The prince took his banknote out and showed it to Ferdishenko. The latter unfolded it and looked at it; then he turned it round and examined the other side; then he held it up to the light.

“If you wished to preserve your good name, why did you not give up your--your ‘guardian,’ Totski, without all that theatrical posturing?” said Aglaya, suddenly a propos of nothing.

“Don’t listen to her, prince,” said Mrs. Epanchin; “she says that sort of thing out of mischief. Don’t think anything of their nonsense, it means nothing. They love to chaff, but they like you. I can see it in their faces--I know their faces.”

“Well, why have I worried him, for five years, and never let him go free? Is he worth it? He is only just what he ought to be--nothing particular. He thinks I am to blame, too. He gave me my education, kept me like a countess. Money--my word! What a lot of money he spent over me! And he tried to find me an honest husband first, and then this Gania, here. And what do you think? All these five years I did not live with him, and yet I took his money, and considered I was quite justified.

“When I observed that it was all the same whether one died among trees or in front of a blank brick wall, as here, and that it was not worth making any fuss over a fortnight, he agreed at once. But he insisted that the good air at Pavlofsk and the greenness would certainly cause a physical change for the better, and that my excitement, and my _dreams_, would be perhaps relieved. I remarked to him, with a smile, that he spoke like a materialist, and he answered that he had always been one. As he never tells a lie, there must be something in his words. His smile is a pleasant one. I have had a good look at him. I don’t know whether I like him or not; and I have no time to waste over the question. The hatred which I felt for him for five months has become considerably modified, I may say, during the last month. Who knows, perhaps I am going to Pavlofsk on purpose to see him! But why do I leave my chamber? Those who are sentenced to death should not leave their cells. If I had not formed a final resolve, but had decided to wait until the last minute, I should not leave my room, or accept his invitation to come and die at Pavlofsk. I must be quick and finish this explanation before tomorrow. I shall have no time to read it over and correct it, for I must read it tomorrow to the prince and two or three witnesses whom I shall probably find there.
The present visitor, Ptitsin, was also afraid of her. This was a young fellow of something under thirty, dressed plainly, but neatly. His manners were good, but rather ponderously so. His dark beard bore evidence to the fact that he was not in any government employ. He could speak well, but preferred silence. On the whole he made a decidedly agreeable impression. He was clearly attracted by Varvara, and made no secret of his feelings. She trusted him in a friendly way, but had not shown him any decided encouragement as yet, which fact did not quell his ardour in the least.

The prince and the general were the only two persons left in the room.

Ivan Fedorovitch, now quite out of patience, interrupted suddenly. “Let me remark in my turn, sir,” he said in tones of deep annoyance, “that my wife is here as the guest of Prince Lef Nicolaievitch, our friend and neighbour, and that in any case, young man, it is not for you to pass judgment on the conduct of Lizabetha Prokofievna, or to make remarks aloud in my presence concerning what feelings you think may be read in my face. Yes, my wife stayed here,” continued the general, with increasing irritation, “more out of amazement than anything else. Everyone can understand that a collection of such strange young men would attract the attention of a person interested in contemporary life. I stayed myself, just as I sometimes stop to look on in the street when I see something that may be regarded as-as-as-”
“At once... at once... in one moment!”
“Oh, but I learned very little, you know!” added the prince, as though excusing himself. “They could not teach me very much on account of my illness.”
“Yes, directly; I’ll go away directly. I’ll--”
“You wouldn’t draw his portrait for us, that’s why you are to blame! Aglaya Ivanovna asked you to draw his portrait, and gave you the whole subject of the picture. She invented it herself; and you wouldn’t.”

Since the general’s “mishap,” as Colia called it, and the marriage of his sister, the boy had quietly possessed himself of far more freedom. His relations saw little of him, for he rarely slept at home. He made many new friends; and was moreover, a frequent visitor at the debtor’s prison, to which he invariably accompanied his mother. Varia, who used to be always correcting him, never spoke to him now on the subject of his frequent absences, and the whole household was surprised to see Gania, in spite of his depression, on quite friendly terms with his brother. This was something new, for Gania had been wont to look upon Colia as a kind of errand-boy, treating him with contempt, threatening to “pull his ears,” and in general driving him almost wild with irritation. It seemed now that Gania really needed his brother, and the latter, for his part, felt as if he could forgive Gania much since he had returned the hundred thousand roubles offered to him by Nastasia Philipovna. Three months after the departure of the prince, the Ivolgin family discovered that Colia had made acquaintance with the Epanchins, and was on very friendly terms with the daughters. Varia heard of it first, though Colia had not asked her to introduce him. Little by little the family grew quite fond of him. Madame Epanchin at first looked on him with disdain, and received him coldly, but in a short time he grew to please her, because, as she said, he “was candid and no flatterer”--a very true description. From the first he put himself on an equality with his new friends, and though he sometimes read newspapers and books to the mistress of the house, it was simply because he liked to be useful.

