“Bah! you wish to hear a man tell of his worst actions, and you expect the story to come out goody-goody! One’s worst actions always are mean. We shall see what the general has to say for himself now. All is not gold that glitters, you know; and because a man keeps his carriage he need not be specially virtuous, I assure you, all sorts of people keep carriages. And by what means?”

VII.

“Old story? No! Heaven knows what’s up now--I don’t! Father has simply gone mad; mother’s in floods of tears. Upon my word, Varia, I must kick him out of the house; or else go myself,” he added, probably remembering that he could not well turn people out of a house which was not his own.
“If I wish! That’s good, I must say! Do you think I am deceived as to the flagrant impropriety of my conduct? I am quite aware that his money is his own, and that my action--is much like an attempt at extortion. But you-you don’t know what life is! If people don’t learn by experience, they never understand. They must be taught. My intentions are perfectly honest; on my conscience he will lose nothing, and I will pay back the money with interest. Added to which he has had the moral satisfaction of seeing me disgraced. What does he want more? and what is he good for if he never helps anyone? Look what he does himself! just ask him about his dealings with others, how he deceives people! How did he manage to buy this house? You may cut off my head if he has not let you in for something--and if he is not trying to cheat you again. You are smiling. You don’t believe me?”
“Yes, they’ll be awfully annoyed if they don’t see it.”
The fact is that probably Hippolyte was not quite so black as Gania painted him; and it was hardly likely that he had informed Nina Alexandrovna of certain events, of which we know, for the mere pleasure of giving her pain. We must never forget that human motives are generally far more complicated than we are apt to suppose, and that we can very rarely accurately describe the motives of another. It is much better for the writer, as a rule, to content himself with the bare statement of events; and we shall take this line with regard to the catastrophe recorded above, and shall state the remaining events connected with the general’s trouble shortly, because we feel that we have already given to this secondary character in our story more attention than we originally intended.
He turned and went downstairs.
Rogojin suffered from brain fever for two months. When he recovered from the attack he was at once brought up on trial for murder.

“Oho! ho, ho, ho!” cried Ferdishenko. “_Now_ then, prince! My word, what things I would say if I had such a chance as that! My goodness, prince--go on!”

“Why, what do you mean? You said you knew, and now suddenly you know nothing! You say ‘very well; let’s leave it so.’ But I say, don’t be so confiding, especially as you know nothing. You are confiding simply _because_ you know nothing. But do you know what these good people have in their minds’ eye--Gania and his sister? Perhaps you are suspicious? Well, well, I’ll drop the subject!” he added, hastily, observing the prince’s impatient gesture. “But I’ve come to you on my own business; I wish to make you a clear explanation. What a nuisance it is that one cannot die without explanations! I have made such a quantity of them already. Do you wish to hear what I have to say?”
“I say A. N. B., and so it shall be!” cried Aglaya, irritably. “Anyway, the ‘poor knight’ did not care what his lady was, or what she did. He had chosen his ideal, and he was bound to serve her, and break lances for her, and acknowledge her as the ideal of pure Beauty, whatever she might say or do afterwards. If she had taken to stealing, he would have championed her just the same. I think the poet desired to embody in this one picture the whole spirit of medieval chivalry and the platonic love of a pure and high-souled knight. Of course it’s all an ideal, and in the ‘poor knight’ that spirit reached the utmost limit of asceticism. He is a Don Quixote, only serious and not comical. I used not to understand him, and laughed at him, but now I love the ‘poor knight,’ and respect his actions.”

We may remark here that he seemed anxious not to omit a single one of the recognized customs and traditions observed at weddings. He wished all to be done as openly as possible, and “in due order.”

“I am base--base!” muttered Lebedeff, beating his breast, and hanging his head.

The prince said nothing, but entered the room, sat down silently, and stared at them, one after the other, with the air of a man who cannot understand what is being said to him. It was strange--one moment he seemed to be so observant, the next so absent; his behaviour struck all the family as most remarkable. At length he rose from his seat, and begged to be shown Nastasia’s rooms. The ladies reported afterwards how he had examined everything in the apartments. He observed an open book on the table, Madam Bovary, and requested the leave of the lady of the house to take it with him. He had turned down the leaf at the open page, and pocketed it before they could explain that it was a library book. He had then seated himself by the open window, and seeing a card-table, he asked who played cards.

“Oh, I don’t know about that! I’ve heard much that is good about our legal administration, too. There is no capital punishment here for one thing.”

