“But though I do not recognize any jurisdiction over myself, still I know that I shall be judged, when I am nothing but a voiceless lump of clay; therefore I do not wish to go before I have left a word of reply--the reply of a free man--not one forced to justify himself--oh no! I have no need to ask forgiveness of anyone. I wish to say a word merely because I happen to desire it of my own free will.
For instance, when the whole essence of an ordinary person’s nature lies in his perpetual and unchangeable commonplaceness; and when in spite of all his endeavours to do something out of the common, this person ends, eventually, by remaining in his unbroken line of routine--. I think such an individual really does become a type of his own--a type of commonplaceness which will not for the world, if it can help it, be contented, but strains and yearns to be something original and independent, without the slightest possibility of being so. To this class of commonplace people belong several characters in this novel;--characters which--I admit--I have not drawn very vividly up to now for my reader’s benefit.
The same thing happened in the park and in the street, wherever he went. He was pointed out when he drove by, and he often overheard the name of Nastasia Philipovna coupled with his own as he passed. People looked out for her at the funeral, too, but she was not there; and another conspicuous absentee was the captain’s widow, whom Lebedeff had prevented from coming.
| There is, in extreme cases, a final stage of cynical candour when a nervous man, excited, and beside himself with emotion, will be afraid of nothing and ready for any sort of scandal, nay, glad of it. The extraordinary, almost unnatural, tension of the nerves which upheld Hippolyte up to this point, had now arrived at this final stage. This poor feeble boy of eighteen--exhausted by disease--looked for all the world as weak and frail as a leaflet torn from its parent tree and trembling in the breeze; but no sooner had his eye swept over his audience, for the first time during the whole of the last hour, than the most contemptuous, the most haughty expression of repugnance lighted up his face. He defied them all, as it were. But his hearers were indignant, too; they rose to their feet with annoyance. Fatigue, the wine consumed, the strain of listening so long, all added to the disagreeable impression which the reading had made upon them. |
“Quite so, quite so!” cried Mrs. Epanchin, delighted. “I see you _can_ be sensible now and then, Alexandra. You were speaking of Switzerland, prince?”
“Of course, you don’t know all; but, I assure you, you needn’t be afraid, it won’t be like that in our case. There are circumstances,” said Gania, rather excitedly. “And as to her answer to me, there’s no doubt about that. Why should you suppose she will refuse me?”
Parfen Rogojin opened the door himself.
“Hippolyte,” said the prince, “give me the papers, and go to bed like a sensible fellow. We’ll have a good talk tomorrow, but you really mustn’t go on with this reading; it is not good for you!”
| “You know yourself it does not depend on me.” |
“This is Pushkin,” replied the girl. “Papa told me to offer it to you.”
“Don’t shuffle! Say plainly that you think that I am quite wrong, without any ‘somewhat’! Why ‘somewhat’?”
Just then another person belonging to the household was seen at the back of the hall. It was a woman of some forty years, dressed in sombre colours, probably a housekeeper or a governess. Hearing the names she came forward with a look of suspicion on her face.
“I should refuse to say a word if _I_ were ordered to tell a story like that!” observed Aglaya.
“The pistol was a wretched thing, very crooked and wouldn’t carry farther than fifteen paces at the most. However, it would send your skull flying well enough if you pressed the muzzle of it against your temple.
The prince did not hear the rest, because at this point the servant continued his communication in a whisper.
Evidently the quiet, pleasant current of the family life of the Epanchins was about to undergo a change.
“He is telling lies!” cried the nephew. “Even now he cannot speak the truth. He is not called Timofey Lukianovitch, prince, but Lukian Timofeyovitch. Now do tell us why you must needs lie about it? Lukian or Timofey, it is all the same to you, and what difference can it make to the prince? He tells lies without the least necessity, simply by force of habit, I assure you.”
“Nowhere, as yet.”
| Aglaya brought out these thronging words with great satisfaction. They came from her lips hurriedly and impetuously, and had been prepared and thought out long ago, even before she had ever dreamed of the present meeting. She watched with eagerness the effect of her speech as shown in Nastasia’s face, which was distorted with agitation. |
“And who told you this about Ferdishenko?”
“All this is most interesting,” said the prince, very softly, “if it really was so--that is, I mean--” he hastened to correct himself.
