“But surely this is a joke, Nastasia Philipovna?” asked Totski. “You don’t really mean us to play this game.”
However, he must take his room at the hotel; and he started off in that direction. Having engaged his room, he was asked by the waiter whether he would take dinner; replying mechanically in the affirmative, he sat down and waited; but it was not long before it struck him that dining would delay him. Enraged at this idea, he started up, crossed the dark passage (which filled him with horrible impressions and gloomy forebodings), and set out once more for Rogojin’s. Rogojin had not returned, and no one came to the door. He rang at the old lady’s door opposite, and was informed that Parfen Semionovitch would not return for three days. The curiosity with which the old servant stared at him again impressed the prince disagreeably. He could not find the porter this time at all.
“Norma backed slowly and carefully away from the brute, which followed her, creeping deliberately after her as though it intended to make a sudden dart and sting her.
| “Oh--come! Surely you must know that there is to be a meeting today between Nastasia and Aglaya Ivanovna, and that Nastasia has been sent for on purpose, through Rogojin, from St. Petersburg? It has been brought about by invitation of Aglaya Ivanovna and my own efforts, and Nastasia is at this moment with Rogojin, not far from here--at Dana Alexeyevna’s--that curious friend of hers; and to this questionable house Aglaya Ivanovna is to proceed for a friendly chat with Nastasia Philipovna, and for the settlement of several problems. They are going to play at arithmetic--didn’t you know about it? Word of honour?” |
“You spoke of a meeting with Nastasia Philipovna,” he said at last, in a low voice.
| Arrived at her house, Lizabetha Prokofievna paused in the first room. She could go no farther, and subsided on to a couch quite exhausted; too feeble to remember so much as to ask the prince to take a seat. This was a large reception-room, full of flowers, and with a glass door leading into the garden. |
| “Did I ever expect to find happiness with Aglaya?” |
| “What delightful writing materials you have here, such a lot of pencils and things, and what beautiful paper! It’s a charming room altogether. I know that picture, it’s a Swiss view. I’m sure the artist painted it from nature, and that I have seen the very place--” |
“Excuse me; I was able to deliver it almost immediately after receiving your commission, and I gave it, too, just as you asked me to. It has come into my hands now because Aglaya Ivanovna has just returned it to me.”
“I have seen an execution,” said the prince.
“Yes, for certain--quite for certain, now! I have discovered it _absolutely_ for certain, these last few days.”
“Rogojin was evidently by no means pleased to see me, and hinted, delicately, that he saw no reason why our acquaintance should continue. For all that, however, I spent a very interesting hour, and so, I dare say, did he. There was so great a contrast between us that I am sure we must both have felt it; anyhow, I felt it acutely. Here was I, with my days numbered, and he, a man in the full vigour of life, living in the present, without the slightest thought for ‘final convictions,’ or numbers, or days, or, in fact, for anything but that which-which--well, which he was mad about, if he will excuse me the expression--as a feeble author who cannot express his ideas properly.
| Gania looked more intently at her. |
“What is it?” someone asked, breathlessly--“A misfire?”
He gave full, satisfactory, and direct evidence on every point; and the prince’s name was, thanks to this, not brought into the proceedings. Rogojin was very quiet during the progress of the trial. He did not contradict his clever and eloquent counsel, who argued that the brain fever, or inflammation of the brain, was the cause of the crime; clearly proving that this malady had existed long before the murder was perpetrated, and had been brought on by the sufferings of the accused.
“Have you always lived at home, Aglaya Ivanovna?” he asked. “I mean, have you never been to school, or college, or anything?”
| She had heard that he was proud and ambitious; she had heard much that was interesting of his mother and sister, she had heard of them from Mr. Ptitsin, and would much like to make their acquaintance, but--another question!--would they like to receive her into their house? At all events, though she did not reject the idea of this marriage, she desired not to be hurried. As for the seventy-five thousand roubles, Mr. Totski need not have found any difficulty or awkwardness about the matter; she quite understood the value of money, and would, of course, accept the gift. She thanked him for his delicacy, however, but saw no reason why Gavrila Ardalionovitch should not know about it. |
The prince gazed at it for a minute or two, then glanced around him, and hurriedly raised the portrait to his lips. When, a minute after, he reached the drawing-room door, his face was quite composed. But just as he reached the door he met Aglaya coming out alone.
“Oh, no--no--I’m all right, I assure you!”
| “Seriously? Then are you a coward?” |
“Gentlemen, you’d better look out,” cried Colia, also seizing Hippolyte by the hand. “Just look at him! Prince, what are you thinking of?” Vera and Colia, and Keller, and Burdovsky were all crowding round Hippolyte now and holding him down.
