“Certainly not.”
“Do not distress yourself, Aglaya Ivanovitch,” he answered calmly; “your mother knows that one cannot strike a dying man. I am ready to explain why I was laughing. I shall be delighted if you will let me--”
“If you were there yourself you must have known that I was _not_ there!”
“Mamma, it’s rather a strange order, that!” said Adelaida, who was fussing among her paints and paint-brushes at the easel. Aglaya and Alexandra had settled themselves with folded hands on a sofa, evidently meaning to be listeners. The prince felt that the general attention was concentrated upon himself.
“Yes, he will be ashamed!” cried Rogojin. “You will be properly ashamed of yourself for having injured such a--such a sheep” (he could not find a better word). “Prince, my dear fellow, leave this and come away with me. I’ll show you how Rogojin shows his affection for his friends.”
“At this very moment, as though divining my thoughts, Rogojin raised his head from his arm and began to part his lips as though he were going to laugh--but he continued to stare at me as persistently as before.
Muishkin remembered the doctor’s visit quite well. He remembered that Lebedeff had said that he looked ill, and had better see a doctor; and although the prince scouted the idea, Lebedeff had turned up almost immediately with his old friend, explaining that they had just met at the bedside of Hippolyte, who was very ill, and that the doctor had something to tell the prince about the sick man.
She looked suddenly, but attentively into his face, then at the window, as though thinking of something else, and then again at him.
Lebedeff grimaced and wriggled again.
“From the portrait!”
| Both the listeners laughed again. |
“There are the letters.” (Aglaya took three letters out of her pocket and threw them down before the prince.) “For a whole week she has been entreating and worrying and persuading me to marry you. She--well, she is clever, though she may be mad--much cleverer than I am, as you say. Well, she writes that she is in love with me herself, and tries to see me every day, if only from a distance. She writes that you love me, and that she has long known it and seen it, and that you and she talked about me--there. She wishes to see you happy, and she says that she is certain only I can ensure you the happiness you deserve. She writes such strange, wild letters--I haven’t shown them to anyone. Now, do you know what all this means? Can you guess anything?”
| “Which observation should always be made in as theatrical a tone as possible,” muttered Gania, shutting the window with a bang. |
| “The urchin! the urchin!” interrupted Lizabetha Prokofievna in an angry voice. “I do not want to know if it were Nicolai Ardalionovitch! The urchin!” |
| “There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!” |
“Now, Gania,” cried Varia, frightened, “we can’t let him go out! We can’t afford to have a breath of scandal about the town at this moment. Run after him and beg his pardon--quick.”
“How strange that criminals seldom swoon at such a moment! On the contrary, the brain is especially active, and works incessantly--probably hard, hard, hard--like an engine at full pressure. I imagine that various thoughts must beat loud and fast through his head--all unfinished ones, and strange, funny thoughts, very likely!--like this, for instance: ‘That man is looking at me, and he has a wart on his forehead! and the executioner has burst one of his buttons, and the lowest one is all rusty!’ And meanwhile he notices and remembers everything. There is one point that cannot be forgotten, round which everything else dances and turns about; and because of this point he cannot faint, and this lasts until the very final quarter of a second, when the wretched neck is on the block and the victim listens and waits and _knows_--that’s the point, he _knows_ that he is just _now_ about to die, and listens for the rasp of the iron over his head. If I lay there, I should certainly listen for that grating sound, and hear it, too! There would probably be but the tenth part of an instant left to hear it in, but one would certainly hear it. And imagine, some people declare that when the head flies off it is _conscious_ of having flown off! Just imagine what a thing to realize! Fancy if consciousness were to last for even five seconds!
| “I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...” |
“Where?”
| “No, sir, Kapitoshka--not Eroshka. I mean, Kapiton Alexeyevitch--retired major--married Maria Petrovna Lu--Lu--he was my friend and companion--Lutugoff--from our earliest beginnings. I closed his eyes for him--he was killed. Kapiton Eropegoff never existed! tfu!” |
“Your philosophy is rather like that of an old woman we know, who is rich and yet does nothing but try how little she can spend. She talks of nothing but money all day. Your great philosophical idea of a grand life in a prison and your four happy years in that Swiss village are like this, rather,” said Aglaya.
