“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
| “Just now, I confess,” began the prince, with more animation, “when you asked me for a subject for a picture, I confess I had serious thoughts of giving you one. I thought of asking you to draw the face of a criminal, one minute before the fall of the guillotine, while the wretched man is still standing on the scaffold, preparatory to placing his neck on the block.” |
“In spite of his lack of amiability, I could not help seeing, in Rogojin a man of intellect and sense; and although, perhaps, there was little in the outside world which was of interest to him, still he was clearly a man with eyes to see.
| “‘Here lies a Dead Soul, Shame pursues me.’ |
“And this is my son--my own son--whom I--oh, gracious Heaven! Eropegoff--Eroshka Eropegoff didn’t exist!”
“I tell you, sir, he wished it himself!”
“How can you?” he murmured; “she is so unhappy.”“Why, he knows everything--Lebedeff knows everything! I was a month or two with Lihachof after his father died, your excellency, and while he was knocking about--he’s in the debtor’s prison now--I was with him, and he couldn’t do a thing without Lebedeff; and I got to know Nastasia Philipovna and several people at that time.”
| “It’s only for mother’s sake that I spare him,” said Gania, tragically. |
“How foolish I am to speak of such things to a man like you,” said Vera, blushing. “Though you _do_ look tired,” she added, half turning away, “your eyes are so splendid at this moment--so full of happiness.”
| The wearer of this cloak was a young fellow, also of about twenty-six or twenty-seven years of age, slightly above the middle height, very fair, with a thin, pointed and very light coloured beard; his eyes were large and blue, and had an intent look about them, yet that heavy expression which some people affirm to be a peculiarity as well as evidence, of an epileptic subject. His face was decidedly a pleasant one for all that; refined, but quite colourless, except for the circumstance that at this moment it was blue with cold. He held a bundle made up of an old faded silk handkerchief that apparently contained all his travelling wardrobe, and wore thick shoes and gaiters, his whole appearance being very un-Russian. |
Vera Lebedeff was one of the first to come to see him and offer her services. No sooner did she catch sight of him than she burst into tears; but when he tried to soothe her she began to laugh. He was quite struck by the girl’s deep sympathy for him; he seized her hand and kissed it. Vera flushed crimson.
Her acquaintances invited her to their “At Homes” because she was so decorative. She was exhibited to their guests like a valuable picture, or vase, or statue, or firescreen. As for the men, Ptitsin was one of Rogojin’s friends; Ferdishenko was as much at home as a fish in the sea, Gania, not yet recovered from his amazement, appeared to be chained to a pillory. The old professor did not in the least understand what was happening; but when he noticed how extremely agitated the mistress of the house, and her friends, seemed, he nearly wept, and trembled with fright: but he would rather have died than leave Nastasia Philipovna at such a crisis, for he loved her as if she were his own granddaughter. Afanasy Ivanovitch greatly disliked having anything to do with the affair, but he was too much interested to leave, in spite of the mad turn things had taken; and a few words that had dropped from the lips of Nastasia puzzled him so much, that he felt he could not go without an explanation. He resolved therefore, to see it out, and to adopt the attitude of silent spectator, as most suited to his dignity. General Epanchin alone determined to depart. He was annoyed at the manner in which his gift had been returned, as though he had condescended, under the influence of passion, to place himself on a level with Ptitsin and Ferdishenko, his self-respect and sense of duty now returned together with a consciousness of what was due to his social rank and official importance. In short, he plainly showed his conviction that a man in his position could have nothing to do with Rogojin and his companions. But Nastasia interrupted him at his first words.
“I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...”
“Oh, Lebedeff, don’t, don’t make any scandal about it!” said the prince, much agitated, and speaking in a low voice.
“Though I am a woman, I should certainly not run away for anything,” said Aglaya, in a slightly pained voice. “However, I see you are laughing at me and twisting your face up as usual in order to make yourself look more interesting. Now tell me, they generally shoot at twenty paces, don’t they? At ten, sometimes? I suppose if at ten they must be either wounded or killed, mustn’t they?” “How so? What in?”“I took it out and had a look at it; it’s all right. I’ve let it slip back into the lining now, as you see, and so I have been walking about ever since yesterday morning; it knocks against my legs when I walk along.”
| “Capital! And your handwriting?” |
“I am aware that you sent your son to that house--he told me so himself just now, but what is this intrigue?” said the prince, impatiently.
The prince sat down, and at length prevailed upon Burdovsky’s company to do likewise. During the last ten or twenty minutes, exasperated by continual interruptions, he had raised his voice, and spoken with great vehemence. Now, no doubt, he bitterly regretted several words and expressions which had escaped him in his excitement. If he had not been driven beyond the limits of endurance, he would not have ventured to express certain conjectures so openly. He had no sooner sat down than his heart was torn by sharp remorse. Besides insulting Burdovsky with the supposition, made in the presence of witnesses, that he was suffering from the complaint for which he had himself been treated in Switzerland, he reproached himself with the grossest indelicacy in having offered him the ten thousand roubles before everyone. “I ought to have waited till to-morrow and offered him the money when we were alone,” thought Muishkin. “Now it is too late, the mischief is done! Yes, I am an idiot, an absolute idiot!” he said to himself, overcome with shame and regret.
He was sure of it, and his heart beat excitedly at the thought, he knew not why.
| He hid his face in his hands. |