“Ah! Well, if it was Rogojin--but do you know what she writes to me about?”
“Listen to me, Keller,” returned the prince. “If I were in your place, I should not acknowledge that unless it were absolutely necessary for some reason. But perhaps you are making yourself out to be worse than you are, purposely?”
| Nastasia Philipovna seemed delighted at the appearance of this latest arrival, of whom she had of course heard a good deal by report. |
The man evidently could not take in the idea of such a shabby-looking visitor, and had decided to ask once more.
| “I believe I have just written dreadful nonsense; but there’s no time for correcting, as I said before. Besides that, I have made myself a promise not to alter a single word of what I write in this paper, even though I find that I am contradicting myself every five lines. I wish to verify the working of the natural logic of my ideas tomorrow during the reading--whether I am capable of detecting logical errors, and whether all that I have meditated over during the last six months be true, or nothing but delirium. |
Alas Aglaya still did not come--and the prince was quite lost. He had the greatest difficulty in expressing his opinion that railways were most useful institutions,--and in the middle of his speech Adelaida laughed, which threw him into a still worse state of confusion.
| “That Nastasia Philipovna will accept you, and that the question is as good as settled; and secondly, that even if she did, you would be able to pocket the money. Of course, I know very little about it, but that’s my view. When a man marries for money it often happens that the wife keeps the money in her own hands.” |
“When I told them what a shame it was of the parson to talk as he had done, and explained my reason, they were so angry that some of them went and broke his windows with stones. Of course I stopped them, for that was not right, but all the village heard of it, and how I caught it for spoiling the children! Everyone discovered now that the little ones had taken to being fond of Marie, and their parents were terribly alarmed; but Marie was so happy. The children were forbidden to meet her; but they used to run out of the village to the herd and take her food and things; and sometimes just ran off there and kissed her, and said, ‘_Je vous aime, Marie!_’ and then trotted back again. They imagined that I was in love with Marie, and this was the only point on which I did not undeceive them, for they got such enjoyment out of it. And what delicacy and tenderness they showed!
| Five seconds after the disappearance of the last actor in this scene, the police arrived. The whole episode had not lasted more than a couple of minutes. Some of the spectators had risen from their places, and departed altogether; some merely exchanged their seats for others a little further off; some were delighted with the occurrence, and talked and laughed over it for a long time. |
“Mamma, it’s rather a strange order, that!” said Adelaida, who was fussing among her paints and paint-brushes at the easel. Aglaya and Alexandra had settled themselves with folded hands on a sofa, evidently meaning to be listeners. The prince felt that the general attention was concentrated upon himself.
The prince’s conversation was artless and confiding to a degree, and the servant could not help feeling that as from visitor to common serving-man this state of things was highly improper. His conclusion was that one of two things must be the explanation--either that this was a begging impostor, or that the prince, if prince he were, was simply a fool, without the slightest ambition; for a sensible prince with any ambition would certainly not wait about in ante-rooms with servants, and talk of his own private affairs like this. In either case, how was he to announce this singular visitor?
“You know quite well, but you are pretending to be ignorant,” said Aglaya, very low, with her eyes on the ground.
“I _did_ not expect you, gentlemen,” began the prince. “I have been ill until to-day. A month ago,” he continued, addressing himself to Antip Burdovsky, “I put your business into Gavrila Ardalionovitch Ivolgin’s hands, as I told you then. I do not in the least object to having a personal interview... but you will agree with me that this is hardly the time... I propose that we go into another room, if you will not keep me long... As you see, I have friends here, and believe me...”
And, indeed, there were no words in which he could have expressed his horror, yes, _horror_, for he was now fully convinced from his own private knowledge of her, that the woman was mad.
The prince observed that Alexandra appeared to be angry with Evgenie, because he spoke on a serious subject in a frivolous manner, pretending to be in earnest, but with an under-current of irony.
“I felt so furious with him at this moment that I longed to rush at him; but as I had sworn that he should speak first, I continued to lie still--and the more willingly, as I was still by no means satisfied as to whether it really was Rogojin or not.
“He is dying, yet he will not stop holding forth!” cried Lizabetha Prokofievna. She loosed her hold on his arm, almost terrified, as she saw him wiping the blood from his lips. “Why do you talk? You ought to go home to bed.”
| He aired his own views on various matters, some of his most private opinions and observations, many of which would have seemed rather funny, so his hearers agreed afterwards, had they not been so well expressed. |
“Oh, no; I love her with all my soul. Why, she is a child! She’s a child now--a real child. Oh! you know nothing about it at all, I see.”
“What is it?” demanded the lady.