| “There is not one of them all who is worthy of these words of yours,” continued Aglaya. “Not one of them is worth your little finger, not one of them has heart or head to compare with yours! You are more honest than all, and better, nobler, kinder, wiser than all. There are some here who are unworthy to bend and pick up the handkerchief you have just dropped. Why do you humiliate yourself like this, and place yourself lower than these people? Why do you debase yourself before them? Why have you no pride?” |
He gulped down some water out of a glass standing near, bent over the table, in order to hide his face from the audience, and recommenced.
| “Oh, but, positively, you know--a hundred thousand roubles!” |
“It was you,” he murmured, almost in a whisper, but with absolute conviction. “Yes, it was you who came to my room and sat silently on a chair at my window for a whole hour--more! It was between one and two at night; you rose and went out at about three. It was you, you! Why you should have frightened me so, why you should have wished to torment me like that, I cannot tell--but you it was.”
“You know yourself it does not depend on me.”
| “Go nearer,” suggested Rogojin, softly. |
“I think you might have spared me that,” murmured the prince reproachfully, almost in a whisper.
“Silence!” cried Nastasia Philipovna. “You are about as fit to understand me as the housemaid here, who bore witness against her lover in court the other day. She would understand me better than you do.”
“I have heard that Lebedeff explains it as the railroads that cover Europe like a net.”
“Why, he must pay toll for his entrance,” explained the latter.
For some time the prince wandered about without aim or object. He did not know the town well. He stopped to look about him on bridges, at street corners. He entered a confectioner’s shop to rest, once. He was in a state of nervous excitement and perturbation; he noticed nothing and no one; and he felt a craving for solitude, to be alone with his thoughts and his emotions, and to give himself up to them passively. He loathed the idea of trying to answer the questions that would rise up in his heart and mind. “I am not to blame for all this,” he thought to himself, half unconsciously.
“It puzzles me much to think how on earth the prince guessed yesterday that I have had bad dreams. He said to me, ‘Your excitement and dreams will find relief at Pavlofsk.’ Why did he say ‘dreams’? Either he is a doctor, or else he is a man of exceptional intelligence and wonderful powers of observation. (But that he is an ‘idiot,’ at bottom there can be no doubt whatever.) It so happened that just before he arrived I had a delightful little dream; one of a kind that I have hundreds of just now. I had fallen asleep about an hour before he came in, and dreamed that I was in some room, not my own. It was a large room, well furnished, with a cupboard, chest of drawers, sofa, and my bed, a fine wide bed covered with a silken counterpane. But I observed in the room a dreadful-looking creature, a sort of monster. It was a little like a scorpion, but was not a scorpion, but far more horrible, and especially so, because there are no creatures anything like it in nature, and because it had appeared to me for a purpose, and bore some mysterious signification. I looked at the beast well; it was brown in colour and had a shell; it was a crawling kind of reptile, about eight inches long, and narrowed down from the head, which was about a couple of fingers in width, to the end of the tail, which came to a fine point. Out of its trunk, about a couple of inches below its head, came two legs at an angle of forty-five degrees, each about three inches long, so that the beast looked like a trident from above. It had eight hard needle-like whiskers coming out from different parts of its body; it went along like a snake, bending its body about in spite of the shell it wore, and its motion was very quick and very horrible to look at. I was dreadfully afraid it would sting me; somebody had told me, I thought, that it was venomous; but what tormented me most of all was the wondering and wondering as to who had sent it into my room, and what was the mystery which I felt it contained.
The prince actually felt glad that he had been interrupted,--and might return the letters to his pocket. He was glad of the respite.
| “Oh, I won’t read it,” said the prince, quite simply. |
“I, too, should have been unable to tear my eyes away,” said Aglaya.
“Well, anyone who does not interest himself in questions such as this is, in my opinion, a mere fashionable dummy.”
