“I caught him up on the way to your house,” explained the general. “He had heard that we were all here.”

“Father is a drunkard and a thief; I am a beggar, and the husband of my sister is a usurer,” continued Gania, bitterly. “There was a pretty list of advantages with which to enchant the heart of Aglaya.”

Evgenie meanwhile observed him attentively, and the rapidity of the questions, their simplicity, the prince’s candour, and at the same time, his evident perplexity and mental agitation, surprised him considerably. However, he told Muishkin all he could, kindly and in detail. The prince hardly knew anything, for this was the first informant from the household whom he had met since the estrangement.
The prince took a chair.
But this intercession seemed to rekindle the general.
“What in the world induces you to act so? You are nothing but a spy. Why did you write anonymously to worry so noble and generous a lady? Why should not Aglaya Ivanovna write a note to whomever she pleases? What did you mean to complain of today? What did you expect to get by it? What made you go at all?”
“Very sorry; but in point of fact, you know, it was all nonsense and would have ended in smoke, as usual--I’m sure of that. Last year,”--he turned to the old man again,--“Countess K. joined some Roman Convent abroad. Our people never seem to be able to offer any resistance so soon as they get into the hands of these--intriguers--especially abroad.”
“He discovered everything, the monster... himself......”

“Oh, but I haven’t the slightest doubt that you did come to pump me,” said the prince, laughing himself, at last; “and I dare say you are quite prepared to deceive me too, so far as that goes. But what of that? I’m not afraid of you; besides, you’ll hardly believe it, I feel as though I really didn’t care a scrap one way or the other, just now!--And--and--and as you are a capital fellow, I am convinced of that, I dare say we really shall end by being good friends. I like you very much Evgenie Pavlovitch; I consider you a very good fellow indeed.”

“Yes, yes,” agreed the prince, warmly.

“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.

He shivered all over as he lay; he was in high fever again.

“No, I know nothing whatever about it. I assure you I had nothing at all to do with it.” “A Kammer-junker? I had not thought of it, but--”
“Nor heard him?”
“How, how?” “Having now shown you that I am not quite such a fool as I look, and that I have to be fished for with a rod and line for a good long while before I am caught, I will proceed to explain why I specially wished to make your brother look a fool. That my motive power is hate, I do not attempt to conceal. I have felt that before dying (and I am dying, however much fatter I may appear to you), I must absolutely make a fool of, at least, one of that class of men which has dogged me all my life, which I hate so cordially, and which is so prominently represented by your much esteemed brother. I should not enjoy paradise nearly so much without having done this first. I hate you, Gavrila Ardalionovitch, solely (this may seem curious to you, but I repeat)--solely because you are the type, and incarnation, and head, and crown of the most impudent, the most self-satisfied, the most vulgar and detestable form of commonplaceness. You are ordinary of the ordinary; you have no chance of ever fathering the pettiest idea of your own. And yet you are as jealous and conceited as you can possibly be; you consider yourself a great genius; of this you are persuaded, although there are dark moments of doubt and rage, when even this fact seems uncertain. There are spots of darkness on your horizon, though they will disappear when you become completely stupid. But a long and chequered path lies before you, and of this I am glad. In the first place you will never gain a certain person.”
“Come, sir, that will do; you weary me,” said Lizabetha Prokofievna suddenly to Evgenie Pavlovitch.

He did not speak much, only answering such questions as were put to him, and gradually settled down into unbroken silence, listening to what went on, and steeped in perfect satisfaction and contentment.

“Excuse me, prince, but think what you are saying! Recollect yourself!”

“You want to take advantage of my position, now that I am in your house,” continued Aglaya, awkwardly.
“Surrender her, for God’s sake!” he said to the prince.

“Of course--she showed them to me herself. You are thinking of the razor, eh? Ha, ha, ha!”

“H’m! Prince Muishkin is not Ferdishenko,” said the general, impatiently. This worthy gentleman could never quite reconcile himself to the idea of meeting Ferdishenko in society, and on an equal footing.
V.

X.

“The letter is not sealed--” continued Gania, and paused in confusion.

“Yesterday, after seeing you, I went home and thought out a picture.
“But you must be mad! It is ridiculous! You should take care of yourself; what is the use of holding a conversation now? Go home to bed, do!” cried Mrs. Epanchin in horror.
“Now and then I was able to persuade her almost to see light around her again; but she would soon fall, once more, into her old tormenting delusions, and would go so far as to reproach me for placing myself on a pedestal above her (I never had an idea of such a thing!), and informed me, in reply to my proposal of marriage, that she ‘did not want condescending sympathy or help from anybody.’ You saw her last night. You don’t suppose she can be happy among such people as those--you cannot suppose that such society is fit for her? You have no idea how well-educated she is, and what an intellect she has! She astonished me sometimes.”

The prince looked back at him in amazement.

The prince heard the whole of the foregoing conversation, as he sat at the table, writing. He finished at last, and brought the result of his labour to the general’s desk.

“Came where? What do you mean?” asked Rogojin, amazed. But Hippolyte, panting and choking with excitement, interrupted him violently.

“You are crying, aren’t you?”
The room they were now sitting in was a large one, lofty but dark, well furnished, principally with writing-tables and desks covered with papers and books. A wide sofa covered with red morocco evidently served Rogojin for a bed. On the table beside which the prince had been invited to seat himself lay some books; one containing a marker where the reader had left off, was a volume of Solovieff’s History. Some oil-paintings in worn gilded frames hung on the walls, but it was impossible to make out what subjects they represented, so blackened were they by smoke and age. One, a life-sized portrait, attracted the prince’s attention. It showed a man of about fifty, wearing a long riding-coat of German cut. He had two medals on his breast; his beard was white, short and thin; his face yellow and wrinkled, with a sly, suspicious expression in the eyes.
“How so? Did he bring the portrait for my husband?” “And what shall I tell him by way of answer?”
“Why? what’s there strange about it? He has a tongue. Why shouldn’t he tell us something? I want to judge whether he is a good story-teller; anything you like, prince--how you liked Switzerland, what was your first impression, anything. You’ll see, he’ll begin directly and tell us all about it beautifully.”
There he lay on the carpet, and someone quickly placed a cushion under his head.
“There is plenty of room here.”
“I knew you’d be wandering about somewhere here. I didn’t have to look for you very long,” muttered the latter between his teeth. “And how do you know that?” she asked him, sharply.

“The bullet struck so low down that probably his antagonist would never have aimed at that part of him--people never do; he would have aimed at his chest or head; so that probably the bullet hit him accidentally. I have been told this by competent authorities.”

“Oho! ho, ho, ho!” cried Ferdishenko. “_Now_ then, prince! My word, what things I would say if I had such a chance as that! My goodness, prince--go on!”