“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.

“Just now, I confess,” began the prince, with more animation, “when you asked me for a subject for a picture, I confess I had serious thoughts of giving you one. I thought of asking you to draw the face of a criminal, one minute before the fall of the guillotine, while the wretched man is still standing on the scaffold, preparatory to placing his neck on the block.”

“In spite of his lack of amiability, I could not help seeing, in Rogojin a man of intellect and sense; and although, perhaps, there was little in the outside world which was of interest to him, still he was clearly a man with eyes to see.

“Just now, I confess,” began the prince, with more animation, “when you asked me for a subject for a picture, I confess I had serious thoughts of giving you one. I thought of asking you to draw the face of a criminal, one minute before the fall of the guillotine, while the wretched man is still standing on the scaffold, preparatory to placing his neck on the block.”
He meant to calm his hearers, and did not perceive that his words had only increased their irritation.
Rogojin began to wander--muttering disconnectedly; then he took to shouting and laughing. The prince stretched out a trembling hand and gently stroked his hair and his cheeks--he could do nothing more. His legs trembled again and he seemed to have lost the use of them. A new sensation came over him, filling his heart and soul with infinite anguish.
Just before he dozed off, the idea of Hippolyte murdering ten men flitted through his brain, and he smiled at the absurdity of such a thought.
Ptitsin had tactfully retreated to Lebedeff’s wing; and Gania soon followed him.
“Well, go on! never mind me!” mocked the other. “Don’t be afraid!”
“Oh, not cold--believe an old man--not from a cold, but from grief for her prince. Oh--your mother, your mother! heigh-ho! Youth--youth! Your father and I--old friends as we were--nearly murdered each other for her sake.”
“‘Here lies a Dead Soul, Shame pursues me.’
“I know that there were just as many, and just as terrible, crimes before our times. Not long since I visited a convict prison and made acquaintance with some of the criminals. There were some even more dreadful criminals than this one we have been speaking of--men who have murdered a dozen of their fellow-creatures, and feel no remorse whatever. But what I especially noticed was this, that the very most hopeless and remorseless murderer--however hardened a criminal he may be--still _knows that he is a criminal_; that is, he is conscious that he has acted wickedly, though he may feel no remorse whatever. And they were all like this. Those of whom Evgenie Pavlovitch has spoken, do not admit that they are criminals at all; they think they had a right to do what they did, and that they were even doing a good deed, perhaps. I consider there is the greatest difference between the two cases. And recollect--it was a _youth_, at the particular age which is most helplessly susceptible to the distortion of ideas!”

“And this is my son--my own son--whom I--oh, gracious Heaven! Eropegoff--Eroshka Eropegoff didn’t exist!”

“I tell you, sir, he wished it himself!”

“How can you?” he murmured; “she is so unhappy.”

“Why, he knows everything--Lebedeff knows everything! I was a month or two with Lihachof after his father died, your excellency, and while he was knocking about--he’s in the debtor’s prison now--I was with him, and he couldn’t do a thing without Lebedeff; and I got to know Nastasia Philipovna and several people at that time.”

“It’s only for mother’s sake that I spare him,” said Gania, tragically.

“How foolish I am to speak of such things to a man like you,” said Vera, blushing. “Though you _do_ look tired,” she added, half turning away, “your eyes are so splendid at this moment--so full of happiness.”

The wearer of this cloak was a young fellow, also of about twenty-six or twenty-seven years of age, slightly above the middle height, very fair, with a thin, pointed and very light coloured beard; his eyes were large and blue, and had an intent look about them, yet that heavy expression which some people affirm to be a peculiarity as well as evidence, of an epileptic subject. His face was decidedly a pleasant one for all that; refined, but quite colourless, except for the circumstance that at this moment it was blue with cold. He held a bundle made up of an old faded silk handkerchief that apparently contained all his travelling wardrobe, and wore thick shoes and gaiters, his whole appearance being very un-Russian.
The girls stood apart, almost frightened; their father was positively horrified. Mrs. Epanchin’s language astonished everybody. Some who stood a little way off smiled furtively, and talked in whispers. Lebedeff wore an expression of utmost ecstasy.
Totski grew white as a sheet. The general was struck dumb. All present started and listened intently. Gania sat rooted to his chair.
The door opened at this point, and in came Gania most unexpectedly.