“This is your doing, prince,” said Gania, turning on the latter so soon as the others were all out of the room. “This is your doing, sir! _You_ have been telling them that I am going to be married!” He said this in a hurried whisper, his eyes flashing with rage and his face ablaze. “You shameless tattler!”
Varia pounced upon her brother.
“Yes, yes, yes!” said the prince, once more, nodding his head, and blushing slightly. “Yes, it was so, or nearly so--I know it. And besides, you see, I had not slept the night before, in the train, or the night before that, either, and I was very tired.”
“Really?” said the old man, smiling.
What then must have been her condition, when, among all the imaginary anxieties and calamities which so constantly beset her, she now saw looming ahead a serious cause for annoyance--something really likely to arouse doubts and suspicions!
“Yes, I see your mother and sister,” muttered Rogojin, through his teeth; and Lebedeff seemed to feel himself called upon to second the statement.
| “Don’t be angry; she is a wilful, mad, spoilt girl. If she likes a person she will pitch into him, and chaff him. I used to be just such another. But for all that you needn’t flatter yourself, my boy; she is not for you. I don’t believe it, and it is not to be. I tell you so at once, so that you may take proper precautions. Now, I want to hear you swear that you are not married to that woman?” |
“No, I’m not; I’m not a bit ashamed!” she murmured. “And how do you know my heart is innocent? And how dared you send me a love-letter that time?”
| “What on earth does all this mean? What’s he going to read?” muttered several voices. Others said nothing; but one and all sat down and watched with curiosity. They began to think something strange might really be about to happen. Vera stood and trembled behind her father’s chair, almost in tears with fright; Colia was nearly as much alarmed as she was. Lebedeff jumped up and put a couple of candles nearer to Hippolyte, so that he might see better. |
He fell asleep on the bench; but his mental disquiet continued through his slumbers.
“If two months since I had been called upon to leave my room and the view of Meyer’s wall opposite, I verily believe I should have been sorry. But now I have no such feeling, and yet I am leaving this room and Meyer’s brick wall _for ever_. So that my conclusion, that it is not worth while indulging in grief, or any other emotion, for a fortnight, has proved stronger than my very nature, and has taken over the direction of my feelings. But is it so? Is it the case that my nature is conquered entirely? If I were to be put on the rack now, I should certainly cry out. I should not say that it is not worth while to yell and feel pain because I have but a fortnight to live.
“And if you had known that I was coming today, why be so irritated about it?” he asked, in quiet surprise.
Nastasia noticed this with satisfaction. She was in full dress this evening; and her appearance was certainly calculated to impress all beholders. She took his hand and led him towards her other guests. But just before they reached the drawing-room door, the prince stopped her, and hurriedly and in great agitation whispered to her:
“I believe so; but I’m not sure.”
“Oh, devil take what he wanted you to do! Don’t try to be too cunning with me, young man!” shouted Gania. “If you are aware of the real reason for my father’s present condition (and you have kept such an excellent spying watch during these last few days that you are sure to be aware of it)--you had no right whatever to torment the--unfortunate man, and to worry my mother by your exaggerations of the affair; because the whole business is nonsense--simply a drunken freak, and nothing more, quite unproved by any evidence, and I don’t believe that much of it!” (he snapped his fingers). “But you must needs spy and watch over us all, because you are a--a--”
“Nastasia Philipovna,” he began, and there paused; he was clearly much agitated and annoyed. The prince reminded him of the portrait.
“Yes, quite so; very remarkable.”
II.
The latter came at once.
“It’s loaded all right,” said Keller, examining the pistol, “but--”
“Perhaps it wasn’t loaded,” said several voices.
| “I did not expect that of you, Aglaya,” she said. “He is an impossible husband for you,--I know it; and thank God that we agree upon that point; but I did not expect to hear such words from you. I thought I should hear a very different tone from you. I would have turned out everyone who was in the room last night and kept him,--that’s the sort of man he is, in my opinion!” |
“Parfen! I won’t believe it.”