| “Oh, I have no special business; my principal object was to make your acquaintance. I should not like to disturb you. I do not know your times and arrangements here, you see, but I have only just arrived. I came straight from the station. I am come direct from Switzerland.” |
| “Well, let me at least embrace you and say goodbye, you strange fellow!” cried the prince, looking with gentle reproach at Rogojin, and advancing towards him. But the latter had hardly raised his arms when he dropped them again. He could not make up his mind to it; he turned away from the prince in order to avoid looking at him. He could not embrace him. |
| Nastasia Philipovna looked keenly round at the prince. |
| The whole of Rogojin’s being was concentrated in one rapturous gaze of ecstasy. He could not take his eyes off Nastasia. He stood drinking her in, as it were. He was in the seventh heaven of delight. |
“Goodness knows--you may be wrong there! At all events, she named the day this evening, as we left the gardens. ‘In three weeks,’ says she, ‘and perhaps sooner, we shall be married.’ She swore to it, took off her cross and kissed it. So it all depends upon you now, prince, You see! Ha, ha!”
| “I mean to say that if I had been in Burdovsky’s place...I...” |
| “Had you not better light a candle?” said Muishkin. |
“Oh, it’s nothing. I haven’t slept, that’s all, and I’m rather tired. I--we certainly did talk about you, Aglaya.”
“How stupid of me to speak of the portrait,” thought the prince as he entered the study, with a feeling of guilt at his heart, “and yet, perhaps I was right after all.” He had an idea, unformed as yet, but a strange idea.
| “Oh yes--I did learn a little, but--” |
| “I shan’t ever be a Rothschild, and there is no reason why I should,” he added, smiling; “but I shall have a house in the Liteynaya, perhaps two, and that will be enough for me.” “Who knows but what I may have three!” he concluded to himself; but this dream, cherished inwardly, he never confided to a soul. |
“Well?”
Moved by this news, Lebedeff hurried up to the prince.
| “I want to explain all to you--everything--everything! I know you think me Utopian, don’t you--an idealist? Oh, no! I’m not, indeed--my ideas are all so simple. You don’t believe me? You are smiling. Do you know, I am sometimes very wicked--for I lose my faith? This evening as I came here, I thought to myself, ‘What shall I talk about? How am I to begin, so that they may be able to understand partially, at all events?’ How afraid I was--dreadfully afraid! And yet, how _could_ I be afraid--was it not shameful of me? Was I afraid of finding a bottomless abyss of empty selfishness? Ah! that’s why I am so happy at this moment, because I find there is no bottomless abyss at all--but good, healthy material, full of life. |
“Executions?”
| “Very likely--I don’t recollect,” continued Prince S. |
“Never, never!” cried Rogojin, excitedly.
| “There is plenty of room here.” |
“What should I be afraid of?”
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
The prince, when he heard the story afterwards, felt that he had never yet come across so wonderful a humorist, or such remarkable brilliancy as was shown by this man; and yet if he had only known it, this story was the oldest, stalest, and most worn-out yarn, and every drawing-room in town was sick to death of it. It was only in the innocent Epanchin household that it passed for a new and brilliant tale--as a sudden and striking reminiscence of a splendid and talented man.
She fell senseless into his arms.
“I know nothing about Evgenie Pavlovitch!” said the prince.
Prince S. ran up to her and persuaded her, at last, to come home with them.
| “Yes, it was,” said the prince. |
“I can just see there’s a bed--”
| “So, so--the son of my old, I may say my childhood’s friend, Nicolai Petrovitch.” |
“Well, it’s lucky she has happened upon an idiot, then, that’s all I can say!” whispered Lizabetha Prokofievna, who was somewhat comforted, however, by her daughter’s remark.
Nearly an hour passed thus, and when tea was over the visitors seemed to think that it was time to go. As they went out, the doctor and the old gentleman bade Muishkin a warm farewell, and all the rest took their leave with hearty protestations of good-will, dropping remarks to the effect that “it was no use worrying,” and that “perhaps all would turn out for the best,” and so on. Some of the younger intruders would have asked for champagne, but they were checked by the older ones. When all had departed, Keller leaned over to Lebedeff, and said:
He walked along the road towards his own house. His heart was beating, his thoughts were confused, everything around seemed to be part of a dream. “Allow me, gentlemen,” said Gavrila Ardalionovitch, who had just examined the contents of the envelope, “there are only a hundred roubles here, not two hundred and fifty. I point this out, prince, to prevent misunderstanding.”| In the first place, this new woman understood a good deal more than was usual for young people of her age; so much indeed, that Totski could not help wondering where she had picked up her knowledge. Surely not from her “young lady’s library”? It even embraced legal matters, and the “world” in general, to a considerable extent. |
| But Dr. Schneider frowns ever more and more and shakes his head; he hints that the brain is fatally injured; he does not as yet declare that his patient is incurable, but he allows himself to express the gravest fears. |
| “She sprang forward and stood still in front of the reptile as if she had been turned to stone. The beast stopped too, but its tail and claws still moved about. I believe animals are incapable of feeling supernatural fright--if I have been rightly informed,--but at this moment there appeared to me to be something more than ordinary about Norma’s terror, as though it must be supernatural; and as though she felt, just as I did myself, that this reptile was connected with some mysterious secret, some fatal omen. |
“It seems absurd to trust a little pepper-box like you,” said Aglaya, as she returned the note, and walked past the “pepper-box” with an expression of great contempt.
| “How do you know that? How do you know that she is not really in love with that--that rich cad--the man she eloped with?” |
| “I _did_ suspect him. When I woke up at half-past seven and tore my hair in despair for my loss and carelessness, I awoke the general, who was sleeping the sleep of innocence near me. Taking into consideration the sudden disappearance of Ferdishenko, which was suspicious in itself, we decided to search Keller, who was lying there sleeping like a top. Well, we searched his clothes thoroughly, and not a farthing did we find; in fact, his pockets all had holes in them. We found a dirty handkerchief, and a love-letter from some scullery-maid. The general decided that he was innocent. We awoke him for further inquiries, and had the greatest difficulty in making him understand what was up. He opened his mouth and stared--he looked so stupid and so absurdly innocent. It wasn’t Keller.” |
“Let’s play at some game!” suggested the actress.
| “It’s quite new.” |
Aglaya was clearly confused, but not frightened. On entering she had merely glanced momentarily at her rival, and then had sat still, with her eyes on the ground, apparently in thought. Once or twice she glanced casually round the room. A shade of disgust was visible in her expression; she looked as though she were afraid of contamination in this place.