Vera Lebedeff was one of the first to come to see him and offer her services. No sooner did she catch sight of him than she burst into tears; but when he tried to soothe her she began to laugh. He was quite struck by the girl’s deep sympathy for him; he seized her hand and kissed it. Vera flushed crimson.

Her acquaintances invited her to their “At Homes” because she was so decorative. She was exhibited to their guests like a valuable picture, or vase, or statue, or firescreen. As for the men, Ptitsin was one of Rogojin’s friends; Ferdishenko was as much at home as a fish in the sea, Gania, not yet recovered from his amazement, appeared to be chained to a pillory. The old professor did not in the least understand what was happening; but when he noticed how extremely agitated the mistress of the house, and her friends, seemed, he nearly wept, and trembled with fright: but he would rather have died than leave Nastasia Philipovna at such a crisis, for he loved her as if she were his own granddaughter. Afanasy Ivanovitch greatly disliked having anything to do with the affair, but he was too much interested to leave, in spite of the mad turn things had taken; and a few words that had dropped from the lips of Nastasia puzzled him so much, that he felt he could not go without an explanation. He resolved therefore, to see it out, and to adopt the attitude of silent spectator, as most suited to his dignity. General Epanchin alone determined to depart. He was annoyed at the manner in which his gift had been returned, as though he had condescended, under the influence of passion, to place himself on a level with Ptitsin and Ferdishenko, his self-respect and sense of duty now returned together with a consciousness of what was due to his social rank and official importance. In short, he plainly showed his conviction that a man in his position could have nothing to do with Rogojin and his companions. But Nastasia interrupted him at his first words.

“I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...”

“Oh, Lebedeff, don’t, don’t make any scandal about it!” said the prince, much agitated, and speaking in a low voice.

“Though I am a woman, I should certainly not run away for anything,” said Aglaya, in a slightly pained voice. “However, I see you are laughing at me and twisting your face up as usual in order to make yourself look more interesting. Now tell me, they generally shoot at twenty paces, don’t they? At ten, sometimes? I suppose if at ten they must be either wounded or killed, mustn’t they?” “How so? What in?”

“I took it out and had a look at it; it’s all right. I’ve let it slip back into the lining now, as you see, and so I have been walking about ever since yesterday morning; it knocks against my legs when I walk along.”

“Capital! And your handwriting?”

“I am aware that you sent your son to that house--he told me so himself just now, but what is this intrigue?” said the prince, impatiently.

“How ‘as he did yesterday’? What do you mean? What did he do yesterday?” asked Gania, in alarm.

The prince sat down, and at length prevailed upon Burdovsky’s company to do likewise. During the last ten or twenty minutes, exasperated by continual interruptions, he had raised his voice, and spoken with great vehemence. Now, no doubt, he bitterly regretted several words and expressions which had escaped him in his excitement. If he had not been driven beyond the limits of endurance, he would not have ventured to express certain conjectures so openly. He had no sooner sat down than his heart was torn by sharp remorse. Besides insulting Burdovsky with the supposition, made in the presence of witnesses, that he was suffering from the complaint for which he had himself been treated in Switzerland, he reproached himself with the grossest indelicacy in having offered him the ten thousand roubles before everyone. “I ought to have waited till to-morrow and offered him the money when we were alone,” thought Muishkin. “Now it is too late, the mischief is done! Yes, I am an idiot, an absolute idiot!” he said to himself, overcome with shame and regret.

“Well, _au revoir_, prince,” said Adelaida, “I must be going too.” She pressed the prince’s hand warmly, and gave him a friendly smile as she left the room. She did not so much as look at Gania.

He was sure of it, and his heart beat excitedly at the thought, he knew not why.

“Ah! Well, if it was Rogojin--but do you know what she writes to me about?”
The prince was given the middle room of the three, the first being occupied by one Ferdishenko, while the third was empty.
He hid his face in his hands.