“Well, one night in the Shestilavochnaya, a man passed me with a paper parcel under his arm. I did not take stock of him very carefully, but he seemed to be dressed in some shabby summer dust-coat, much too light for the season. When he was opposite the lamp-post, some ten yards away, I observed something fall out of his pocket. I hurried forward to pick it up, just in time, for an old wretch in a long kaftan rushed up too. He did not dispute the matter, but glanced at what was in my hand and disappeared. But one very curious fact was that all the shame and vexation and mortification which he felt over the accident were less powerful than the deep impression of the almost supernatural truth of his premonition. He stood still in alarm--in almost superstitious alarm, for a moment; then all mists seemed to clear away from his eyes; he was conscious of nothing but light and joy and ecstasy; his breath came and went; but the moment passed. Thank God it was not that! He drew a long breath and looked around.

“I shall laugh--I know I shall; I shall die of laughing,” she said, lugubriously.

“Comparatively to what?”

“Yes, through an agent. My own name doesn’t appear. I have a large family, you see, and at a small percentage--”

For instance, when the whole essence of an ordinary person’s nature lies in his perpetual and unchangeable commonplaceness; and when in spite of all his endeavours to do something out of the common, this person ends, eventually, by remaining in his unbroken line of routine--. I think such an individual really does become a type of his own--a type of commonplaceness which will not for the world, if it can help it, be contented, but strains and yearns to be something original and independent, without the slightest possibility of being so. To this class of commonplace people belong several characters in this novel;--characters which--I admit--I have not drawn very vividly up to now for my reader’s benefit.
“Which observation should always be made in as theatrical a tone as possible,” muttered Gania, shutting the window with a bang.
Her serious air, however, during this conversation had surprised him considerably. He had a feeling that he ought to be asking her something, that there was something he wanted to find out far more important than how to load a pistol; but his thoughts had all scattered, and he was only aware that she was sitting by him, and talking to him, and that he was looking at her; as to what she happened to be saying to him, that did not matter in the least.
“You know I have never needed to blush before you, up to this day, though perhaps you would have been glad enough to make me,” said Lizabetha Prokofievna,--with majesty. “Good-bye, prince; forgive me for bothering you. I trust you will rest assured of my unalterable esteem for you.”

There was laughter in the group around her, and Lebedeff stood before her gesticulating wildly.

“Don’t deceive me now, prince--tell the truth. All these people persecute me with astounding questions--about you. Is there any ground for all these questions, or not? Come!”

The general looked significantly at his host.
Nastasia Philipovna, observing his woe-begone expression, suddenly burst out laughing. “Father, your dinner is ready,” said Varvara at this point, putting her head in at the door.
This gentleman was a confidant of Evgenie’s, and had doubtless heard of the carriage episode.
To the amazement of the prince, who overheard the remark, Aglaya looked haughtily and inquiringly at the questioner, as though she would give him to know, once for all, that there could be no talk between them about the ‘poor knight,’ and that she did not understand his question. “Perhaps,” he thought, “someone is to be with them until nine tonight and she is afraid that I may come and make a fool of myself again, in public.” So he spent his time longing for the evening and looking at his watch. But the clearing-up of the mystery came long before the evening, and came in the form of a new and agonizing riddle.
“I thought someone led me by the hand and showed me, by the light of a candle, a huge, loathsome insect, which he assured me was that very force, that very almighty, dumb, irresistible Power, and laughed at the indignation with which I received this information. In my room they always light the little lamp before my icon for the night; it gives a feeble flicker of light, but it is strong enough to see by dimly, and if you sit just under it you can even read by it. I think it was about twelve or a little past that night. I had not slept a wink, and was lying with my eyes wide open, when suddenly the door opened, and in came Rogojin.
The prince said nothing, but entered the room, sat down silently, and stared at them, one after the other, with the air of a man who cannot understand what is being said to him. It was strange--one moment he seemed to be so observant, the next so absent; his behaviour struck all the family as most remarkable. At length he rose from his seat, and begged to be shown Nastasia’s rooms. The ladies reported afterwards how he had examined everything in the apartments. He observed an open book on the table, Madam Bovary, and requested the leave of the lady of the house to take it with him. He had turned down the leaf at the open page, and pocketed it before they could explain that it was a library book. He had then seated himself by the open window, and seeing a card-table, he asked who played cards.
“I took it out and had a look at it; it’s all right. I’ve let it slip back into the lining now, as you see, and so I have been walking about ever since yesterday morning; it knocks against my legs when I walk along.”

“But how could he know anything of it? Tell me that. Lebedeff and the prince determined to tell no one--even Colia knows nothing.”

“He is always silent, but I know well that he loves me so much that he must hate me. My wedding and yours are to be on the same day; so I have arranged with him. I have no secrets from him. I would kill him from very fright, but he will kill me first. He has just burst out laughing, and says that I am raving. He knows I am writing to you.”

“Yes, believe it or not! It’s all the same to me!”

The lady of the house appeared to be a woman of about fifty years of age, thin-faced, and with black lines under the eyes. She looked ill and rather sad; but her face was a pleasant one for all that; and from the first word that fell from her lips, any stranger would at once conclude that she was of a serious and particularly sincere nature. In spite of her sorrowful expression, she gave the idea of possessing considerable firmness and decision.
“Yes--no--half a candle--an end, you know--no, it was a whole candle; it’s all the same. Be quiet, can’t you! He brought a box of matches too, if you like, and then lighted the candle and held his finger in it for half an hour and more!--There! Can’t that be?”

“I have not got the letter,” said the prince, timidly, extremely surprised at the turn the conversation had taken. “If anyone has it, if it still exists, Aglaya Ivanovna must have it.”

“Insinuation? Oh! I assure you, I take your word for it.” And the prince continued laughing merrily.
“Yes, he was.”

“I am not surprised at that. After what you... But I do hate that way of looking at things! Because some fool, or a rogue pretending to be a fool, strikes a man, that man is to be dishonoured for his whole life, unless he wipes out the disgrace with blood, or makes his assailant beg forgiveness on his knees! I think that so very absurd and tyrannical. Lermontoff’s Bal Masque is based on that idea--a stupid and unnatural one, in my opinion; but he was hardly more than a child when he wrote it.”

“I have told you already, that I will not go away until I have got what I ask. Why are you smiling, prince? You look as if you disapproved of me.”