| “I caught him up on the way to your house,” explained the general. “He had heard that we were all here.” |
“Father is a drunkard and a thief; I am a beggar, and the husband of my sister is a usurer,” continued Gania, bitterly. “There was a pretty list of advantages with which to enchant the heart of Aglaya.”
| But this intercession seemed to rekindle the general. |
| “He discovered everything, the monster... himself......” |
“Oh, but I haven’t the slightest doubt that you did come to pump me,” said the prince, laughing himself, at last; “and I dare say you are quite prepared to deceive me too, so far as that goes. But what of that? I’m not afraid of you; besides, you’ll hardly believe it, I feel as though I really didn’t care a scrap one way or the other, just now!--And--and--and as you are a capital fellow, I am convinced of that, I dare say we really shall end by being good friends. I like you very much Evgenie Pavlovitch; I consider you a very good fellow indeed.”
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
He shivered all over as he lay; he was in high fever again.
“No, I know nothing whatever about it. I assure you I had nothing at all to do with it.” “A Kammer-junker? I had not thought of it, but--”| “Nor heard him?” |
He did not speak much, only answering such questions as were put to him, and gradually settled down into unbroken silence, listening to what went on, and steeped in perfect satisfaction and contentment.
“Excuse me, prince, but think what you are saying! Recollect yourself!”
“Of course--she showed them to me herself. You are thinking of the razor, eh? Ha, ha, ha!”
| “H’m! Prince Muishkin is not Ferdishenko,” said the general, impatiently. This worthy gentleman could never quite reconcile himself to the idea of meeting Ferdishenko in society, and on an equal footing. |
X.
“The letter is not sealed--” continued Gania, and paused in confusion.
| “Yesterday, after seeing you, I went home and thought out a picture. |
The prince looked back at him in amazement.
| The prince heard the whole of the foregoing conversation, as he sat at the table, writing. He finished at last, and brought the result of his labour to the general’s desk. |
“Came where? What do you mean?” asked Rogojin, amazed. But Hippolyte, panting and choking with excitement, interrupted him violently.
“You are crying, aren’t you?”| The room they were now sitting in was a large one, lofty but dark, well furnished, principally with writing-tables and desks covered with papers and books. A wide sofa covered with red morocco evidently served Rogojin for a bed. On the table beside which the prince had been invited to seat himself lay some books; one containing a marker where the reader had left off, was a volume of Solovieff’s History. Some oil-paintings in worn gilded frames hung on the walls, but it was impossible to make out what subjects they represented, so blackened were they by smoke and age. One, a life-sized portrait, attracted the prince’s attention. It showed a man of about fifty, wearing a long riding-coat of German cut. He had two medals on his breast; his beard was white, short and thin; his face yellow and wrinkled, with a sly, suspicious expression in the eyes. |
| “Why? what’s there strange about it? He has a tongue. Why shouldn’t he tell us something? I want to judge whether he is a good story-teller; anything you like, prince--how you liked Switzerland, what was your first impression, anything. You’ll see, he’ll begin directly and tell us all about it beautifully.” |
| There he lay on the carpet, and someone quickly placed a cushion under his head. |
“The bullet struck so low down that probably his antagonist would never have aimed at that part of him--people never do; he would have aimed at his chest or head; so that probably the bullet hit him accidentally. I have been told this by competent authorities.”
“Oho! ho, ho, ho!” cried Ferdishenko. “_Now_ then, prince! My word, what things I would say if I had such a chance as that! My goodness, prince--go on!”