“May I ask you, Hippolyte, not to talk of this subject? And not to use such expressions?”

“But I told you she is not at Pavlofsk. And what would be the use if she were?”

“Listen, prince,” said Gania, as though an idea had just struck him, “I wish to ask you a great favour, and yet I really don’t know--”
“Is such a thing possible?”
Alexandra was a good-natured girl, though she had a will of her own. She was intelligent and kind-hearted, and, if she were to marry Totski, she would make him a good wife. She did not care for a brilliant marriage; she was eminently a woman calculated to soothe and sweeten the life of any man; decidedly pretty, if not absolutely handsome. What better could Totski wish?
Aglaya merely glanced at the portrait--frowned, and put out her underlip; then went and sat down on the sofa with folded hands. Mrs. Epanchin rang the bell.
Nina Alexandrovna--seeing his sincerity of feeling--said at last, and without the faintest suspicion of reproach in her voice: “Come, come--don’t cry! God will forgive you!”
“Can’t _you_ get him out of the room, somehow? _Do_, please,” and tears of annoyance stood in the boy’s eyes. “Curse that Gania!” he muttered, between his teeth.
“Well--he’s a good match--and a bad one; and if you want my opinion, more bad than good. You can see for yourself the man is an invalid.”
“You say, take the hundred thousand and kick that man out. It is true, it is an abominable business, as you say. I might have married long ago, not Gania--Oh, no!--but that would have been abominable too.
“You too, Alexandra Ivanovna, have a very lovely face; but I think you may have some secret sorrow. Your heart is undoubtedly a kind, good one, but you are not merry. There is a certain suspicion of ‘shadow’ in your face, like in that of Holbein’s Madonna in Dresden. So much for your face. Have I guessed right?
“He is the sort of man,” he continued, “who won’t give up his object, you know; he is not like you and me, prince--he belongs to quite a different order of beings. If he sets his heart on a thing he won’t be afraid of anything--” and so on.
“Why? what’s there strange about it? He has a tongue. Why shouldn’t he tell us something? I want to judge whether he is a good story-teller; anything you like, prince--how you liked Switzerland, what was your first impression, anything. You’ll see, he’ll begin directly and tell us all about it beautifully.”
But Lizabetha Prokofievna knew perfectly well how unnecessary was the last question. She set a high value on Alexandra Ivanovna’s judgment, and often consulted her in difficulties; but that she was a ‘wet hen’ she never for a moment doubted. “She is so calm; nothing rouses her--though wet hens are not always calm! Oh! I can’t understand it!” Her eldest daughter inspired Lizabetha with a kind of puzzled compassion. She did not feel this in Aglaya’s case, though the latter was her idol. It may be said that these outbursts and epithets, such as “wet hen” (in which the maternal solicitude usually showed itself), only made Alexandra laugh. Sometimes the most trivial thing annoyed Mrs. Epanchin, and drove her into a frenzy. For instance, Alexandra Ivanovna liked to sleep late, and was always dreaming, though her dreams had the peculiarity of being as innocent and naive as those of a child of seven; and the very innocence of her dreams annoyed her mother. Once she dreamt of nine hens, and this was the cause of quite a serious quarrel--no one knew why. Another time she had--it was most unusual--a dream with a spark of originality in it. She dreamt of a monk in a dark room, into which she was too frightened to go. Adelaida and Aglaya rushed off with shrieks of laughter to relate this to their mother, but she was quite angry, and said her daughters were all fools.

“You know quite well that I am telling the truth, because I have always been frank with you. I have never concealed my own opinion from you. I have always told you that I consider a marriage between you and her would be ruin to her. You would also be ruined, and perhaps even more hopelessly. If this marriage were to be broken off again, I admit I should be greatly pleased; but at the same time I have not the slightest intention of trying to part you. You may be quite easy in your mind, and you need not suspect me. You know yourself whether I was ever really your rival or not, even when she ran away and came to me.

“No one ever tormented you on the subject,” murmured Adelaida, aghast.

“What suspicion attaches to Evgenie Pavlovitch?”

On seeing the prince he became deadly white, and apparently fixed to the ground, so that he was more like a marble statue than a human being. The prince had expected some surprise, but Rogojin evidently considered his visit an impossible and miraculous event. He stared with an expression almost of terror, and his lips twisted into a bewildered smile.
“Well, gentlemen!” she continued, gazing around in apparent astonishment; “what do you all look so alarmed about? Why are you so upset?”
The prince rose and took off his mantle, revealing a neat enough morning costume--a little worn, but well made. He wore a steel watch chain and from this chain there hung a silver Geneva watch. Fool the prince might be, still, the general’s servant felt that it was not correct for him to continue to converse thus with a visitor, in spite of the fact that the prince pleased him somehow.

