And why had not the prince approached him and spoken to him, instead of turning away and pretending he had seen nothing, although their eyes met? (Yes, their eyes had met, and they had looked at each other.) Why, he had himself wished to take Rogojin by the hand and go in together, he had himself determined to go to him on the morrow and tell him that he had seen her, he had repudiated the demon as he walked to the house, and his heart had been full of joy.
“As the true friend of your father, I wish to say a few words to you,” he began. “I have suffered--there was a catastrophe. I suffered without a trial; I had no trial. Nina Alexandrovna my wife, is an excellent woman, so is my daughter Varvara. We have to let lodgings because we are poor--a dreadful, unheard-of come-down for us--for me, who should have been a governor-general; but we are very glad to have _you_, at all events. Meanwhile there is a tragedy in the house.”
They had left the garden now, and were crossing the yard on their way to the gate.
“Upon my word, I didn’t! To this moment I don’t know how it all happened. I--I ran after Aglaya Ivanovna, but Nastasia Philipovna fell down in a faint; and since that day they won’t let me see Aglaya--that’s all I know.”| “Listen, prince,” said Gania, as though an idea had just struck him, “I wish to ask you a great favour, and yet I really don’t know--” |
| “Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people. |
“I have seen an execution,” said the prince.
“No, no, no, can’t _bear_ him, I can’t _bear_ your young man!” cried Aglaya, raising her head. “And if you dare say that _once_ more, papa--I’m serious, you know, I’m,--do you hear me--I’m serious!”
He pulled the note out and kissed it; then paused and reflected. “How strange it all is! how strange!” he muttered, melancholy enough now. In moments of great joy, he invariably felt a sensation of melancholy come over him--he could not tell why.But Dr. Schneider frowns ever more and more and shakes his head; he hints that the brain is fatally injured; he does not as yet declare that his patient is incurable, but he allows himself to express the gravest fears.
| “Yet I remember all he talked about, and every word we said, though whenever my eyes closed for a moment I could picture nothing but the image of Surikoff just in the act of finding a million roubles. He could not make up his mind what to do with the money, and tore his hair over it. He trembled with fear that somebody would rob him, and at last he decided to bury it in the ground. I persuaded him that, instead of putting it all away uselessly underground, he had better melt it down and make a golden coffin out of it for his starved child, and then dig up the little one and put her into the golden coffin. Surikoff accepted this suggestion, I thought, with tears of gratitude, and immediately commenced to carry out my design. |
| “Oh, but it’s only the simple tale of an old soldier who saw the French enter Moscow. Some of his remarks were wonderfully interesting. Remarks of an eye-witness are always valuable, whoever he be, don’t you think so?” |
Even the German poet, though as amiable as possible, felt that he was doing the house the greatest of honours by his presence in it.
| “Well, that’ll do; we must be quick,” she concluded, after hearing all. “We have only an hour here, till eight; I must be home by then without fail, so that they may not find out that I came and sat here with you; but I’ve come on business. I have a great deal to say to you. But you have bowled me over considerably with your news. As to Hippolyte, I think his pistol was bound not to go off; it was more consistent with the whole affair. Are you sure he really wished to blow his brains out, and that there was no humbug about the matter?” |
Prince S. had made a few just and sensible remarks. It seemed to Evgenie Pavlovitch that there was not yet perfect harmony between Adelaida and her fiance, but he thought that in time the impulsive young girl would let herself be guided by his reason and experience. Besides, the recent events that had befallen her family had given Adelaida much to think about, especially the sad experiences of her younger sister. Within six months, everything that the family had dreaded from the marriage with the Polish count had come to pass. He turned out to be neither count nor exile--at least, in the political sense of the word--but had had to leave his native land owing to some rather dubious affair of the past. It was his noble patriotism, of which he made a great display, that had rendered him so interesting in Aglaya’s eyes. She was so fascinated that, even before marrying him, she joined a committee that had been organized abroad to work for the restoration of Poland; and further, she visited the confessional of a celebrated Jesuit priest, who made an absolute fanatic of her. The supposed fortune of the count had dwindled to a mere nothing, although he had given almost irrefutable evidence of its existence to Lizabetha Prokofievna and Prince S.
The latter, amazed at her conduct, began to express his displeasure; but he very soon became aware that he must change his voice, style, and everything else, with this young lady; the good old times were gone. An entirely new and different woman sat before him, between whom and the girl he had left in the country last July there seemed nothing in common.
Suddenly Rogojin burst into a loud abrupt laugh, as though he had quite forgotten that they must speak in whispers.
“What on earth does all this mean? What’s he going to read?” muttered several voices. Others said nothing; but one and all sat down and watched with curiosity. They began to think something strange might really be about to happen. Vera stood and trembled behind her father’s chair, almost in tears with fright; Colia was nearly as much alarmed as she was. Lebedeff jumped up and put a couple of candles nearer to Hippolyte, so that he might see better.
His first impression was one of fascination. Somehow or other he felt that all these people must have been born on purpose to be together! It seemed to him that the Epanchins were not having a party at all; that these people must have been here always, and that he himself was one of them--returned among them after a long absence, but one of them, naturally and indisputably.
“No--and I don’t want one,” said the prince, laughing.“They drag each other about the place,” he said, “and get drunk together at the pub close by here, and quarrel in the street on the way home, and embrace one another after it, and don’t seem to part for a moment.”
“Keller is my name, sir; ex-lieutenant,” he said, very loud. “If you will accept me as champion of the fair sex, I am at your disposal. English boxing has no secrets from me. I sympathize with you for the insult you have received, but I can’t permit you to raise your hand against a woman in public. If you prefer to meet me--as would be more fitting to your rank--in some other manner, of course you understand me, captain.”| “Where’s your brother?” |
| “Oh no--it’s the work of an instant. They put a man inside a frame and a sort of broad knife falls by machinery--they call the thing a guillotine--it falls with fearful force and weight--the head springs off so quickly that you can’t wink your eye in between. But all the preparations are so dreadful. When they announce the sentence, you know, and prepare the criminal and tie his hands, and cart him off to the scaffold--that’s the fearful part of the business. The people all crowd round--even women--though they don’t at all approve of women looking on.” |
| VII. |
| “Nastasia Philipovna? Why, you don’t mean to say that she and Lihachof--” cried Rogojin, turning quite pale. |
| “There are the letters.” (Aglaya took three letters out of her pocket and threw them down before the prince.) “For a whole week she has been entreating and worrying and persuading me to marry you. She--well, she is clever, though she may be mad--much cleverer than I am, as you say. Well, she writes that she is in love with me herself, and tries to see me every day, if only from a distance. She writes that you love me, and that she has long known it and seen it, and that you and she talked about me--there. She wishes to see you happy, and she says that she is certain only I can ensure you the happiness you deserve. She writes such strange, wild letters--I haven’t shown them to anyone. Now, do you know what all this means? Can you guess anything?” |