“I don’t _hate_, I despise him,” said Gania, grandly. “Well, I do hate him, if you like!” he added, with a sudden access of rage, “and I’ll tell him so to his face, even when he’s dying! If you had but read his confession--good Lord! what refinement of impudence! Oh, but I’d have liked to whip him then and there, like a schoolboy, just to see how surprised he would have been! Now he hates everybody because he--Oh, I say, what on earth are they doing there! Listen to that noise! I really can’t stand this any longer. Ptitsin!” he cried, as the latter entered the room, “what in the name of goodness are we coming to? Listen to that--”

“Aglaya Ivanovna, aren’t you ashamed of saying such a thing? How could such a horrible idea enter your sweet, innocent heart? I am certain you don’t believe a word of what you say, and probably you don’t even know what you are talking about.”
“Prince,” he said, “tell me the truth; do you know what all this means?”
“But let me resume.”
“What! Pleased with all that nonsense! Why, cannot you see that they are all infatuated with pride and vanity?”
“Yes, yes, yes!” said the prince, once more, nodding his head, and blushing slightly. “Yes, it was so, or nearly so--I know it. And besides, you see, I had not slept the night before, in the train, or the night before that, either, and I was very tired.”
“Insinuation? Oh! I assure you, I take your word for it.” And the prince continued laughing merrily.

“I don’t believe it! It’s impossible! What object could they have?” He jumped up from his chair in his excitement.

“Oh, Aglaya--perhaps you cannot understand all this. Try to realize that in the perpetual admission of guilt she probably finds some dreadful unnatural satisfaction--as though she were revenging herself upon someone.
Lebedeff also came to see the prince, in a great hurry to get away to the “deceased,” as he called General Ivolgin, who was alive still, but very ill. Colia also turned up, and begged the prince for pity’s sake to tell him all he knew about his father which had been concealed from him till now. He said he had found out nearly everything since yesterday; the poor boy was in a state of deep affliction. With all the sympathy which he could bring into play, the prince told Colia the whole story without reserve, detailing the facts as clearly as he could. The tale struck Colia like a thunderbolt. He could not speak. He listened silently, and cried softly to himself the while. The prince perceived that this was an impression which would last for the whole of the boy’s life. He made haste to explain his view of the matter, and pointed out that the old man’s approaching death was probably brought on by horror at the thought of his action; and that it was not everyone who was capable of such a feeling.

The latter had no idea and could give no information as to why Pavlicheff had taken so great an interest in the little prince, his ward.

XII.

The clerk, rather confused, tried to say something, hesitated, began to speak, and again stopped. The prince looked at him gravely.
“I gave him all the information he needed, and he very soon took his departure; so that, since he only came for the purpose of gaining the information, the matter might have been expected to end there.
“Yes, Nicolai Andreevitch--that was his name,” and the young fellow looked earnestly and with curiosity at the all-knowing gentleman with the red nose.
Lenotchka, a little girl of eight, ran to fetch the cushion at once, and placed it on the rickety old sofa. The general meant to have said much more, but as soon as he had stretched himself out, he turned his face to the wall, and slept the sleep of the just.
The prince took a cab and drove to a street near the Nativity, where he soon discovered the house he was seeking. It was a small wooden villa, and he was struck by its attractive and clean appearance; it stood in a pleasant little garden, full of flowers. The windows looking on the street were open, and the sound of a voice, reading aloud or making a speech, came through them. It rose at times to a shout, and was interrupted occasionally by bursts of laughter.
“Perhaps then I am anxious to take advantage of my last chance of doing something for myself. A protest is sometimes no small thing.”

Hearing these words from her husband, Lizabetha Prokofievna was driven beside herself.

“Antip Burdovsky,” stuttered the son of Pavlicheff. “There’s the money!... How dare you?... The money!”
“Yes, he was.”
Now and then he looked at Aglaya for five minutes at a time, without taking his eyes off her face; but his expression was very strange; he would gaze at her as though she were an object a couple of miles distant, or as though he were looking at her portrait and not at herself at all.

“What shall I write?” asked the prince.

As Nastasia Philipovna had not said a word about having met Rogojin since “that day,” the prince concluded that the latter had his own reasons for wishing to keep out of sight. All the day of the funeral our hero was in a deeply thoughtful state, while Nastasia Philipovna was particularly merry, both in the daytime and in the evening. “Are you telling the truth when you say you are not in love?”

“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.

He could not believe that this was the same haughty young girl who had once so proudly shown him Gania’s letter. He could not understand how that proud and austere beauty could show herself to be such an utter child--a child who probably did not even now understand some words.

The prince’s conversation was artless and confiding to a degree, and the servant could not help feeling that as from visitor to common serving-man this state of things was highly improper. His conclusion was that one of two things must be the explanation--either that this was a begging impostor, or that the prince, if prince he were, was simply a fool, without the slightest ambition; for a sensible prince with any ambition would certainly not wait about in ante-rooms with servants, and talk of his own private affairs like this. In either case, how was he to announce this singular visitor?
“Be quiet, you can talk afterwards! What was the letter about? Why are you blushing?”
The letter had evidently been written in a hurry: