But the prince’s mental perturbation increased every moment. He wandered about the park, looking absently around him, and paused in astonishment when he suddenly found himself in the empty space with the rows of chairs round it, near the Vauxhall. The look of the place struck him as dreadful now: so he turned round and went by the path which he had followed with the Epanchins on the way to the band, until he reached the green bench which Aglaya had pointed out for their rendezvous. He sat down on it and suddenly burst into a loud fit of laughter, immediately followed by a feeling of irritation. His disturbance of mind continued; he felt that he must go away somewhere, anywhere.
“You’re a dreadful sceptic, prince,” he continued, after a moment’s silence. “I have observed of late that you have grown sceptical about everything. You don’t seem to believe in people as you did, and are always attributing motives and so on--am I using the word ‘sceptic’ in its proper sense?”
The day after these scandalous events, however, the prince had the honour of receiving a visit from Adelaida and her fiance, Prince S. They came, ostensibly, to inquire after his health. They had wandered out for a walk, and called in “by accident,” and talked for almost the whole of the time they were with him about a certain most lovely tree in the park, which Adelaida had set her heart upon for a picture. This, and a little amiable conversation on Prince S.’s part, occupied the time, and not a word was said about last evening’s episodes. At length Adelaida burst out laughing, apologized, and explained that they had come incognito; from which, and from the circumstance that they said nothing about the prince’s either walking back with them or coming to see them later on, the latter inferred that he was in Mrs. Epanchin’s black books. Adelaida mentioned a watercolour that she would much like to show him, and explained that she would either send it by Colia, or bring it herself the next day--which to the prince seemed very suggestive.
| “Listen to me, Lebedeff,” said the prince in a decided voice, turning his back on the young man. “I know by experience that when you choose, you can be business-like... I have very little time to spare, and if you... By the way--excuse me--what is your Christian name? I have forgotten it.” |
He looked intently around him, and wondered why he had come here; he was very tired, so he approached the bench and sat down on it. Around him was profound silence; the music in the Vauxhall was over. The park seemed quite empty, though it was not, in reality, later than half-past eleven. It was a quiet, warm, clear night--a real Petersburg night of early June; but in the dense avenue, where he was sitting, it was almost pitch dark.
“I am not exactly thanking you, I am only feeling a growing admiration for you--it makes me happy to look at you. I dare say I am speaking very foolishly, but I must speak--I must explain, if it be out of nothing better than self-respect.”
The prince shuddered. “PRINCE LEF NICOLAIEVITCH,--If you think fit, after all that has passed, to honour our house with a visit, I can assure you you will not find me among the number of those who are in any way delighted to see you. The fact that the prince confirmed her idea, about Hippolyte shooting himself that she might read his confession, surprised her greatly. “Who, in the name of what Law, would think of disputing my full personal right over the fortnight of life left to me? What jurisdiction can be brought to bear upon the case? Who would wish me, not only to be sentenced, but to endure the sentence to the end? Surely there exists no man who would wish such a thing--why should anyone desire it? For the sake of morality? Well, I can understand that if I were to make an attempt upon my own life while in the enjoyment of full health and vigour--my life which might have been ‘useful,’ etc., etc.--morality might reproach me, according to the old routine, for disposing of my life without permission--or whatever its tenet may be. But now, _now_, when my sentence is out and my days numbered! How can morality have need of my last breaths, and why should I die listening to the consolations offered by the prince, who, without doubt, would not omit to demonstrate that death is actually a benefactor to me? (Christians like him always end up with that--it is their pet theory.) And what do they want with their ridiculous ‘Pavlofsk trees’? To sweeten my last hours? Cannot they understand that the more I forget myself, the more I let myself become attached to these last illusions of life and love, by means of which they try to hide from me Meyer’s wall, and all that is so plainly written on it--the more unhappy they make me? What is the use of all your nature to me--all your parks and trees, your sunsets and sunrises, your blue skies and your self-satisfied faces--when all this wealth of beauty and happiness begins with