all so unexpected. I admit that you, only naturally, lost your head, and--and could not stop the foolish girl; that was not in your power. I quite see so much; but you really should have understood how seriously she cared for you. She could not bear to share you with another; and you could bring yourself to throw away and shatter such a treasure! Oh, prince, prince!”

He had spoken in a whisper all the way. In spite of his apparent outward composure, he was evidently in a state of great mental agitation. Arrived in a large salon, next to the study, he went to the window and cautiously beckoned the prince up to him.

“Is there over there?”
“You are mad!” said Ptitsin, coming up quickly and seizing him by the hand. “You’re drunk--the police will be sent for if you don’t look out. Think where you are.”
“Oh yes, and in three days you’ll come and invite me yourself. Aren’t you ashamed now? These are your best feelings; you are only tormenting yourself.”
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
The prince seemed to be considering the suggestion.

“Gentlemen, I supposed from this that poor Mr. Burdovsky must be a simple-minded man, quite defenceless, and an easy tool in the hands of rogues. That is why I thought it my duty to try and help him as ‘Pavlicheff’s son’; in the first place by rescuing him from the influence of Tchebaroff, and secondly by making myself his friend. I have resolved to give him ten thousand roubles; that is about the sum which I calculate that Pavlicheff must have spent on me.”

“No--nothing more than that. Why, they couldn’t understand him themselves; and very likely didn’t tell me all.”
“But why wear a coat in holes,” asked the girl, “when your new one is hanging behind the door? Did you not see it?”
“Wait,” interrupted the prince. “I asked both the porter and the woman whether Nastasia Philipovna had spent last night in the house; so they knew--”
“You may imagine her ecstasy, her gratitude. The wretched Platon, who had almost died since yesterday of the reproaches showered upon him, wept on my shoulder. Of course poor Peter had no chance after this.

“But there is nothing to understand! Sympathy and tenderness, that is all--that is all our poor invalid requires! You will permit me to consider him an invalid?”

“Mamma, what are you saying?” said Alexandra again, hurriedly.
“You knew Pavlicheff then?” “Oh, but I should like to see it!” said Adelaida; “and I don’t know _when_ we shall ever go abroad. I’ve been two years looking out for a good subject for a picture. I’ve done all I know. ‘The North and South I know by heart,’ as our poet observes. Do help me to a subject, prince.”