To serve her brother’s interests, Varvara Ardalionovna was constantly at the Epanchins’ house, helped by the fact that in childhood she and Gania had played with General Ivan Fedorovitch’s daughters. It would have been inconsistent with her character if in these visits she had been pursuing a chimera; her project was not chimerical at all; she was building on a firm basis--on her knowledge of the character of the Epanchin family, especially Aglaya, whom she studied closely. All Varvara’s efforts were directed towards bringing Aglaya and Gania together. Perhaps she achieved some result; perhaps, also, she made the mistake of depending too much upon her brother, and expecting more from him than he would ever be capable of giving. However this may be, her manoeuvres were skilful enough. For weeks at a time she would never mention Gania. Her attitude was modest but dignified, and she was always extremely truthful and sincere. Examining the depths of her conscience, she found nothing to reproach herself with, and this still further strengthened her in her designs. But Varvara Ardalionovna sometimes remarked that she felt spiteful; that there was a good deal of vanity in her, perhaps even of wounded vanity. She noticed this at certain times more than at others, and especially after her visits to the Epanchins.

He hid his face in his hands.

“No! Allow me, that is not what we are discussing!” he cried, waving his hand to impose silence. “Allow me! With these gentlemen... all these gentlemen,” he added, suddenly addressing the prince, “on certain points... that is...” He thumped the table repeatedly, and the laughter increased. Lebedeff was in his usual evening condition, and had just ended a long and scientific argument, which had left him excited and irritable. On such occasions he was apt to evince a supreme contempt for his opponents.
However, let us take one more example. Thus, we know for a fact that during the whole of this fortnight the prince spent all his days and evenings with Nastasia; he walked with her, drove with her; he began to be restless whenever he passed an hour without seeing her--in fact, to all appearances, he sincerely loved her. He would listen to her for hours at a time with a quiet smile on his face, scarcely saying a word himself. And yet we know, equally certainly, that during this period he several times set off, suddenly, to the Epanchins’, not concealing the fact from Nastasia Philipovna, and driving the latter to absolute despair. We know also that he was not received at the Epanchins’ so long as they remained at Pavlofsk, and that he was not allowed an interview with Aglaya;--but next day he would set off once more on the same errand, apparently quite oblivious of the fact of yesterday’s visit having been a failure,--and, of course, meeting with another refusal. We know, too, that exactly an hour after Aglaya had fled from Nastasia Philipovna’s house on that fateful evening, the prince was at the Epanchins’,--and that his appearance there had been the cause of the greatest consternation and dismay; for Aglaya had not been home, and the family only discovered then, for the first time, that the two of them had been to Nastasia’s house together.
Lebedeff began to grin again, rubbed his hands, sneezed, but spoke not a word in reply. Hippolyte, who had fallen asleep during Lebedeff’s discourse, now suddenly woke up, just as though someone had jogged him in the side. He shuddered, raised himself on his arm, gazed around, and grew very pale. A look almost of terror crossed his face as he recollected.

Such were, for instance, Varvara Ardalionovna Ptitsin, her husband, and her brother, Gania.

“So it is!” said Rogojin, unexpectedly. They had now reached the front door.

At that moment Vera, carrying the baby in her arms as usual, came out of the house, on to the terrace. Lebedeff kept fidgeting among the chairs, and did not seem to know what to do with himself, though he had no intention of going away. He no sooner caught sight of his daughter, than he rushed in her direction, waving his arms to keep her away; he even forgot himself so far as to stamp his foot.

“There is plenty of room here.”

An ominous expression passed over Nastasia Philipovna’s face, of a sudden. It became obstinate-looking, hard, and full of hatred; but she did not take her eyes off her visitors for a moment.

The prince made no reply.
In a quarter of an hour or so Prince N. and Evgenie Pavlovitch and the old dignitary were hard at work endeavouring to restore the harmony of the evening, but it was of no avail, and very soon after the guests separated and went their ways.

“Twenty-seventh!” said Gania.

“Come, come, don’t overdo your philosophy. Of course you did. Now it’s all over, and a good thing, too; pair of fools that we have been! I confess I have never been able to look at it seriously. I busied myself in it for your sake, thinking that there was no knowing what might happen with a funny girl like that to deal with. There were ninety to one chances against it. To this moment I can’t make out why you wished for it.”
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people. Alexandra took it, and Adelaida came up, and both the girls examined the photograph. Just then Aglaya entered the room.

In a word, the whole place was confined, and a “tight fit” for the party. Gania used to grind his teeth with rage over the state of affairs; though he was anxious to be dutiful and polite to his mother. However, it was very soon apparent to anyone coming into the house, that Gania was the tyrant of the family.

“The impression was forcible--” the prince began.

“‘From his face he never lifted That eternal mask of steel.’” “What do you think about it?” said the general in a low voice to Totski. “Is she mad? I mean mad in the medical sense of the word .... eh?”

He seemed to have been born with overwrought nerves, and in his passionate desire to excel, he was often led to the brink of some rash step; and yet, having resolved upon such a step, when the moment arrived, he invariably proved too sensible to take it. He was ready, in the same way, to do a base action in order to obtain his wished-for object; and yet, when the moment came to do it, he found that he was too honest for any great baseness. (Not that he objected to acts of petty meanness--he was always ready for _them_.) He looked with hate and loathing on the poverty and downfall of his family, and treated his mother with haughty contempt, although he knew that his whole future depended on her character and reputation.

Yes, agonizing. He remembered how he had suffered that first day when he thought he observed in her the symptoms of madness. He had almost fallen into despair. How could he have lost his hold upon her when she ran away from him to Rogojin? He ought to have run after her himself, rather than wait for news as he had done. Can Rogojin have failed to observe, up to now, that she is mad? Rogojin attributes her strangeness to other causes, to passion! What insane jealousy! What was it he had hinted at in that suggestion of his? The prince suddenly blushed, and shuddered to his very heart.

“I suppose that was it; I cannot explain it otherwise.”

“‘Lumen caeli, sancta Rosa!’ Shouting on the foe he fell, And like thunder rang his war-cry O’er the cowering infidel.
“Oh, what _nonsense!_ You must buy one. French or English are the best, they say. Then take a little powder, about a thimbleful, or perhaps two, and pour it into the barrel. Better put plenty. Then push in a bit of felt (it _must_ be felt, for some reason or other); you can easily get a bit off some old mattress, or off a door; it’s used to keep the cold out. Well, when you have pushed the felt down, put the bullet in; do you hear now? The bullet last and the powder first, not the other way, or the pistol won’t shoot. What are you laughing at? I wish you to buy a pistol and practise every day, and you must learn to hit a mark for _certain_; will you?” Here the voice of Hippolyte suddenly intervened.
He fell asleep on the bench; but his mental disquiet continued through his slumbers.
“He has astonished me,” said Ivan Fedorovitch. “I nearly fell down with surprise. I could hardly believe my eyes when I met him in Petersburg just now. Why this haste? That’s what I want to know. He has always said himself that there is no need to break windows.”
He hesitated, and appeared so much embarrassed that the prince helped him out.
“Is it today, Gania?” asked Nina Alexandrovna, at last.
The prince flushed up so much that he could not look her in the face.