The prince gazed at her in amazement.
“Be quiet! How dare they laugh at me in your house?” said Aglaya, turning sharply on her mother in that hysterical frame of mind that rides recklessly over every obstacle and plunges blindly through proprieties. “Why does everyone, everyone worry and torment me? Why have they all been bullying me these three days about you, prince? I will not marry you--never, and under no circumstances! Know that once and for all; as if anyone could marry an absurd creature like you! Just look in the glass and see what you look like, this very moment! Why, _why_ do they torment me and say I am going to marry you? You must know it; you are in the plot with them!”
“Quite so, quite so. I only asked for information--excuse the question. Go on.”
“I don’t torment him, prince, I don’t indeed!” cried Lebedeff, hotly. “I love him, my dear sir, I esteem him; and believe it or not, I love him all the better for this business, yes--and value him more.”
Lizabetha Prokofievna frowned, but had not as yet grasped the subject, which seemed to have arisen out of a heated argument. Aglaya sat apart, almost in the corner, listening in stubborn silence.
During the next fortnight--that is, through the early part of July--the history of our hero was circulated in the form of strange, diverting, most unlikely-sounding stories, which passed from mouth to mouth, through the streets and villas adjoining those inhabited by Lebedeff, Ptitsin, Nastasia Philipovna and the Epanchins; in fact, pretty well through the whole town and its environs. All society--both the inhabitants of the place and those who came down of an evening for the music--had got hold of one and the same story, in a thousand varieties of detail--as to how a certain young prince had raised a terrible scandal in a most respectable household, had thrown over a daughter of the family, to whom he was engaged, and had been captured by a woman of shady reputation whom he was determined to marry at once--breaking off all old ties for the satisfaction of his insane idea; and, in spite of the public indignation roused by his action, the marriage was to take place in Pavlofsk openly and publicly, and the prince had announced his intention of going through with it with head erect and looking the whole world in the face. The story was so artfully adorned with scandalous details, and persons of so great eminence and importance were apparently mixed up in it, while, at the same time, the evidence was so circumstantial, that it was no wonder the matter gave food for plenty of curiosity and gossip.

“I assure you, prince, that Lebedeff is intriguing against you. He wants to put you under control. Imagine that! To take ‘from you the use of your free-will and your money’--that is to say, the two things that distinguish us from the animals! I have heard it said positively. It is the sober truth.”

“Ladies are exempted if they like.”

“Nastasia Philipovna!” “Oh, but I do know, as it happens,” said the clerk in an aggravating manner. “Lebedeff knows all about her. You are pleased to reproach me, your excellency, but what if I prove that I am right after all? Nastasia Phillpovna’s family name is Barashkoff--I know, you see--and she is a very well known lady, indeed, and comes of a good family, too. She is connected with one Totski, Afanasy Ivanovitch, a man of considerable property, a director of companies, and so on, and a great friend of General Epanchin, who is interested in the same matters as he is.” The prince remained silent.
This last item of news, which disturbed Lizabetha Prokofievna more than anything else, was perfectly true. On leaving Nastasia’s, Aglaya had felt that she would rather die than face her people, and had therefore gone straight to Nina Alexandrovna’s. On receiving the news, Lizabetha and her daughters and the general all rushed off to Aglaya, followed by Prince Lef Nicolaievitch--undeterred by his recent dismissal; but through Varia he was refused a sight of Aglaya here also. The end of the episode was that when Aglaya saw her mother and sisters crying over her and not uttering a word of reproach, she had flung herself into their arms and gone straight home with them.
“Yes, I did; I am thinking of it.”
“It _is_ true, it _is_ true,” cried Aglaya, almost beside herself with rage.
“Oh come! just as if you didn’t understand, Lukian Timofeyovitch! What are you up to? I can’t make you out! The money, the money, sir! The four hundred roubles that you lost that day. You came and told me about it one morning, and then went off to Petersburg. There, _now_ do you understand?”
Aglaya did not so much as glance at the new arrivals, but went on with her recitation, gazing at the prince the while in an affected manner, and at him alone. It was clear to him that she was doing all this with some special object.
“_What?_” cried Mrs. Epanchin, raising her hands in horror. “_What’s_ that?”
At length she plunged into an energetic and hostile criticism of railways, and glared at the prince defiantly.

“‘Maybe sad Love upon his setting smiles, And with vain hopes his farewell hour beguiles.’

“She’s here,” replied Rogojin, slowly, after a slight pause.
Muishkin stopped short.
There was nothing particularly significant in the fact that a man was standing back in the doorway, waiting to come out or go upstairs; but the prince felt an irresistible conviction that he knew this man, and that it was Rogojin. The man moved on up the stairs; a moment later the prince passed up them, too. His heart froze within him. “In a minute or two I shall know all,” he thought.
“No, certainly not, no more than yourself, though at first I thought I was.” “Of railways?” put in Colia eagerly. Nearly everyone observed the little band advancing, and all pretended not to see or notice them, except a few young fellows who exchanged glances and smiled, saying something to one another in whispers.

“I like looking at that picture,” muttered Rogojin, not noticing, apparently, that the prince had not answered his question.

“No, no, you needn’t do anything of the sort; you mustn’t hint gently at all. I’ll go down myself directly. I wish to apologize to this young man, because I hurt his feelings.”

“Yes, I have,” and the prince stopped again.