“Oh, yes--a wonderful fellow; but I was present myself. I gave him my blessing.”

They stopped before a somewhat low doorway on the fourth floor. Ardalion Alexandrovitch, evidently much out of countenance, pushed Muishkin in front.
“Nastasia Philipovna, dear soul!” cried the actress, impatiently, “do be calm, dear! If it annoys you so--all this--do go away and rest! Of course you would never go with this wretched fellow, in spite of his hundred thousand roubles! Take his money and kick him out of the house; that’s the way to treat him and the likes of him! Upon my word, if it were my business, I’d soon clear them all out!”
“I don’t know whether I did or not,” said Rogojin, drily, seeming to be a little astonished at the question, and not quite taking it in.
“Indeed, you must not go away like that, young man, you must not!” cried the general. “My friend here is a widow, the mother of a family; her words come straight from her heart, and find an echo in mine. A visit to her is merely an affair of a few minutes; I am quite at home in her house. I will have a wash, and dress, and then we can drive to the Grand Theatre. Make up your mind to spend the evening with me.... We are just there--that’s the house... Why, Colia! you here! Well, is Marfa Borisovna at home or have you only just come?”
“Who, in the name of what Law, would think of disputing my full personal right over the fortnight of life left to me? What jurisdiction can be brought to bear upon the case? Who would wish me, not only to be sentenced, but to endure the sentence to the end? Surely there exists no man who would wish such a thing--why should anyone desire it? For the sake of morality? Well, I can understand that if I were to make an attempt upon my own life while in the enjoyment of full health and vigour--my life which might have been ‘useful,’ etc., etc.--morality might reproach me, according to the old routine, for disposing of my life without permission--or whatever its tenet may be. But now, _now_, when my sentence is out and my days numbered! How can morality have need of my last breaths, and why should I die listening to the consolations offered by the prince, who, without doubt, would not omit to demonstrate that death is actually a benefactor to me? (Christians like him always end up with that--it is their pet theory.) And what do they want with their ridiculous ‘Pavlofsk trees’? To sweeten my last hours? Cannot they understand that the more I forget myself, the more I let myself become attached to these last illusions of life and love, by means of which they try to hide from me Meyer’s wall, and all that is so plainly written on it--the more unhappy they make me? What is the use of all your nature to me--all your parks and trees, your sunsets and sunrises, your blue skies and your self-satisfied faces--when all this wealth of beauty and happiness begins with the fact that it accounts me--only me--one too many! What is the good of all this beauty and glory to me, when every second, every moment, I cannot but be aware that this little fly which buzzes around my head in the sun’s rays--even this little fly is a sharer and participator in all the glory of the universe, and knows its place and is happy in it;--while I--only I, am an outcast, and have been blind to the fact hitherto, thanks to my simplicity! Oh! I know well how the prince and others would like me, instead of indulging in all these wicked words of my own, to sing, to the glory and triumph of morality, that well-known verse of Gilbert’s:
She had then asked him to play cards--the game called “little fools.” At this game the tables were turned completely, for the prince had shown himself a master at it. Aglaya had cheated and changed cards, and stolen others, in the most bare-faced way, but, in spite of everything the prince had beaten her hopelessly five times running, and she had been left “little fool” each time.

Her father, mother, and sisters came into the room and were much struck with the last words, which they just caught as they entered--“absurdity which of course meant nothing”--and still more so with the emphasis with which Aglaya had spoken.

“Wait a minute, prince,” said Aglaya, suddenly rising from her seat, “do write something in my album first, will you? Father says you are a most talented caligraphist; I’ll bring you my book in a minute.” She left the room.

Aglaya blushed with pleasure. All these changes in her expression came about so naturally and so rapidly--they delighted the prince; he watched her, and laughed.

“I don’t know. Perhaps it was that I seemed to come upon light in the midst of my gloom. I told you the truth when I said I did not know why I thought of you before all others. Of course it was all a sort of dream, a dream amidst the horrors of reality. Afterwards I began to work. I did not intend to come back here for two or three years--”
“All the while I was in their house I felt sure that somewhere beneath the floor there was hidden away some dreadful corpse, wrapped in oil-cloth, perhaps buried there by his father, who knows? Just as in the Moscow case. I could have shown you the very spot!
“She is a woman who is seeking...”
“Well, what then? Did you suppose it wasn’t going to rise?” asked Ferdishenko. “Then I read it,” said Hippolyte, in the tone of one bowing to the fiat of destiny. He could not have grown paler if a verdict of death had suddenly been presented to him.

“But he has never even--”

“But perhaps you may not have observed it, oh, you damned idiot, you!” he shouted, quite beside himself with fury. “You can’t even describe what went on.”
“No--in anger, perhaps. Oh yes! she reproached me dreadfully in anger; and suffered herself, too! But afterwards--oh! don’t remind me--don’t remind me of that!”