So saying he smiled strangely; but suddenly and excitedly he began again:
| Nastasia Philipovna’s eyes were flashing in a most unmistakable way, now; and her lips were all a-quiver by the time Totski finished his story. |
“Then I will never speak to you again.” She made a sudden movement to go, and then turned quickly back. “And you will call on that atheist?” she continued, pointing to Hippolyte. “How dare you grin at me like that?” she shouted furiously, rushing at the invalid, whose mocking smile drove her to distraction.
The prince made a rush after her, but he was caught and held back. The distorted, livid face of Nastasia gazed at him reproachfully, and her blue lips whispered:
He had attained his end. The prince left the house beside himself with terror.
| A fortnight had passed since the events recorded in the last chapter, and the position of the actors in our story had become so changed that it is almost impossible for us to continue the tale without some few explanations. Yet we feel that we ought to limit ourselves to the simple record of facts, without much attempt at explanation, for a very patent reason: because we ourselves have the greatest possible difficulty in accounting for the facts to be recorded. Such a statement on our part may appear strange to the reader. How is anyone to tell a story which he cannot understand himself? In order to keep clear of a false position, we had perhaps better give an example of what we mean; and probably the intelligent reader will soon understand the difficulty. More especially are we inclined to take this course since the example will constitute a distinct march forward of our story, and will not hinder the progress of the events remaining to be recorded. |
“At last he began to mount the steps; his legs were tied, so that he had to take very small steps. The priest, who seemed to be a wise man, had stopped talking now, and only held the cross for the wretched fellow to kiss. At the foot of the ladder he had been pale enough; but when he set foot on the scaffold at the top, his face suddenly became the colour of paper, positively like white notepaper. His legs must have become suddenly feeble and helpless, and he felt a choking in his throat--you know the sudden feeling one has in moments of terrible fear, when one does not lose one’s wits, but is absolutely powerless to move? If some dreadful thing were suddenly to happen; if a house were just about to fall on one;--don’t you know how one would long to sit down and shut one’s eyes and wait, and wait? Well, when this terrible feeling came over him, the priest quickly pressed the cross to his lips, without a word--a little silver cross it was--and he kept on pressing it to the man’s lips every second. And whenever the cross touched his lips, the eyes would open for a moment, and the legs moved once, and he kissed the cross greedily, hurriedly--just as though he were anxious to catch hold of something in case of its being useful to him afterwards, though he could hardly have had any connected religious thoughts at the time. And so up to the very block.
| Their entrance caused some slight commotion. |
| “Come--you haven’t told us much!” said Aglaya, after waiting some five seconds. “Very well, I am ready to drop the hedgehog, if you like; but I am anxious to be able to clear up this accumulation of misunderstandings. Allow me to ask you, prince,--I wish to hear from you, personally--are you making me an offer, or not?” |
“Yes, and he made me a cardboard helmet, and a little wooden sword--I remember!” said Adelaida.
“Oh, he was very likely joking; he said it for fun.”
| As to the evening party at the Epanchins’ at which Princess Bielokonski was to be present, Varia had reported with accuracy; though she had perhaps expressed herself too strongly. |
“Ah!” said the visitor, passing his fingers through his hair and sighing. He then looked over to the other side of the room and around it. “Got any money?” he asked, suddenly.
The servant, though of course he could not have expressed all this as the prince did, still clearly entered into it and was greatly conciliated, as was evident from the increased amiability of his expression. “If you are really very anxious for a smoke,” he remarked, “I think it might possibly be managed, if you are very quick about it. You see they might come out and inquire for you, and you wouldn’t be on the spot. You see that door there? Go in there and you’ll find a little room on the right; you can smoke there, only open the window, because I ought not to allow it really, and--.” But there was no time, after all.
“Bravo!” said Ferdishenko. Ptitsin laughed too, though he had been very sorry to see the general appear. Even Colia laughed and said, “Bravo!”
“No, no! I have my reasons for wishing them not to suspect us of being engaged in any specially important conversation. There are gentry present who are a little too much interested in us. You are not aware of that perhaps, prince? It will be a great deal better if they see that we are friendly just in an ordinary way. They’ll all go in a couple of hours, and then I’ll ask you to give me twenty minutes--half an hour at most.”
| “Yes, it’s a droll situation; I really don’t know what advice to give you,” replied Evgenie, laughing. Hippolyte gazed steadfastly at him, but said nothing. To look at him one might have supposed that he was unconscious at intervals. |
As for his red-nosed neighbour, the latter--since the information as to the identity of Rogojin--hung over him, seemed to be living on the honey of his words and in the breath of his nostrils, catching at every syllable as though it were a pearl of great price.
