Arrived at her house, Lizabetha Prokofievna paused in the first room. She could go no farther, and subsided on to a couch quite exhausted; too feeble to remember so much as to ask the prince to take a seat. This was a large reception-room, full of flowers, and with a glass door leading into the garden.

“But why talk now?” replied Lizabetha Prokofievna, more and more alarmed; “You are quite feverish. Just now you would not stop shouting, and now you can hardly breathe. You are gasping.”

“Kapiton didn’t exist either!” persisted Gania, maliciously.
Rogojin laughed bitterly as he said these words, and opening the door, held it for the prince to pass out. Muishkin looked surprised, but went out. The other followed him as far as the landing of the outer stairs, and shut the door behind him. They both now stood facing one another, as though oblivious of where they were, or what they had to do next.

“Prince, prince!” he cried, seizing hold of his arm, “recollect yourself! Drop her, prince! You see what sort of a woman she is. I am speaking to you like a father.”

“I want to explain all to you--everything--everything! I know you think me Utopian, don’t you--an idealist? Oh, no! I’m not, indeed--my ideas are all so simple. You don’t believe me? You are smiling. Do you know, I am sometimes very wicked--for I lose my faith? This evening as I came here, I thought to myself, ‘What shall I talk about? How am I to begin, so that they may be able to understand partially, at all events?’ How afraid I was--dreadfully afraid! And yet, how _could_ I be afraid--was it not shameful of me? Was I afraid of finding a bottomless abyss of empty selfishness? Ah! that’s why I am so happy at this moment, because I find there is no bottomless abyss at all--but good, healthy material, full of life.

“Mother,” said Rogojin, kissing her hand, “here is my great friend, Prince Muishkin; we have exchanged crosses; he was like a real brother to me at Moscow at one time, and did a great deal for me. Bless him, mother, as you would bless your own son. Wait a moment, let me arrange your hands for you.”

“Look here,” cried Rogojin, seizing him fiercely by the arm, “look here, if you so much as name Nastasia Philipovna again, I’ll tan your hide as sure as you sit there!”

“That is nothing!” said the prince, waving his hand.

“On the table, as in the other room, burned a tallow candle-end in an iron candlestick; and on the bed there whined a baby of scarcely three weeks old. A pale-looking woman was dressing the child, probably the mother; she looked as though she had not as yet got over the trouble of childbirth, she seemed so weak and was so carelessly dressed. Another child, a little girl of about three years old, lay on the sofa, covered over with what looked like a man’s old dress-coat.
But why recall all this? There was insanity on both sides. For him, the prince, to love this woman with passion, was unthinkable. It would be cruel and inhuman. Yes. Rogojin is not fair to himself; he has a large heart; he has aptitude for sympathy. When he learns the truth, and finds what a pitiable being is this injured, broken, half-insane creature, he will forgive her all the torment she has caused him. He will become her slave, her brother, her friend. Compassion will teach even Rogojin, it will show him how to reason. Compassion is the chief law of human existence. Oh, how guilty he felt towards Rogojin! And, for a few warm, hasty words spoken in Moscow, Parfen had called him “brother,” while he--but no, this was delirium! It would all come right! That gloomy Parfen had implied that his faith was waning; he must suffer dreadfully. He said he liked to look at that picture; it was not that he liked it, but he felt the need of looking at it. Rogojin was not merely a passionate soul; he was a fighter. He was fighting for the restoration of his dying faith. He must have something to hold on to and believe, and someone to believe in. What a strange picture that of Holbein’s is! Why, this is the street, and here’s the house, No. 16. The old man tried to put a good face on the affair.
“You are mad!” said Ptitsin, coming up quickly and seizing him by the hand. “You’re drunk--the police will be sent for if you don’t look out. Think where you are.”
“Coming, coming,” said the general. “Son of my old friend--” he was heard muttering as he went down the passage.
“Feeds me? Go on. Don’t stand on ceremony, pray.”
Gavrila Ardalionovitch was still sitting in the study, buried in a mass of papers. He looked as though he did not take his salary from the public company, whose servant he was, for a sinecure.
When Keller seized the would-be suicide, the latter fell forward into his arms, probably actually believing that he was shot. Keller had hold of the pistol now. Hippolyte was immediately placed in a chair, while the whole company thronged around excitedly, talking and asking each other questions. Every one of them had heard the snap of the trigger, and yet they saw a live and apparently unharmed man before them.
Gania glanced inquiringly at the speaker. Just at this moment the door opened and the prince entered, announcing:

We may mention that Gania was no longer mentioned in the Epanchin household any more than the prince was; but that a certain circumstance in connection with the fatal evening at Nastasia’s house became known to the general, and, in fact, to all the family the very next day. This fact was that Gania had come home that night, but had refused to go to bed. He had awaited the prince’s return from Ekaterinhof with feverish impatience.

“What letters?” said the prince, alarmed. “May I ask why? and also why you walk about on tiptoe and always seem as if you were going to whisper a secret in my ear whenever you come near me?”
Lizabetha Prokofievna went to bed and only rose again in time for tea, when the prince might be expected.
“Very well--afterwards. You are always interrupting me. What woman was it you were dreaming about?”
Whether she were a woman who had read too many poems, as Evgenie Pavlovitch supposed, or whether she were mad, as the prince had assured Aglaya, at all events, this was a woman who, in spite of her occasionally cynical and audacious manner, was far more refined and trustful and sensitive than appeared. There was a certain amount of romantic dreaminess and caprice in her, but with the fantastic was mingled much that was strong and deep. “Hurrah for the ‘poor knight’!” cried Colia.

“When I entered the yard I thought I saw a man going along on the far side of it; but it was so dark I could not make out his figure.

“I told you I had not had much of an education,” replied the prince.
Aglaya paused for a moment, as though suddenly brought up in astonishment that she could have said these words, but at the same time a great pride shone in her eyes, like a defiant assertion that it would not matter to her if “this woman” laughed in her face for the admission just made.

“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.

The poor general had merely made the remark about having carried Aglaya in his arms because he always did so begin a conversation with young people. But it happened that this time he had really hit upon the truth, though he had himself entirely forgotten the fact. But when Adelaida and Aglaya recalled the episode of the pigeon, his mind became filled with memories, and it is impossible to describe how this poor old man, usually half drunk, was moved by the recollection. The prince made a rush after her, but he was caught and held back. The distorted, livid face of Nastasia gazed at him reproachfully, and her blue lips whispered:

“Then don’t speak at all. Sit still and don’t talk.”

“No--no--no!” muttered Lebedeff, clutching at his arm. He was clearly aghast at the largeness of the sum, and thought a far smaller amount should have been tried first.
“Oh, well,” thought the general, “he’s lost to us for good, now.”
“Don’t you see he is a lunatic, prince?” whispered Evgenie Pavlovitch in his ear. “Someone told me just now that he is a bit touched on the subject of lawyers, that he has a mania for making speeches and intends to pass the examinations. I am expecting a splendid burlesque now.”
“Prince Muishkin? Lef Nicolaievitch? H’m! I don’t know, I’m sure! I may say I have never heard of such a person,” said the clerk, thoughtfully. “At least, the name, I admit, is historical. Karamsin must mention the family name, of course, in his history--but as an individual--one never hears of any Prince Muishkin nowadays.”

“ANTIP BURDOVSKY.

Heaven knows how long and upon what subjects he thought. He thought of many things--of Vera Lebedeff, and of her father; of Hippolyte; of Rogojin himself, first at the funeral, then as he had met him in the park, then, suddenly, as they had met in this very passage, outside, when Rogojin had watched in the darkness and awaited him with uplifted knife. The prince remembered his enemy’s eyes as they had glared at him in the darkness. He shuddered, as a sudden idea struck him.

“No--no--my dear girl,” began the general. “You cannot proceed like this, Aglaya, if that’s how the matter stands. It’s impossible. Prince, forgive it, my dear fellow, but--Lizabetha Prokofievna!”--he appealed to his spouse for help--“you must really--”

Sure enough there was something sticking out of the front of the coat--something large. It certainly felt as though it might well be the purse fallen through a hole in the pocket into the lining.

“Shall we shut the door, and lock it, or not?”
He did not dare look at her, but he was conscious, to the very tips of his fingers, that she was gazing at him, perhaps angrily; and that she had probably flushed up with a look of fiery indignation in her black eyes.
All this news was received by the company with somewhat gloomy interest. Nastasia was silent, and would not say what she thought about it. Gania was equally uncommunicative. The general seemed the most anxious of all, and decidedly uneasy. The present of pearls which he had prepared with so much joy in the morning had been accepted but coldly, and Nastasia had smiled rather disagreeably as she took it from him. Ferdishenko was the only person present in good spirits.
“I have not got a ten-rouble note,” said the prince; “but here is a twenty-five. Change it and give me back the fifteen, or I shall be left without a farthing myself.”
“‘My God!’ he cried, ‘where did you find it? How?’ I explained in as few words as I could, and as drily as possible, how I had seen it and picked it up; how I had run after him, and called out to him, and how I had followed him upstairs and groped my way to his door.
It was strange, Nastasia Philipovna felt, to see Aglaya like this. She gazed at her, and could hardly believe her eyes and ears for a moment or two.

“It only remains for me, then, to thank Nastasia Philipovna for the great delicacy with which she has treated me,” said Gania, as pale as death, and with quivering lips. “That is my plain duty, of course; but the prince--what has he to do in the matter?”

“Perhaps he really doesn’t understand me! They do say that you are a--you know what! She loves another--there, you can understand that much! Just as I love her, exactly so she loves another man. And that other man is--do you know who? It’s you. There--you didn’t know that, eh?”

“You must have no suspicions, none whatever,” said Lebedeff quickly. “I only want you to know that the person in question is not afraid of him, but of something quite, quite different.”

The prince took his banknote out and showed it to Ferdishenko. The latter unfolded it and looked at it; then he turned it round and examined the other side; then he held it up to the light.

“Ferdishenko.”
“Nothing. I was only seeking further information, to put the finishing touch.”
“But, gentlemen, I assure you that you are quite astray,” exclaimed the prince. “You have published this article upon the supposition that I would never consent to satisfy Mr. Burdovsky. Acting on that conviction, you have tried to intimidate me by this publication and to be revenged for my supposed refusal. But what did you know of my intentions? It may be that I have resolved to satisfy Mr. Burdovsky’s claim. I now declare openly, in the presence of these witnesses, that I will do so.”
Only the prince stopped behind for a moment, as though in indecision; and Evgenie Pavlovitch lingered too, for he had not collected his scattered wits. But the Epanchins had not had time to get more than twenty paces away when a scandalous episode occurred. The young officer, Evgenie Pavlovitch’s friend who had been conversing with Aglaya, said aloud in a great state of indignation: