“Oh come! just as if you didn’t understand, Lukian Timofeyovitch! What are you up to? I can’t make you out! The money, the money, sir! The four hundred roubles that you lost that day. You came and told me about it one morning, and then went off to Petersburg. There, _now_ do you understand?”
The phrase flattered the general, touched him, and pleased him mightily. He immediately changed his tone, and started off on a long and solemn explanation. But listen as he would, the prince could make neither head nor tail of it.
“Has she never laughed at you?”“You are laughing, I think? Why do you keep laughing at me?” said Hippolyte irritably to Evgenie Pavlovitch, who certainly was laughing.
“I don’t _hate_, I despise him,” said Gania, grandly. “Well, I do hate him, if you like!” he added, with a sudden access of rage, “and I’ll tell him so to his face, even when he’s dying! If you had but read his confession--good Lord! what refinement of impudence! Oh, but I’d have liked to whip him then and there, like a schoolboy, just to see how surprised he would have been! Now he hates everybody because he--Oh, I say, what on earth are they doing there! Listen to that noise! I really can’t stand this any longer. Ptitsin!” he cried, as the latter entered the room, “what in the name of goodness are we coming to? Listen to that--”
“You don’t know all, you see; I tell you there are things--and besides, I’m sure that she is persuaded that I love her to distraction, and I give you my word I have a strong suspicion that she loves me, too--in her own way, of course. She thinks she will be able to make a sort of slave of me all my life; but I shall prepare a little surprise for her. I don’t know whether I ought to be confidential with you, prince; but, I assure you, you are the only decent fellow I have come across. I have not spoken so sincerely as I am doing at this moment for years. There are uncommonly few honest people about, prince; there isn’t one honester than Ptitsin, he’s the best of the lot. Are you laughing? You don’t know, perhaps, that blackguards like honest people, and being one myself I like you. _Why_ am I a blackguard? Tell me honestly, now. They all call me a blackguard because of her, and I have got into the way of thinking myself one. That’s what is so bad about the business.”“As it will be absolutely true, without a touch of falsehood, I am curious to see what impression it will make upon me myself at the moment when I read it out. This is my ‘last and solemn’--but why need I call it that? There is no question about the truth of it, for it is not worthwhile lying for a fortnight; a fortnight of life is not itself worth having, which is a proof that I write nothing here but pure truth.
One fact, at least, would have been perfectly plain to an outsider, had any such person been on the spot; and that was, that the prince had made a very considerable impression upon the family, in spite of the fact that he had but once been inside the house, and then only for a short time. Of course, if analyzed, this impression might have proved to be nothing more than a feeling of curiosity; but be it what it might, there it undoubtedly was.| There were sounds of half-smothered laughter at this. |
| “Immediately, immediately! As for my story, gentlemen, it is too stupid and absurd to tell you. |
“Oh, I’m a mean wretch--a mean wretch!” he said, approaching the prince once more, and beating his breast, with tears in his eyes.
“Impossible!” cried the prince, aghast.Hippolyte braced himself up a little.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
He himself, when relating the circumstances of the general’s illness to Lizabetha Prokofievna, “spoke beautifully,” as Aglaya’s sisters declared afterwards--“modestly, quietly, without gestures or too many words, and with great dignity.” He had entered the room with propriety and grace, and he was perfectly dressed; he not only did not “fall down on the slippery floor,” as he had expressed it, but evidently made a very favourable impression upon the assembled guests.| “Oh well; I caught it quite hot enough today, thanks to you. However, I forgive you.” |
| Though Rogojin had declared that he left Pskoff secretly, a large collection of friends had assembled to greet him, and did so with profuse waving of hats and shouting. |
“He’s not going to die at once, I should think, is he?”
But Gania had borne too much that day, and especially this evening, and he was not prepared for this last, quite unexpected trial.
Aglaya flushed up angrily.Nastasia’s arrival was a most unexpected and overwhelming event to all parties. In the first place, she had never been before. Up to now she had been so haughty that she had never even asked Gania to introduce her to his parents. Of late she had not so much as mentioned them. Gania was partly glad of this; but still he had put it to her debit in the account to be settled after marriage.
Exclamations arose on all sides.| “Listen to me, Lebedeff,” said the prince in a decided voice, turning his back on the young man. “I know by experience that when you choose, you can be business-like... I have very little time to spare, and if you... By the way--excuse me--what is your Christian name? I have forgotten it.” |
| “But Nastasia Philipovna seems to me to be such a _sensible_ woman, and, as such, why should she run blindly into this business? That’s what puzzles me so,” said the prince. |
But again, amidst the incontrovertible facts just recorded, one more, equally significant, rose up to confront the family; and this was, that the eldest daughter, Alexandra, had imperceptibly arrived at her twenty-fifth birthday. Almost at the same moment, Afanasy Ivanovitch Totski, a man of immense wealth, high connections, and good standing, announced his intention of marrying. Afanasy Ivanovitch was a gentleman of fifty-five years of age, artistically gifted, and of most refined tastes. He wished to marry well, and, moreover, he was a keen admirer and judge of beauty.
“H’m, then you _do_ give him money?”
| “I don’t think so, Ferdishenko; please be quiet,” answered Nastasia Philipovna dryly. |
| Lebedeff clasped his hands in supplication. |
| “Poor Peter Volhofskoi was desperately in love with Anfisa Alexeyevna. I don’t know whether there was anything--I mean I don’t know whether he could possibly have indulged in any hope. The poor fellow was beside himself to get her a bouquet of camellias. Countess Sotski and Sophia Bespalova, as everyone knew, were coming with white camellia bouquets. Anfisa wished for red ones, for effect. Well, her husband Platon was driven desperate to find some. And the day before the ball, Anfisa’s rival snapped up the only red camellias to be had in the place, from under Platon’s nose, and Platon--wretched man--was done for. Now if Peter had only been able to step in at this moment with a red bouquet, his little hopes might have made gigantic strides. A woman’s gratitude under such circumstances would have been boundless--but it was practically an impossibility. |
| “I have no idea,” replied General Ivolgin, who presided with much gravity. |
| “Not those very words. She only just had time to whisper as she went by; but by the way she looked at me I knew it was important. She looked at me in a way that made my heart stop beating.” |
| “Were you to blame, or not?” |
| “Oh, dear me, I assure you there is no need to stand on ceremony with him,” the general explained hastily. “He is quite a child, not to say a pathetic-looking creature. He has fits of some sort, and has just arrived from Switzerland, straight from the station, dressed like a German and without a farthing in his pocket. I gave him twenty-five roubles to go on with, and am going to find him some easy place in one of the government offices. I should like you to ply him well with the victuals, my dears, for I should think he must be very hungry.” |
| “I know, I know! He lay there fifteen hours in the hard frost, and died with the most extraordinary fortitude--I know--what of him?” |
“You see, I am going into the country myself in three days, with my children and belongings. The little one is delicate; she needs change of air; and during our absence this house will be done up. I am going to Pavlofsk.”
“Oh, Aglaya--perhaps you cannot understand all this. Try to realize that in the perpetual admission of guilt she probably finds some dreadful unnatural satisfaction--as though she were revenging herself upon someone.
“I don’t quite know. Your house has the aspect of yourself and all your family; it bears the stamp of the Rogojin life; but ask me why I think so, and I can tell you nothing. It is nonsense, of course. I am nervous about this kind of thing troubling me so much. I had never before imagined what sort of a house you would live in, and yet no sooner did I set eyes on this one than I said to myself that it must be yours.”