| “Only because I seem to be giving you a lecture, all the time!” |
| Lizabetha Prokofievna’s face brightened up, too; so did that of General Epanchin. |
“Ardalion Alexandrovitch,” she cried after him, “wait a moment, we are all sinners! When you feel that your conscience reproaches you a little less, come over to me and we’ll have a talk about the past! I dare say I am fifty times more of a sinner than you are! And now go, go, good-bye, you had better not stay here!” she added, in alarm, as he turned as though to come back.
Only the prince stopped behind for a moment, as though in indecision; and Evgenie Pavlovitch lingered too, for he had not collected his scattered wits. But the Epanchins had not had time to get more than twenty paces away when a scandalous episode occurred. The young officer, Evgenie Pavlovitch’s friend who had been conversing with Aglaya, said aloud in a great state of indignation:
One house in the Gorohovaya began to attract his attention long before he reached it, and the prince remembered afterwards that he had said to himself: “That is the house, I’m sure of it.” He came up to it quite curious to discover whether he had guessed right, and felt that he would be disagreeably impressed to find that he had actually done so. The house was a large gloomy-looking structure, without the slightest claim to architectural beauty, in colour a dirty green. There are a few of these old houses, built towards the end of the last century, still standing in that part of St. Petersburg, and showing little change from their original form and colour. They are solidly built, and are remarkable for the thickness of their walls, and for the fewness of their windows, many of which are covered by gratings. On the ground-floor there is usually a money-changer’s shop, and the owner lives over it. Without as well as within, the houses seem inhospitable and mysterious--an impression which is difficult to explain, unless it has something to do with the actual architectural style. These houses are almost exclusively inhabited by the merchant class.
“‘Camellias!’ I said, ‘father, save me, save me, let me have some camellias!’ He was a tall, grey old man--a terrible-looking old gentleman. ‘Not a bit of it,’ he says. ‘I won’t.’ Down I went on my knees. ‘Don’t say so, don’t--think what you’re doing!’ I cried; ‘it’s a matter of life and death!’ ‘If that’s the case, take them,’ says he. So up I get, and cut such a bouquet of red camellias! He had a whole greenhouse full of them--lovely ones. The old fellow sighs. I pull out a hundred roubles. ‘No, no!’ says he, ‘don’t insult me that way.’ ‘Oh, if that’s the case, give it to the village hospital,’ I say. ‘Ah,’ he says, ‘that’s quite a different matter; that’s good of you and generous. I’ll pay it in there for you with pleasure.’ I liked that old fellow, Russian to the core, _de la vraie souche_. I went home in raptures, but took another road in order to avoid Peter. Immediately on arriving I sent up the bouquet for Anfisa to see when she awoke.
| He drew a long, deep breath of relief, as it seemed. He realized that all was not over as yet, that the sun had not risen, and that the guests had merely gone to supper. He smiled, and two hectic spots appeared on his cheeks. |
Our friends took chairs near the side exit. The crowd and the music cheered Mrs. Epanchin a little, and amused the girls; they bowed and shook hands with some of their friends and nodded at a distance to others; they examined the ladies’ dresses, noticed comicalities and eccentricities among the people, and laughed and talked among themselves. Evgenie Pavlovitch, too, found plenty of friends to bow to. Several people noticed Aglaya and the prince, who were still together.
“I wrote this yesterday, myself, just after I saw you, prince, and told you I would come down here. I wrote all day and all night, and finished it this morning early. Afterwards I had a dream.”
The anger of the Epanchin family was unappeased for three days. As usual the prince reproached himself, and had expected punishment, but he was inwardly convinced that Lizabetha Prokofievna could not be seriously angry with him, and that she probably was more angry with herself. He was painfully surprised, therefore, when three days passed with no word from her. Other things also troubled and perplexed him, and one of these grew more important in his eyes as the days went by. He had begun to blame himself for two opposite tendencies--on the one hand to extreme, almost “senseless,” confidence in his fellows, on the other to a “vile, gloomy suspiciousness.”
| “Immediately, immediately! As for my story, gentlemen, it is too stupid and absurd to tell you. |
The prince begged him to step in and sit down.
| Everyone laughed at this. |
| “It’s simply that there is a Russian poem,” began Prince S., evidently anxious to change the conversation, “a strange thing, without beginning or end, and all about a ‘poor knight.’ A month or so ago, we were all talking and laughing, and looking up a subject for one of Adelaida’s pictures--you know it is the principal business of this family to find subjects for Adelaida’s pictures. Well, we happened upon this ‘poor knight.’ I don’t remember who thought of it first--” |
Prince S. tried hard to get up a conversation with Mrs. Epanchin upon outside subjects, probably with the good intention of distracting and amusing her; but he bored her dreadfully. She was absent-minded to a degree, and answered at cross purposes, and sometimes not at all.