Although the impudence of this attack, this public proclamation of intimacy, as it were, was doubtless premeditated, and had its special object, yet Evgenie Pavlovitch at first seemed to intend to make no show of observing either his tormentor or her words. But Nastasia’s communication struck him with the force of a thunderclap. On hearing of his uncle’s death he suddenly grew as white as a sheet, and turned towards his informant.
The prince tried to speak, but could not form his words; a great weight seemed to lie upon his breast and suffocate him.
“You are laughing, I think? Why do you keep laughing at me?” said Hippolyte irritably to Evgenie Pavlovitch, who certainly was laughing.
| “It’s for you--for you! I’ve brought it you on purpose!” cried Lebedeff, excitedly. “Why, I’m yours again now, heart and hand, your slave; there was but a momentary pause in the flow of my love and esteem for you. Mea culpa, mea culpa! as the Pope of Rome says.” |
The prince took a chair.
“Twenty-seventh; very well. Good-bye now; you have a good deal to do, I’m sure, and I must dress and go out. Take your portrait. Give my respects to your unfortunate mother, Nina Alexandrovna. _Au revoir_, dear prince, come in and see us often, do; and I shall tell old Princess Bielokonski about you. I shall go and see her on purpose. And listen, my dear boy, I feel sure that God has sent you to Petersburg from Switzerland on purpose for me. Maybe you will have other things to do, besides, but you are sent chiefly for my sake, I feel sure of it. God sent you to me! Au revoir! Alexandra, come with me, my dear.”
| “Where’s the letter now?” |
“Bend down--bend down your ear. I’ll tell you all--disgrace--bend down, I’ll tell you in your ear.”
| “I _did_ suspect him. When I woke up at half-past seven and tore my hair in despair for my loss and carelessness, I awoke the general, who was sleeping the sleep of innocence near me. Taking into consideration the sudden disappearance of Ferdishenko, which was suspicious in itself, we decided to search Keller, who was lying there sleeping like a top. Well, we searched his clothes thoroughly, and not a farthing did we find; in fact, his pockets all had holes in them. We found a dirty handkerchief, and a love-letter from some scullery-maid. The general decided that he was innocent. We awoke him for further inquiries, and had the greatest difficulty in making him understand what was up. He opened his mouth and stared--he looked so stupid and so absurdly innocent. It wasn’t Keller.” |
But Lizabetha Prokofievna knew perfectly well how unnecessary was the last question. She set a high value on Alexandra Ivanovna’s judgment, and often consulted her in difficulties; but that she was a ‘wet hen’ she never for a moment doubted. “She is so calm; nothing rouses her--though wet hens are not always calm! Oh! I can’t understand it!” Her eldest daughter inspired Lizabetha with a kind of puzzled compassion. She did not feel this in Aglaya’s case, though the latter was her idol. It may be said that these outbursts and epithets, such as “wet hen” (in which the maternal solicitude usually showed itself), only made Alexandra laugh. Sometimes the most trivial thing annoyed Mrs. Epanchin, and drove her into a frenzy. For instance, Alexandra Ivanovna liked to sleep late, and was always dreaming, though her dreams had the peculiarity of being as innocent and naive as those of a child of seven; and the very innocence of her dreams annoyed her mother. Once she dreamt of nine hens, and this was the cause of quite a serious quarrel--no one knew why. Another time she had--it was most unusual--a dream with a spark of originality in it. She dreamt of a monk in a dark room, into which she was too frightened to go. Adelaida and Aglaya rushed off with shrieks of laughter to relate this to their mother, but she was quite angry, and said her daughters were all fools.
Evgenie Pavlovitch stood on the steps like one struck by lightning. Mrs. Epanchin stood still too, but not with the petrified expression of Evgenie. She gazed haughtily at the audacious person who had addressed her companion, and then turned a look of astonishment upon Evgenie himself.
“Had you not better light a candle?” said Muishkin.