the fact that it accounts me--only me--one too many! What is the good of all this beauty and glory to me, when every second, every moment, I cannot but be aware that this little fly which buzzes around my head in the sun’s rays--even this little fly is a sharer and participator in all the glory of the universe, and knows its place and is happy in it;--while I--only I, am an outcast, and have been blind to the fact hitherto, thanks to my simplicity! Oh! I know well how the prince and others would like me, instead of indulging in all these wicked words of my own, to sing, to the glory and triumph of morality, that well-known verse of Gilbert’s: “I shall never forgive you for all this, Ivan Fedorovitch--never! Look at her now. Why doesn’t she make fun of him? She said she would, and she doesn’t. Look there! She stares at him with all her eyes, and doesn’t move; and yet she told him not to come. He looks pale enough; and that abominable chatterbox, Evgenie Pavlovitch, monopolizes the whole of the conversation. Nobody else can get a word in. I could soon find out all about everything if I could only change the subject.”Aglaya was silent a moment and then began again with evident dislike of her subject:
“Yes. It really would be happier for him to die young. If I were in his place I should certainly long for death. He is unhappy about his brother and sisters, the children you saw. If it were possible, if we only had a little money, we should leave our respective families, and live together in a little apartment of our own. It is our dream. But, do you know, when I was talking over your affair with him, he was angry, and said that anyone who did not call out a man who had given him a blow was a coward. He is very irritable to-day, and I left off arguing the matter with him. So Nastasia Philipovna has invited you to go and see her?”
| “Let’s play at some game!” suggested the actress. |
| “‘I’m afraid you are ill?’ he remarked, in the tone which doctors use when they address a patient. ‘I am myself a medical man’ (he did not say ‘doctor’), with which words he waved his hands towards the room and its contents as though in protest at his present condition. ‘I see that you--’ |
| No one liked the idea much. Some smiled, some frowned; some objected, but faintly, not wishing to oppose Nastasia’s wishes; for this new idea seemed to be rather well received by her. She was still in an excited, hysterical state, laughing convulsively at nothing and everything. Her eyes were blazing, and her cheeks showed two bright red spots against the white. The melancholy appearance of some of her guests seemed to add to her sarcastic humour, and perhaps the very cynicism and cruelty of the game proposed by Ferdishenko pleased her. At all events she was attracted by the idea, and gradually her guests came round to her side; the thing was original, at least, and might turn out to be amusing. “And supposing it’s something that one--one can’t speak about before ladies?” asked the timid and silent young man. |
| Aglaya rushed away homewards with these words. |
“What--what sort of opinion, Aglaya Ivanovna?”
| And I, your excellency, am the ass.” |
| “Then you think Aglaya Ivanovna herself intends to go to Nastasia Philipovna’s tonight?” he asked, and bright hectic spots came out on his cheeks and forehead. |
“They will think that I’m still ill,” continued Rogojin to the prince, “but I sloped off quietly, seedy as I was, took the train and came away. Aha, brother Senka, you’ll have to open your gates and let me in, my boy! I know he told tales about me to my father--I know that well enough but I certainly did rile my father about Nastasia Philipovna that’s very sure, and that was my own doing.”
| “Well perhaps you’re right,” said Hippolyte, musing. “They might say--yet, devil take them! what does it matter?--prince, what can it matter what people will say of us _then_, eh? I believe I’m half asleep. I’ve had such a dreadful dream--I’ve only just remembered it. Prince, I don’t wish you such dreams as that, though sure enough, perhaps, I _don’t_ love you. Why wish a man evil, though you do not love him, eh? Give me your hand--let me press it sincerely. There--you’ve given me your hand--you must feel that I _do_ press it sincerely, don’t you? I don’t think I shall drink any more. What time is it? Never mind, I know the time. The time has come, at all events. What! they are laying supper over there, are they? Then this table is free? Capital, gentlemen! I--hem! these gentlemen are not listening. Prince, I will just read over an article I have here. Supper is more interesting, of course, but--” |
| “Prince, I wish to place myself in a respectable position--I wish to esteem myself--and to--” |
“How can she be mad,” Rogojin interrupted, “when she is sane enough for other people and only mad for you? How can she write letters to _her_, if she’s mad? If she were insane they would observe it in her letters.”