“Kislorodoff told me all this with a sort of exaggerated devil-may-care negligence, and as though he did me great honour by talking to me so, because it showed that he considered me the same sort of exalted Nihilistic being as himself, to whom death was a matter of no consequence whatever, either way.
| “Philosophy is necessary, sir--very necessary--in our day. It is too much neglected. As for me, much esteemed prince, I am sensible of having experienced the honour of your confidence in a certain matter up to a certain point, but never beyond that point. I do not for a moment complain--” |
He seemed to feel warmly and deeply grateful to someone for something or other--perhaps to Ivan Petrovitch; but likely enough to all the guests, individually, and collectively. He was much too happy.
“Look here, once for all,” cried Aglaya, boiling over, “if I hear you talking about capital punishment, or the economical condition of Russia, or about Beauty redeeming the world, or anything of that sort, I’ll--well, of course I shall laugh and seem very pleased, but I warn you beforehand, don’t look me in the face again! I’m serious now, mind, this time I _am really_ serious.” She certainly did say this very seriously, so much so, that she looked quite different from what she usually was, and the prince could not help noticing the fact. She did not seem to be joking in the slightest degree.
“Well, very well, very well!” she said, but quite in a different tone. She was remorseful now, and bent forward to touch his shoulder, though still trying not to look him in the face, as if the more persuasively to beg him not to be angry with her. “Very well,” she continued, looking thoroughly ashamed of herself, “I feel that I said a very foolish thing. I only did it just to try you. Take it as unsaid, and if I offended you, forgive me. Don’t look straight at me like that, please; turn your head away. You called it a ‘horrible idea’; I only said it to shock you. Very often I am myself afraid of saying what I intend to say, and out it comes all the same. You have just told me that you wrote that letter at the most painful moment of your life. I know what moment that was!” she added softly, looking at the ground again.
“Yes, violent. I can give you a proof of it. A few days ago she tried to pull my hair because I said something that annoyed her. I tried to soothe her by reading the Apocalypse aloud.”
“Has she never laughed at you?”
| “Are you going there for some particular reason, or only as a way of getting into her society, and that of her friends?” |
He said the last words nervously.
“Oh, but you can’t stay here. You are a visitor--a guest, so to speak. Is it the general himself you wish to see?”
| The prince remarked that Evgenie Pavlovitch’s plain clothes had evidently made a great impression upon the company present, so much so that all other interests seemed to be effaced before this surprising fact. |
| “What do you mean?” said the prince. |
There was a general stir in the room.
If Hippolyte and Nina Alexandrovna had, as Gania suspected, had some special conversation about the general’s actions, it was strange that the malicious youth, whom Gania had called a scandal-monger to his face, had not allowed himself a similar satisfaction with Colia.
“He is not at home.”
But Rogojin understood how things were tending, at last. An inexpressibly painful expression came over his face. He wrung his hands; a groan made its way up from the depths of his soul.
“What? What can you have heard?” said the prince, stammering.
“General Ivolgin--retired and unfortunate. May I ask your Christian and generic names?”
He sat down with these words, evidently intending to prolong his visit.
This, then, was the society that the prince accepted at once as true coin, as pure gold without alloy.
| Thanks to the manner in which he regarded Nastasia’s mental and moral condition, the prince was to some extent freed from other perplexities. She was now quite different from the woman he had known three months before. He was not astonished, for instance, to see her now so impatient to marry him--she who formerly had wept with rage and hurled curses and reproaches at him if he mentioned marriage! “It shows that she no longer fears, as she did then, that she would make me unhappy by marrying me,” he thought. And he felt sure that so sudden a change could not be a natural one. This rapid growth of self-confidence could not be due only to her hatred for Aglaya. To suppose that would be to suspect the depth of her feelings. Nor could it arise from dread of the fate that awaited her if she married Rogojin. These causes, indeed, as well as others, might have played a part in it, but the true reason, Muishkin decided, was the one he had long suspected--that the poor sick soul had come to the end of its forces. Yet this was an explanation that did not procure him any peace of mind. At times he seemed to be making violent efforts to think of nothing, and one would have said that he looked on his marriage as an unimportant formality, and on his future happiness as a thing not worth considering. As to conversations such as the one held with Evgenie Pavlovitch, he avoided them as far as possible, feeling that there were certain objections to which he could make no answer. |
This idea was, that if Rogojin were in Petersburg, though he might hide for a time, yet he was quite sure to come to him--the prince--before long, with either good or evil intentions, but probably with the same intention as on that other occasion. At all events, if Rogojin were to come at all he would be sure to seek the prince here--he had no other town address--perhaps in this same corridor; he might well seek him here if he needed him. And perhaps he did need him. This idea seemed quite natural to the prince, though he could not have explained why he should so suddenly have become necessary to Rogojin. Rogojin would not come if all were well with him, that was part of the thought; he would come if all were not well; and certainly, undoubtedly, all would not be well with him. The prince could not bear this new idea; he took his hat and rushed out towards the street. It was almost dark in the passage.
| “What Osterman?” asked the prince in some surprise. |
“What should I be afraid of?”
| “I tell you it’s true,” said Rogojin quietly, but with eyes ablaze with passion. |
| Lebedeff’s country-house was not large, but it was pretty and convenient, especially the part which was let to the prince. |