(“N.B.--Let me remember to consider; am I mad at this moment, or not? or rather at these moments? I have been told that consumptives sometimes do go out of their minds for a while in the last stages of the malady. I can prove this tomorrow when I read it out, by the impression it makes upon the audience. I must settle this question once and for all, otherwise I can’t go on with anything.)
| “Oh, come--nonsense!” cried Gania; “if you did not go shaming us all over the town, things might be better for all parties.” |
“But what’s to be done? It’s a serious matter,” said the prince, thoughtfully. “Don’t you think you may have dropped it out of your pocket whilst intoxicated?”
The general had not come down from town as yet, nor had Evgenie Pavlovitch arrived.
“We have done without him so far,” interrupted Adelaida in her turn. “Surely we can wait until to-morrow.”
| Keller suddenly left his seat, and approached Lizabetha Prokofievna. |
| “‘Ne mentez jamais! NAPOLÉON (votre ami sincère).’ |
“Yes, he told me,” said the prince, feeling only half alive.
“Oh, I’ve still got it, here!”
“Make allowances? For whom? Him--the old blackguard? No, no, Varia--that won’t do! It won’t do, I tell you! And look at the swagger of the man! He’s all to blame himself, and yet he puts on so much ‘side’ that you’d think--my word!--‘It’s too much trouble to go through the gate, you must break the fence for me!’ That’s the sort of air he puts on; but what’s the matter with you, Varia? What a curious expression you have!”
“‘Peter Matveyevitch Bachmatoff!’ he cried, trembling all over with excitement. ‘Why, nearly everything depends on that very man!’
“Yes, quite so. I wished to ask you whether you could show me the way to Nastasia Philipovna’s tonight. I must go; I have business with her; I was not invited but I was introduced. Anyhow I am ready to trespass the laws of propriety if only I can get in somehow or other.”
He hid his face in his hands.
The prince followed her. Arrived at the dining-room, she stopped.
“Well, I’m afraid of you. You shudder and tremble so. We’ll pass the night here together. There are no other beds besides that one; but I’ve thought how we’ll manage. I’ll take the cushions off all the sofas, and lay them down on the floor, up against the curtain here--for you and me--so that we shall be together. For if they come in and look about now, you know, they’ll find her, and carry her away, and they’ll be asking me questions, and I shall say I did it, and then they’ll take me away, too, don’t you see? So let her lie close to us--close to you and me.
| At the same time his grasp of things in general soon showed Totski that he now had to deal with a being who was outside the pale of the ordinary rules of traditional behaviour, and who would not only threaten mischief but would undoubtedly carry it out, and stop for no one. |
| “Well, and what did the lady do?” asked Nastasia, impatiently. |
What had happened to him? Why was his brow clammy with drops of moisture, his knees shaking beneath him, and his soul oppressed with a cold gloom? Was it because he had just seen these dreadful eyes again? Why, he had left the Summer Garden on purpose to see them; that had been his “idea.” He had wished to assure himself that he would see them once more at that house. Then why was he so overwhelmed now, having seen them as he expected? just as though he had not expected to see them! Yes, they were the very same eyes; and no doubt about it. The same that he had seen in the crowd that morning at the station, the same that he had surprised in Rogojin’s rooms some hours later, when the latter had replied to his inquiry with a sneering laugh, “Well, whose eyes were they?” Then for the third time they had appeared just as he was getting into the train on his way to see Aglaya. He had had a strong impulse to rush up to Rogojin, and repeat his words of the morning “Whose eyes are they?” Instead he had fled from the station, and knew nothing more, until he found himself gazing into the window of a cutler’s shop, and wondering if a knife with a staghorn handle would cost more than sixty copecks. And as the prince sat dreaming in the Summer Garden under a lime-tree, a wicked demon had come and whispered in his car: “Rogojin has been spying upon you and watching you all the morning in a frenzy of desperation. When he finds you have not gone to Pavlofsk--a terrible discovery for him--he will surely go at once to that house in Petersburg Side, and watch for you there, although only this morning you gave your word of honour not to see _her_, and swore that you had not come to Petersburg for that purpose.” And thereupon the prince had hastened off to that house, and what was there in the fact that he had met Rogojin there? He had only seen a wretched, suffering creature, whose state of mind was gloomy and miserable, but most comprehensible. In the morning Rogojin had seemed to be trying to keep out of the way; but at the station this afternoon he had stood out, he had concealed himself, indeed, less than the prince himself; at the house, now, he had stood fifty yards off on the other side of the road, with folded hands, watching, plainly in view and apparently desirous of being seen. He had stood there like an accuser, like a judge, not like a--a what?