Arrived at her house, Lizabetha Prokofievna paused in the first room. She could go no farther, and subsided on to a couch quite exhausted; too feeble to remember so much as to ask the prince to take a seat. This was a large reception-room, full of flowers, and with a glass door leading into the garden.
“But why talk now?” replied Lizabetha Prokofievna, more and more alarmed; “You are quite feverish. Just now you would not stop shouting, and now you can hardly breathe. You are gasping.”
| Rogojin laughed bitterly as he said these words, and opening the door, held it for the prince to pass out. Muishkin looked surprised, but went out. The other followed him as far as the landing of the outer stairs, and shut the door behind him. They both now stood facing one another, as though oblivious of where they were, or what they had to do next. |
“I want to explain all to you--everything--everything! I know you think me Utopian, don’t you--an idealist? Oh, no! I’m not, indeed--my ideas are all so simple. You don’t believe me? You are smiling. Do you know, I am sometimes very wicked--for I lose my faith? This evening as I came here, I thought to myself, ‘What shall I talk about? How am I to begin, so that they may be able to understand partially, at all events?’ How afraid I was--dreadfully afraid! And yet, how _could_ I be afraid--was it not shameful of me? Was I afraid of finding a bottomless abyss of empty selfishness? Ah! that’s why I am so happy at this moment, because I find there is no bottomless abyss at all--but good, healthy material, full of life.
“Mother,” said Rogojin, kissing her hand, “here is my great friend, Prince Muishkin; we have exchanged crosses; he was like a real brother to me at Moscow at one time, and did a great deal for me. Bless him, mother, as you would bless your own son. Wait a moment, let me arrange your hands for you.”
“That is nothing!” said the prince, waving his hand.
| “On the table, as in the other room, burned a tallow candle-end in an iron candlestick; and on the bed there whined a baby of scarcely three weeks old. A pale-looking woman was dressing the child, probably the mother; she looked as though she had not as yet got over the trouble of childbirth, she seemed so weak and was so carelessly dressed. Another child, a little girl of about three years old, lay on the sofa, covered over with what looked like a man’s old dress-coat. |
| “Coming, coming,” said the general. “Son of my old friend--” he was heard muttering as he went down the passage. |
| Gavrila Ardalionovitch was still sitting in the study, buried in a mass of papers. He looked as though he did not take his salary from the public company, whose servant he was, for a sinecure. |
We may mention that Gania was no longer mentioned in the Epanchin household any more than the prince was; but that a certain circumstance in connection with the fatal evening at Nastasia’s house became known to the general, and, in fact, to all the family the very next day. This fact was that Gania had come home that night, but had refused to go to bed. He had awaited the prince’s return from Ekaterinhof with feverish impatience.
“What letters?” said the prince, alarmed. “May I ask why? and also why you walk about on tiptoe and always seem as if you were going to whisper a secret in my ear whenever you come near me?”| “Very well--afterwards. You are always interrupting me. What woman was it you were dreaming about?” |
“When I entered the yard I thought I saw a man going along on the far side of it; but it was so dark I could not make out his figure.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
The poor general had merely made the remark about having carried Aglaya in his arms because he always did so begin a conversation with young people. But it happened that this time he had really hit upon the truth, though he had himself entirely forgotten the fact. But when Adelaida and Aglaya recalled the episode of the pigeon, his mind became filled with memories, and it is impossible to describe how this poor old man, usually half drunk, was moved by the recollection. The prince made a rush after her, but he was caught and held back. The distorted, livid face of Nastasia gazed at him reproachfully, and her blue lips whispered:“Then don’t speak at all. Sit still and don’t talk.”
| “Don’t you see he is a lunatic, prince?” whispered Evgenie Pavlovitch in his ear. “Someone told me just now that he is a bit touched on the subject of lawyers, that he has a mania for making speeches and intends to pass the examinations. I am expecting a splendid burlesque now.” |
“ANTIP BURDOVSKY.
Heaven knows how long and upon what subjects he thought. He thought of many things--of Vera Lebedeff, and of her father; of Hippolyte; of Rogojin himself, first at the funeral, then as he had met him in the park, then, suddenly, as they had met in this very passage, outside, when Rogojin had watched in the darkness and awaited him with uplifted knife. The prince remembered his enemy’s eyes as they had glared at him in the darkness. He shuddered, as a sudden idea struck him.
“No--no--my dear girl,” began the general. “You cannot proceed like this, Aglaya, if that’s how the matter stands. It’s impossible. Prince, forgive it, my dear fellow, but--Lizabetha Prokofievna!”--he appealed to his spouse for help--“you must really--”
Sure enough there was something sticking out of the front of the coat--something large. It certainly felt as though it might well be the purse fallen through a hole in the pocket into the lining.
| It was strange, Nastasia Philipovna felt, to see Aglaya like this. She gazed at her, and could hardly believe her eyes and ears for a moment or two. |
“It only remains for me, then, to thank Nastasia Philipovna for the great delicacy with which she has treated me,” said Gania, as pale as death, and with quivering lips. “That is my plain duty, of course; but the prince--what has he to do in the matter?”
“You must have no suspicions, none whatever,” said Lebedeff quickly. “I only want you to know that the person in question is not afraid of him, but of something quite, quite different.”
The prince took his banknote out and showed it to Ferdishenko. The latter unfolded it and looked at it; then he turned it round and examined the other side; then he held it up to the light.
| “Ferdishenko.” |
| “Nothing. I was only seeking further information, to put the finishing touch.” |